(Soundboard/Audience FLAC)
1984 10 13
Frank Zappa
Palasport San Lazzarro
Padova, Italy
SBD/AUD (fzmoi69-doctorzap-WIU2B-flambay-mudsharknyc)
Arrow 1984 PADOVA QUICK REFERENCE
This FZ Shows entry welcomes a never before available at Zappateers SBD source to FZ Shows (thanks to fzmoi69 & doctorzap) and merges it with a recent 2011 AUD source upgrade (thanks to WIU2B) to complete the show. Listen to at your own risk of laughter & enjoyment.
Arrow SATURDAY NIGHT BROWN OUT @ PADOVA 1984 PREAMBLE
This show captures FZ & the 1984 Touring Band right smack in the middle of their 7 Italian concert itinerary during the European leg of their 20th Anniversary touring schedule. FZ begins the show tonight with a 6 word spoken gesture of greeting, ”Welcome to Saturday Night in Padova”, and just by the tone of Frank’s voice, one can guestimate a real treat of a performance is to follow….which it does……
Just when you might have thought you’ve heard the funniest FZ concert ever, then yet another appears. This is one of those concerts. The onstage ‘Does Humor Belong In Music’ antics tonight commence in Nig Biz with FZ’s animated “Hey Asshole” response to the lyric and steadily progress from there. “Owner Of A Lonely Heart” quotes begin in “Trouble Every Day” and further culminate to a flurry of quotes during “Bamboozled By Love”. Then the concert takes a turn into the bizarre, from “Advance Romance”, where ‘Brown Out’ references start taking over the show. Continuod humor, lyrical deviation and chaos ensue from there.
Should anyone know the story of the ‘brown out’ inspired lyric tonight please chime in. Might it have been something to do with the hotel food? Or was it something Ray gave birth to after eating the hotel food? Or could it have been something to do with a Colombo hotel escort delivering a ‘dessert’ on Ray? Or, perhaps, simply another band member messing about with fudge brownies? roflol Whatever the case, the time capsule presented herein delivers one heck of a very funny & animated performance all around with some great soloing and guitar tone textures to boot.
Arrow SBD SOURCE INFORMATION: The SBD portion herein originates from the fzmoi69-doctorzap 2nd generation tape source Shoebox entry as found here:
1984 10 13 Padova IT ~90min SBD 2nd (fzmoi69-doctorzap) (wrongly labeled as 1984 09 14 Rome sbd 2nd gen)
http://www.zappateers.com/bb/viewtopic.php?t=22910
LINEAGE: Maxell XLII 2nd gen > Nakamichi DR-1 > Realtek HDAudio pentium i7 > Soundforge 10 Pro Highest quality setting Izotope 64 bit src downsampling / MBIT+dither > TLH > WAV > PEAK > speed correction, editing, patching & tracking > FLAC (level 8)
Overall SQ for this main SBD portion rates as a B+. FZ’s guitar is placed perfectly up front in the mix, sounding excellent. This recording truly accentuates the beautiful guitar tone of the evening hence serving up one highly enjoyable listen.
Arrow AUD PATCH SOURCE INFORMATION: The Audience patch fills portion herein completes the show and originates via the excellent, recently upgraded, 2011 WIU2B FZ Shows entry as found here: 1984 10 13 Padova IT 122.30 AUD 2nd (WIU2B) ZTLS#483 http://www.zappateers.com/bb/viewtopic.php?t=21800
The main portion AUD 2nd generation recording was obtained by WIU2B from Danilo S. and was therein patched to completeness with material from Source #2 (Renzo-PappaZappa-Marcomat MC)
AUD MAIN SOURCE LINEAGE: AUD>unknown mics and recorder>cassette (2nd gen?)Nakamichi DR-10>Terratec DMX6 Fire 24/96 soundcard>Adobe Audition 3.0.1>WAV>CDWave Editor>Flac Frontend encoding level 8>FLAC> WAV > PEAK > speed correction, patching into SBD source
Taped by: unknown, Transferred by: WIU2B, Edited by: WIU2B
Overall SQ for the AUD patch portion herein rates as a B+ grade, imo.
Fills to the WIU2B patch source were taken from alternate audience source #2 1984 10 13 Padova Italy 108.40 Aud (marcomat) which has since been archived.
