The Rolling Stones - Voodoo Brew (STU/FLAC)

The Rolling Stones - Voodoo Brew
(Studio FLAC)

Artist: The Rolling Stones
Album: Voodoo Brew
Year of Release: 1995
Label: Vigotone
Catalog No: VIGO 147-150

Lineage
Original, pressed Vigotone CDs --> EAC (test+copy, secure, .cue + .log) --> FLAC

CD1 - The Alternate Voodoo Lounge
01. Mick / Keith dialogue (0:39)
02. Love Is Strong (5:41)
03. You Got Me Rocking (4:06)
04. Sparks Will Fly (3:15)
05. The Worst (3:08)
06. New Faces (2:48)
07. Moon Is Up (4:18)
08. Out Of Tears (5:25)
09. I Go Wild (4:40)
10. Brand New Car (5:04)
11. Sweet Hearts Together (5:49)
12. Suck On The Jugular (5:47)
13. Blinded By Rainbows (4:35)
14. Baby Break It Down (5:59)
15. Thru And Thru (8:33)
16. Mean Disposition (3:14)
17. Ron / Keith dialogue (0:57)

CD2 - Keith Plays His Favorites
01. Salty Dog (2:52)
02. Guitar overdub (2:16)
03. Salty Dog (reprise) (0:14)
04. Cocaine (2:00)
05. Cocaine (3:22)
06. I Get A Kick Out Of You (2:30)
07. Goodbye To Love (3:16)
08. Love's Tough Shit Baby (2:00)
09. Keith's Boogie (4:09)
10. Goodbye To Love (2:27)
11. I Get A Kick Out Of You (3:43)
12. Cocaine (5:33)
13. Crying Waiting Hoping (2:34)
14. Love Is Strange (1:41)
15. Make No Mistake (2:58)
16. Girl From The North Country (4:06)
17. John Wesley Harding (1:14)
18. Blues Jam / riffs (4:22)
19. Brand New Heartache (2:29)
20. Scotty Moore riffs (0:49)
21. Reverse Boogie / riffs (2:48)
22. Please Please Me (2:10)
23. Sparks Will Fly / riffs & dialogue (14:33)

CD3 - Alright Charlie!
01. Alright Charlie! (5:10)
02. It's Alright / Untitled #1 (8:40)
03. Hold On You (6:16)
04. Ivy League (4:31)
05. Get It Made (5:58)
06. Untitled #2 (5:03)
07. Jump On Top Of Me (5:28)
08. I'm Gonna Drive (5:48)
09. Untitled #3 (3:50)
10. Untitled #4 (7:35)
11. Make It Now (6:24)
12. It's Funny (5:25)
13. Untitled #5 (3:09)
14. Keith's dialogue (0:32)

CD 4 - Rehearsals, Alternate Mixes & Early Versions
01. The Storm (3:17)
02. You Got Me Rocking (4:11)
03. Sparks Will Fly (3:20)
04. The Worst (2:26)
05. Out Of Tears (4:23)
06. Brand New Car #1 (5:30)
07. Sweethearts Together (3:39)
08. Sweethearts Together (5:58)
09. Blinded By Rainbows (6:56)
10. Baby Break It Down (4:12)
11. Thru And Thru (11:50)
12. Thru And Thru (4:11)
13. The Storm (9:56)
14. The Storm (3:20)

Track Notes:
VIGO 147: The Alternate Voodoo Lounge

All songs (M. Jagger / K. Richards) - Sessions produced by Don Was and The Glimmer Twins.
1. Mick / Keith dialogue
"...box sets worth."
2. Love Is Strong
Extended version without background vocals & guitar overdubs - Different EQ on lead vocals.
3. You Got Me Rocking
Extended alternate mix with extra guitar overdubs.
4. Sparks Will Fly
Alternate mix.
5. The Worst
"Beggars" mix with extra bridge - No Mick background vocals.
6. New Faces
Alternate mix with count-in - Different EQ on lead vocals.
7. Moon Is Up
Extended alternate mix - Missing castanet and some guitar overdubs.
8. Out Of Tears
Alternate mix without background vocals - Different EQ on lead vocals - Missing guitar overdubs.
9. I Go Wild
Extended alternate mix without background vocals - Missing guitar overdubs.
10. Brand New Car
Extended alternate mix with background vocals by Keith.
11. Sweet Hearts Together
Extended alternate mix - Without accordian overdub - With fiddle - Alternate vocals.
12. Suck On The Jugular
Alternate extended mix - Different guitar overdubs.
13. Blinded By Rainbows
Alternate mix - Missing some guitar overdubs.
14. Baby Break It Down
Extended alternate mix.
15. Thru And Thru
Extended alternate mix with different effects - Missing most background vocals - Extra guitar overdubs.
16. Mean Disposition
Shortened alternate mix.
17. Ron / Keith dialogue
From the "Got It Made" overdub session "...this record will be available very soon..."