AUD SOURCE #2 LINEAGE: AUD > Recorded with Sony TCS300 Stereo mic Unitronic AST20 > WAV > SoundForge (fade in/out) > CDR > EAC > WAV >Flac Frontend Level 6
S#2 tape Recorded: Renzo, S#2 tape transferred: Pappazappa, S#2 tracksplitting & editing: Renzo, S#2 re-ripped: marcomat
Overall SQ for the AUD patch portion herein rates as B grade, imo.
Arrow TOTAL RUNNING TIME NOTATION: Although the total running time of this performance is noted at approximately 110mins in FZ Shows & Catalogue, this FZ Shows entry does feature the complete performance and comes in with a total running time of 104.44. Perhaps a different tape source had more of the Padova audience to explain the time differential intact.9/i]
[i]Finally, on with the show, folks. Enjoy!:
Arrow THIS COPY: 104.44 min, SBD B+ and AUD B+/B
- SBD begins in Nig Biz
Arrow THE BAND:
FZ, Ike Willis, Ray White, Scott Thunes, Chad Wackerman, Allan Zavod, Bobby Martin.
Arrow THE SHOW:
01 Saturday Night Padova Tune Up (1:24)
- WIU2B Aud begins the show & continues onward through the first 12 seconds of Nig Biz
02 Zoot Allures (5:37)
03 Band Introductions (00:32)
04 I’m The Slime (3:54)
05 Cocaine Decisions (2:51)
06 Nig Biz (6:11)
- SBD begins @ 00:00:12.488
- humorous FZ comment “hey asshole” right after the “all the girls call my name” verse part @ 00:00:58.300
- WIU2B patch fill from @ 00:01:16.230 – 00:01:19.326
- SBD tape sides duplicate edit appropriated @ 00:02:22.389
- slight SQ drop to B grade occurs in right channel @ 00:02:29.650 - 00:03:45.833 due to source tape issues
07 Outside Now (5:46)
- nice electronic drum effect or sample use of the Joe’s Garage snare drum effect throughout this version
08 Trouble Every Day (5:37)
- q: Owner Of A Lonely Heart
- WIU2B patch fill @ 00:04:23.160 - 00:04:45.836
09 Penguin In Bondage (4:56)
- q: Trouble Every Day, 1812 Overture, O Sole Mio, La Marseillaise
- @ 00:02:57.200, Thunes brilliantly quotes the “Trouble Every Day” bass lick in repetition leading Penguin back into the final verses
- @ 00:03:42 keyboard quotes Tchaikovsky’s 1812 Overture
- @ 00:04:07 Thunes mumbles “communism doesn’t work”, perhaps a reference concerning the placement of the 1812 Overture previously quoted?
10 Hot Plate Heaven At The Green Hotel (4:49)
- nice bendy solo turns into a shredding affair, nice improv interaction between FZ and band during solo, great version
11 Advance Romance (6:11)
- “Brown 25” animated version – debut of tonight’s Brown Out jokes and lyrical deviations
- @ 00:00:45 – 00:01:03 whatever happens on stage has got Ray cracking up so much that he misses the vocal intro to second verse completely and doesn’t recover for about 18 seconds. An animated version ensues from there and at 00:01:17 a smorgasbord of action occurs which references one Colombo Hotel and a whole lot more continuing up to the beginning of what becomes uniquely spaced out, bizarre-o osmosis type, ‘shakedown street guitar effect’, type of a guitar solo. The jokes pick up again and continue thereafter through the last set of verses and then culminate to a unique ending @ 00:02:01.700 where the “Brown 25” reference first appears thanks to Ike’s spontaneous commentary, “a lifetime supply of brown 25 from the Uranus Corporation”
12 He’s So Gay (2:36)
- “Brown Out” version, lyrical deviation & animated silliness from onset where comical references & laughter continue to abound, ridiculously funny
- FZ conducts small tango riff shift @ 00:02:24.
[i]- return of the ‘Brown’ at very end, “Do You Really Wanna Wipe Me?”
13 Bobby Brown (2:35)
[i]- “Brown Out” version, lyrical deviation begins from the start where comical references & laughter abound, ridiculously funny
14 Keep It Greasey (3:34)
- “Brown Out 25” version, lyrical deviations from 0:49 where comical references & laughter abound, truly ridiculous with a thing-fish referenced ‘ignit mcnugget’‘ending
- WIU2B patch fill @ 00:01:37.200 - 00:01:56.634
15 Alien Orifice (4:01)
- WIU2B patch fill @ 00:02:06.925 - 00:02:49.032
- SBD tape sides duplicate edit appropriated
16 Bamboozled By Love (5:19)
- q: Owner Of A Lonely Heart – in fact, it’s all over the place
- Scott is notably quoting Owner Of A Lonely Heart throughout from the onset, very funny nice version, straight to the point FZ solo, excellent guitar tone shines here
17 Sharleena (6:01)
- q: Owner Of A Lonely Heart
- whatever happens on stage, totally cracks up the band at the lyric entry @ 00:00:26.800, can’t help but laugh along, this continues up until the guitar solo where FZ continues the joking quoting/referencing Owner Of A Lonely Heart in many disguises towards throughout the guitar solo entry
- excellent guitar tone shines here also
18 Let’s Move To Cleveland (14:40)
- q: Zooma Zooma, Bolero, Sleep Napkins
- “(Ray White Had A) Brown Out” version, indicated by lyrical deviation @ 00:13:40.700
19 Encore Audience #1 (0:36)
20 Joe’s Garage (2:20)
- “Brown Out” version, lyrical deviation begins at 00:00:43.000 where comical references & laughter abound
- WIU2B patch fill @ 00:02:11.100 – 00:02:12.344
21 Why Does It Hurt When I Pee (2:44)
- “Brown Out Book-Ends” version, lyrical deviations & laughter throughout
- notable FZ conducting on end vocal parts;
00:01:51.642 – 00:02:07.000 = 15 second vocal note hold on “hurt”
00:02:12.096 – 00:02:26.066 = 13 second vocal note hold on “when”
- SBD cut @ audience approximately 2.5 seconds after song ends, no music missing
22 Encore Audience #2 (0:45)
- WIU2B Aud patch fill from 00:00:16 onward
23 The Closer You Are (2:06)
- SBD source resumes @ 00:00:25.555
24 Johnny Darling (0:49)
25 No No Cherry (1:25)
- tape anomaly’s are present throughout caused by sudden & varied millisecond SQ. Therefore it is heard as on the source tape, untouched, as is, no missing music.
26 The Illinois Enema Bandit (7:16)
- “Brown Out” version, w/ extremely comical lyrical references returning at full speed from 00:04:24.397 onward where jokes abound on stage to a very funny climax herein
- notable fantastic sounding separation between Vox & Guitar from 00:01:24.145 – 00:01:4.800
- notable guitar tone capture and nice straight to the point bending aggressive guitar solo from 00:02:07.145 – 00:03:32.000
- WIU2B Aud patch fill completes the concert from 00:06:43.860 onward
Total time 104.44 min
Arrow THE FIXES HEREIN:
Speed correction to the main fzmoi69-doctorzap SBD source
Some minor gain attenuation performed on parts of the WIU2B Aud source
All patch edits & duplicate tape fixes performed are where noted in the setlist
Arrow SUBFOLDER INCLUDED HEREIN: unpatched
06 Nig Biz (unpatched) (5:57)
- cuts in where SBD source begins, approx 12 seconds music missing from the beginning of the song
- tape cut @ 00:01:04.800, approx 2 seconds of music missing
08 Trouble Every Day (unpatched) (5:21)
- tape cut @ 00:04:25.200, approx 16 seconds of guitar solo music missing
14 Keep It Greasey (unpatched) (3:16)
- tape cut @ 00:01:37.500, approx 18 seconds of music missing
15 Alien Orifice (unpatched) (3:30)
- tape cut @ 00:02:09.100, approx 31 seconds of music missing
20 Joe’s Garage (unpatched) (2:20)
- tape cut @ 00:02:11.400, approx 1 second of music missing
22 Encore Audience #2 (unpatched) (0:21)
- tape cut @ 00:00:21, SBD portion only, approx 24 seconds of encore audience #2 added to main show from Aud source which is absent here
23 The Closer You Are (unpatched) (1:40)
- tape cuts in approx 25 seconds after song begins
26 The Illinois Enema Bandit (unpatched) (6:46)
- tape cuts out where SBD source ends @ 00:06:46, approx 30 seconds of music missing
1984 10 13
Frank Zappa
Palasport San Lazzarro
Padova, Italy
SBD/AUD (fzmoi69-doctorzap-WIU2B-flambay-mudsharknyc)
Arrow 1984 PADOVA QUICK REFERENCE
This FZ Shows entry welcomes a never before available at Zappateers SBD source to FZ Shows (thanks to fzmoi69 & doctorzap) and merges it with a recent 2011 AUD source upgrade (thanks to WIU2B) to complete the show. Listen to at your own risk of laughter & enjoyment.