VIGO 148: Keith Plays His Favorites
Keith - vocals, acoustic & electric guitars
(No individual track notes.)

VIGO 149: Alright Charlie!
Backing tracks for unreleased & non-LP songs. All songs probably (M. Jagger / K. Richards)
(No individual track notes.)

VIGO 150: Rehearsals, Alternate Mixes & Early Versions
All songs (M. Jagger / K. Richards).
1. The Storm
Alternate "Beggars" mix.
2. You Got Me Rocking
Extended alternate mix without background vocals - With early lyrics.
3. Sparks Will Fly
Alternate mix with Keith vocal - Without background vocals - With early lyrics.
4. The Worst
Alternate short mix with early lyrics.
5. Out Of Tears
Very early rehearsal.
6. Brand New Car #1
Rehearsal version with early lyrics.
7. Sweethearts Together
Mick & Keith demonstrate the song.
8. Sweethearts Together
Early version without accordian & background vocals - With fiddle.
9. Blinded By Rainbows
Early run through.
10. Baby Break It Down
Early version without background vocals.
11. Thru And Thru
Scrape overdub session.
12. Thru And Thru
Shorter alternate mix with backing vocals.
13. The Storm
Basic track with guide vocals.
14. The Storm
Edited remix with extra guitar overdubs.

Release Notes: One of three releases from Vigotone capturing outtakes and alternates from the then-recent Rolling Stones release, "Voodoo Lounge." "Boxed-sets worth" of content, indeed.

It is possible that whomever supplied this material to Vigotone introduced a lossy (Minidisc?) generation somewhere in there. Some of the spectrals are a bit suspicious. Rest assured that this is how it was on the original discs and that no extra tampering has taken place.

Also note that Disc 2 failed AccurateRip, almost across the board. These results were verified by ripping on another machine. It is likely that the single set of results already in the AR database was wrong or from a different pressing.

Jethro Tull - 2026-07-10 - Pistoia IT (AUD/FLAC)

(Audience FLAC)

Jethro Tull @ Pistoia Blues

"The Curiosity Tour"

Pistoia IT

Piazza del Duomo

2026-07-10

Sennheiser Ambeo Smart Headset > iPhone SE2

taper :Rdwm

remaster: Rdwm

Ian Anderson (vocals, flute, guitar), 

David Goodier (bass), 

John O'Hara (keyboards), 

Scott Hammond (drums), 

Jack Clark (guitar)

01 intro (tape)

02 Some Day the Sun Won't Shine for You

03 Beggar's Farm

04 A Song for Jeffrey 

05 banter

06 Thick as a Brick (abbreviated version)

07 Mother Goose

08 Songs From the Wood

09 The Navigators

10 Curious Ruminant

11 Living In The Past

12 banter

13 Bourrée 

14 My God

15 The Zealot Gene

16 band introduction

17 Pastime With Good Company

18 Over Jerusalem

19 Budapest 

20 Aqualung

21 Locomotive Breath

22 Cheerio

Grand Funk Railroad - 1971-07-12 - Honolulu, HI (SBD/FLAC)

(Soundboard FLAC)

Grand Funk Railroad

University of Hawaii

July 12,1971

imcomplete soundboard

Linage:

vinyl>Cool Edit 2000>wav>FlacFrontend>FLAC

01. Are You Ready

02. Paranoid

03. In Need

04. Mean Mistreater

05. I'm Your Captain

06. Hooked On Love

07. Get It Together

Led Zeppelin - 1970-07-12 - Berlin, DE (AUD/FLAC)

(Audience FLAC)

Title: Intimate (Almost Mysterious)
Dates: July 12, 1970
Venue: Deutshlandhalle, Berlin, Germany.