Arrow SATURDAY NIGHT BROWN OUT @ PADOVA 1984 PREAMBLE
This show captures FZ & the 1984 Touring Band right smack in the middle of their 7 Italian concert itinerary during the European leg of their 20th Anniversary touring schedule. FZ begins the show tonight with a 6 word spoken gesture of greeting, ”Welcome to Saturday Night in Padova”, and just by the tone of Frank’s voice, one can guestimate a real treat of a performance is to follow….which it does……
Just when you might have thought you’ve heard the funniest FZ concert ever, then yet another appears. This is one of those concerts. The onstage ‘Does Humor Belong In Music’ antics tonight commence in Nig Biz with FZ’s animated “Hey Asshole” response to the lyric and steadily progress from there. “Owner Of A Lonely Heart” quotes begin in “Trouble Every Day” and further culminate to a flurry of quotes during “Bamboozled By Love”. Then the concert takes a turn into the bizarre, from “Advance Romance”, where ‘Brown Out’ references start taking over the show. Continuod humor, lyrical deviation and chaos ensue from there.
Should anyone know the story of the ‘brown out’ inspired lyric tonight please chime in. Might it have been something to do with the hotel food? Or was it something Ray gave birth to after eating the hotel food? Or could it have been something to do with a Colombo hotel escort delivering a ‘dessert’ on Ray? Or, perhaps, simply another band member messing about with fudge brownies? roflol Whatever the case, the time capsule presented herein delivers one heck of a very funny & animated performance all around with some great soloing and guitar tone textures to boot.
Arrow SBD SOURCE INFORMATION: The SBD portion herein originates from the fzmoi69-doctorzap 2nd generation tape source Shoebox entry as found here:
1984 10 13 Padova IT ~90min SBD 2nd (fzmoi69-doctorzap) (wrongly labeled as 1984 09 14 Rome sbd 2nd gen)
http://www.zappateers.com/bb/viewtopic.php?t=22910
LINEAGE: Maxell XLII 2nd gen > Nakamichi DR-1 > Realtek HDAudio pentium i7 > Soundforge 10 Pro Highest quality setting Izotope 64 bit src downsampling / MBIT+dither > TLH > WAV > PEAK > speed correction, editing, patching & tracking > FLAC (level 8)
Overall SQ for this main SBD portion rates as a B+. FZ’s guitar is placed perfectly up front in the mix, sounding excellent. This recording truly accentuates the beautiful guitar tone of the evening hence serving up one highly enjoyable listen.
Arrow AUD PATCH SOURCE INFORMATION: The Audience patch fills portion herein completes the show and originates via the excellent, recently upgraded, 2011 WIU2B FZ Shows entry as found here: 1984 10 13 Padova IT 122.30 AUD 2nd (WIU2B) ZTLS#483 http://www.zappateers.com/bb/viewtopic.php?t=21800
The main portion AUD 2nd generation recording was obtained by WIU2B from Danilo S. and was therein patched to completeness with material from Source #2 (Renzo-PappaZappa-Marcomat MC)
AUD MAIN SOURCE LINEAGE: AUD>unknown mics and recorder>cassette (2nd gen?)Nakamichi DR-10>Terratec DMX6 Fire 24/96 soundcard>Adobe Audition 3.0.1>WAV>CDWave Editor>Flac Frontend encoding level 8>FLAC> WAV > PEAK > speed correction, patching into SBD source
Taped by: unknown, Transferred by: WIU2B, Edited by: WIU2B
Overall SQ for the AUD patch portion herein rates as a B+ grade, imo.
Fills to the WIU2B patch source were taken from alternate audience source #2 1984 10 13 Padova Italy 108.40 Aud (marcomat) which has since been archived.