Source: * G ~ Vg+ Audience Recording

Lineage:
Equinox (EX00-018/019) Boot 2CD > EAC > FLAC

Robert Plant: Vocals
Jimmy Page: Guiter
John Bonham: Drums
John Paul Jones: Bass, Organ by: japrainbow

CD1

01 - Immigrant Song

02 - Heartbreaker

03 - Dazed And Confused

04 - Bring It On Home

05 - Since I've Been Loving You

06 - Thank You

07 - That's The Way

08 - What Is And What Should Never Be

CD2

01 - Moby Dick

02 - Whole Lotta Love

03 - Communication Breakdown

04 - We're Gonna Groove

05 - I Can't Quit You

06 - Dazed And Confused

07 - White Summer / Black Mountain Side

* Disc.2: 4 ~ 7 Montreaux Jazz Festival
Montreaux, Switzerland

Pink Floyd - 1970-07-12 - Aachen, DE (AUD/FLAC) "A Heavenly Ride"

(Audience FLAC)

A HEAVENLY RIDE
Soerser Stadium,

CD1
01. Cut – Astronomy Domine (6:13)
02. Green Is The Colour (3:55)
03. Careful With That Axe, Eugene (9:17)
04. Atom Heart Mother (20:29)

CD2
01. Set The Controls For The Heart Of The Sun (13:51)
02. A Saucerful Of Secrets (18:23)
03. Interstellar Overdrive (12:39)

Notes:
Show during the three-days open air "Soersfestival” in Aachen. Good sound quality. Rare bootleg. This isn't mp3 sourced material. Complete "Interstellar Overdrive". Recording mastered from low gen source. Revised copy. Error-free.

Bob Seger - 1973-07-12 - Cleveland, OH (SBD/FLAC)

(Soundboard FLAC)

Bob Seger and The Borneo Band *

Cleveland Recording Company

Cleveland, OH

1973-07-12

Source: KSAN Reel 59 (7.5 ips 2 track safety copy)

Original transfer: Reel > Otari MX-55 > TC 2000 > DAT (44k) - by David Gans 08/04/1997

Second transfer: DAT >  > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - transferred by Charlie Miller.

Lineage: iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16

Bob Seger - guitar, vocals

Drew Abbott - guitar, vocals #

Dick Simms - keyboards

Sergio Pastora - percussion

Tom Cartmell (aka Alto Reed) - saxophones

Marcy Levy and Shaun Murphy - backing vocals

Jamie Oldaker - drums

01 - Think

02 - (Your Love Keeps Lifting Me) Higher And Higher

03 - St. Dominicks Review

04 - Will The Circle Be Unbroken

05 - Bo Diddley >

06 - Who Do You Love

07 - Someday

08 - Rosalie

09 - Long As I Can Play

10 - Born Under A Bad Sign

11 - Turn On Your Love Light

12 - Back In '72

# I would have expected this to have been Bob Mueller at this time but about 1:30 into "Bad Sign" Bob says "Play the blues Andrew"

Led Zeppelin - 1973-07-12 - Detroit, MI (AUD/FLAC) "Rock And Roll Ever"

(Audience FLAC)

Led Zeppelin Rock And Roll Ever
Cobo Hall, Detroit 1973-7-12
Akashic AKA-MILLENIUM 1-1 Audience Recording

lineage:
My silvers>EAC>WAV>FLACFRONTEND>FLAC Level 8 with tested files and MD5

Checksum files created by Trader's Little Helper

EAC Logfiles and Artwork included.