AUD SOURCE #2 LINEAGE: AUD > Recorded with Sony TCS300 Stereo mic Unitronic AST20 > WAV > SoundForge (fade in/out) > CDR > EAC > WAV >Flac Frontend Level 6
S#2 tape Recorded: Renzo, S#2 tape transferred: Pappazappa, S#2 tracksplitting & editing: Renzo, S#2 re-ripped: marcomat
Overall SQ for the AUD patch portion herein rates as B grade, imo.
Arrow TOTAL RUNNING TIME NOTATION: Although the total running time of this performance is noted at approximately 110mins in FZ Shows & Catalogue, this FZ Shows entry does feature the complete performance and comes in with a total running time of 104.44. Perhaps a different tape source had more of the Padova audience to explain the time differential intact.9/i]
[i]Finally, on with the show, folks. Enjoy!:
Arrow THIS COPY: 104.44 min, SBD B+ and AUD B+/B
- SBD begins in Nig Biz
Arrow THE BAND:
FZ, Ike Willis, Ray White, Scott Thunes, Chad Wackerman, Allan Zavod, Bobby Martin.
Arrow THE SHOW:
01 Saturday Night Padova Tune Up (1:24)
- WIU2B Aud begins the show & continues onward through the first 12 seconds of Nig Biz
02 Zoot Allures (5:37)
03 Band Introductions (00:32)
04 I’m The Slime (3:54)
05 Cocaine Decisions (2:51)
06 Nig Biz (6:11)
- SBD begins @ 00:00:12.488
- humorous FZ comment “hey asshole” right after the “all the girls call my name” verse part @ 00:00:58.300
- WIU2B patch fill from @ 00:01:16.230 – 00:01:19.326
- SBD tape sides duplicate edit appropriated @ 00:02:22.389
- slight SQ drop to B grade occurs in right channel @ 00:02:29.650 - 00:03:45.833 due to source tape issues
07 Outside Now (5:46)
- nice electronic drum effect or sample use of the Joe’s Garage snare drum effect throughout this version
08 Trouble Every Day (5:37)
- q: Owner Of A Lonely Heart
- WIU2B patch fill @ 00:04:23.160 - 00:04:45.836
09 Penguin In Bondage (4:56)
- q: Trouble Every Day, 1812 Overture, O Sole Mio, La Marseillaise
- @ 00:02:57.200, Thunes brilliantly quotes the “Trouble Every Day” bass lick in repetition leading Penguin back into the final verses
- @ 00:03:42 keyboard quotes Tchaikovsky’s 1812 Overture
- @ 00:04:07 Thunes mumbles “communism doesn’t work”, perhaps a reference concerning the placement of the 1812 Overture previously quoted?
10 Hot Plate Heaven At The Green Hotel (4:49)
- nice bendy solo turns into a shredding affair, nice improv interaction between FZ and band during solo, great version
11 Advance Romance (6:11)
- “Brown 25” animated version – debut of tonight’s Brown Out jokes and lyrical deviations
- @ 00:00:45 – 00:01:03 whatever happens on stage has got Ray cracking up so much that he misses the vocal intro to second verse completely and doesn’t recover for about 18 seconds. An animated version ensues from there and at 00:01:17 a smorgasbord of action occurs which references one Colombo Hotel and a whole lot more continuing up to the beginning of what becomes uniquely spaced out, bizarre-o osmosis type, ‘shakedown street guitar effect’, type of a guitar solo. The jokes pick up again and continue thereafter through the last set of verses and then culminate to a unique ending @ 00:02:01.700 where the “Brown 25” reference first appears thanks to Ike’s spontaneous commentary, “a lifetime supply of brown 25 from the Uranus Corporation”
12 He’s So Gay (2:36)
- “Brown Out” version, lyrical deviation & animated silliness from onset where comical references & laughter continue to abound, ridiculously funny
- FZ conducts small tango riff shift @ 00:02:24.
[i]- return of the ‘Brown’ at very end, “Do You Really Wanna Wipe Me?”
13 Bobby Brown (2:35)
[i]- “Brown Out” version, lyrical deviation begins from the start where comical references & laughter abound, ridiculously funny
14 Keep It Greasey (3:34)
- “Brown Out 25” version, lyrical deviations from 0:49 where comical references & laughter abound, truly ridiculous with a thing-fish referenced ‘ignit mcnugget’‘ending
- WIU2B patch fill @ 00:01:37.200 - 00:01:56.634
15 Alien Orifice (4:01)
- WIU2B patch fill @ 00:02:06.925 - 00:02:49.032
- SBD tape sides duplicate edit appropriated
16 Bamboozled By Love (5:19)
- q: Owner Of A Lonely Heart – in fact, it’s all over the place
- Scott is notably quoting Owner Of A Lonely Heart throughout from the onset, very funny nice version, straight to the point FZ solo, excellent guitar tone shines here
17 Sharleena (6:01)
- q: Owner Of A Lonely Heart
- whatever happens on stage, totally cracks up the band at the lyric entry @ 00:00:26.800, can’t help but laugh along, this continues up until the guitar solo where FZ continues the joking quoting/referencing Owner Of A Lonely Heart in many disguises towards throughout the guitar solo entry
- excellent guitar tone shines here also
18 Let’s Move To Cleveland (14:40)
- q: Zooma Zooma, Bolero, Sleep Napkins
- “(Ray White Had A) Brown Out” version, indicated by lyrical deviation @ 00:13:40.700
19 Encore Audience #1 (0:36)
20 Joe’s Garage (2:20)
- “Brown Out” version, lyrical deviation begins at 00:00:43.000 where comical references & laughter abound
- WIU2B patch fill @ 00:02:11.100 – 00:02:12.344
21 Why Does It Hurt When I Pee (2:44)
- “Brown Out Book-Ends” version, lyrical deviations & laughter throughout
- notable FZ conducting on end vocal parts;
00:01:51.642 – 00:02:07.000 = 15 second vocal note hold on “hurt”
00:02:12.096 – 00:02:26.066 = 13 second vocal note hold on “when”
- SBD cut @ audience approximately 2.5 seconds after song ends, no music missing
22 Encore Audience #2 (0:45)
- WIU2B Aud patch fill from 00:00:16 onward
23 The Closer You Are (2:06)
- SBD source resumes @ 00:00:25.555
24 Johnny Darling (0:49)
25 No No Cherry (1:25)
- tape anomaly’s are present throughout caused by sudden & varied millisecond SQ. Therefore it is heard as on the source tape, untouched, as is, no missing music.
26 The Illinois Enema Bandit (7:16)
- “Brown Out” version, w/ extremely comical lyrical references returning at full speed from 00:04:24.397 onward where jokes abound on stage to a very funny climax herein
- notable fantastic sounding separation between Vox & Guitar from 00:01:24.145 – 00:01:4.800
- notable guitar tone capture and nice straight to the point bending aggressive guitar solo from 00:02:07.145 – 00:03:32.000
- WIU2B Aud patch fill completes the concert from 00:06:43.860 onward
Total time 104.44 min
Arrow THE FIXES HEREIN:
Speed correction to the main fzmoi69-doctorzap SBD source
Some minor gain attenuation performed on parts of the WIU2B Aud source
All patch edits & duplicate tape fixes performed are where noted in the setlist
Arrow SUBFOLDER INCLUDED HEREIN: unpatched
06 Nig Biz (unpatched) (5:57)
- cuts in where SBD source begins, approx 12 seconds music missing from the beginning of the song
- tape cut @ 00:01:04.800, approx 2 seconds of music missing
08 Trouble Every Day (unpatched) (5:21)
- tape cut @ 00:04:25.200, approx 16 seconds of guitar solo music missing
14 Keep It Greasey (unpatched) (3:16)
- tape cut @ 00:01:37.500, approx 18 seconds of music missing
15 Alien Orifice (unpatched) (3:30)
- tape cut @ 00:02:09.100, approx 31 seconds of music missing
20 Joe’s Garage (unpatched) (2:20)
- tape cut @ 00:02:11.400, approx 1 second of music missing
22 Encore Audience #2 (unpatched) (0:21)
- tape cut @ 00:00:21, SBD portion only, approx 24 seconds of encore audience #2 added to main show from Aud source which is absent here
23 The Closer You Are (unpatched) (1:40)
- tape cuts in approx 25 seconds after song begins
26 The Illinois Enema Bandit (unpatched) (6:46)
- tape cuts out where SBD source ends @ 00:06:46, approx 30 seconds of music missing
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