CD1
01 - Rock And Roll
02 - Celebration Day
03 - Black Dog
04 - Over The Hills And Far Away
05 - Misty Mountain Hop
06 - Since I've Been Loving You
07 - No Quarter
08 - The Song Remains The Same
09 - The Rain Song
10 - 09 Dazed And Confused

CD2
01 - Dazed And Confused
02 - Stairway To Heaven
03 - Moby Dick (edited)
04 - Heartbreaker
05 - Whole Lotta Love(incl. I'm Going Down-Boogie Woogie)

CD3
01 - Communication Breakdown
02 - The Ocean

Eric Clapton - 1974-07-12 - Boston, MA (SBD/FLAC)

(Soundboard FLAC)

Boston Garden

Lineage:
Soundboard?>?cdr>EAC>Flac frontend 6

Eric Clapton guitar, vocals 
Jamie Oldaker drums 
Dick Sims keyboards 
Carl Radle bass 
George Terry guitar 
Yvonne Elliman backing vocals 

CD1
01. Opening
02. Smile
03. Let It Grow
04. Can't Find My Way Home
05. Willie And The Hand Jive
06. Get Ready
07. Band Introductions
08. Layla
09. Presence Of The Lord

CD2
01. Steady Rollin' Man
02. Mainline Florida
03. Blues Power
04. Have You Ever Loved A Woman
05. Badge

Bonus Centrum Nov. 26, 1974
06. Mainline Florida**
07. Let It Rain**

Eric Clapton - 1974-07-12 - Boston, MA (SBD/FLAC) "Clapton Is Mad Dog"

(Soundboard FLAC)

Clapton Is Mad Dog
Boston Garden
Boston MA
July 12, 1974
Plus Bonus from
Congress Centrum, Hamburg
November 26, 1974
Akashic Records 17 1,2

Lineage:
Soundboard>?>silver>cdr>EAC>Flac frontend 6

My rating (scale 1-6) SBD 6

Eric Clapton guitar, vocals
Jamie Oldaker drums
Dick Sims keyboards
Carl Radle bass
George Terry guitar
Yvonne Elliman backing vocals

CD1
01. Opening
02. Smile
03. Let It Grow
04. Can't Find My Way Home
05. Willie And The Hand Jive
06. Get Ready
07. Band Introductions
08. Layla
09. Presence Of The Lord

CD2
01. Steady Rollin' Man
02. Mainline Florida
03. Blues Power
04. Have You Ever Loved A Woman
05. Badge
06. Mainline Florida**
07. Let It Rain**
** Centrum Nov. 26, 1974

My Comments:
IMHO, the Mad Dog trilogy is an all time best collection to have. Mad Dog 2 and 3 will be posted right after this.

The Rolling Stones - 1975-07-12 - Inglewood, CA (AUD/FLAC) "The Lost and Found Mike the MICrophone Tapes Volume 241"

The Rolling Stones

The Forum

Inglewood, CA

July 12, 1975

Mike Millard Master Tapes via JEMS

The Lost and Found Mike the MICrophone Tapes Volume 241

Replaces Last Week's Incorrect File

Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder

JEMS Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > xACT 2.50 > FLAC

01 Fanfare For The Common Man Intro

02 Honky Tonk Women

03 All Down The Line

04 If You Can't Rock Me > Get Off Of My Cloud

05 Star Star

06 Gimme Shelter

07 Ain't Too Proud To Beg

08 You Gotta Move

09 You Can't Always Get What You Want

10 Happy

11 Tumbling Dice

12 It's Only Rock'n Roll (but I Like It)

13 Band Introductions

14 Doo Doo Doo Doo Doo (Heartbreaker)

15 Fingerprint File

16 Angie

17 Wild Horses

18 That's Life

19 Outa-Space

20 Brown Sugar

21 Midnight Rambler

22 Rip This Joint

23 Street Fighting Man

24 Jumpin' Jack Flash

25 Sympathy For The Devil

Known Faults: Dropouts and cuts due to inadvertent test tones, particularly in "Honky Tonk Women" and to a lesser extent "All Down The Line." Also a cut in "It's Only Rock 'N Roll" and a small splice in "Fingerprint File."

Sons of Champlin - 1975-07-12 - San Rafael, CA (FM/FLAC)

(FM broadcast FLAC)

Sons of Champlin

Live at the Marin County Fair

San Rafael, CA

1975-07-12

Genre: Rock

Audience Tape: FM Soundboard

Tapers Trade List: etreedb.org - Live Concert Database

01 - 1892A

02 - It's Alright

03 - Hot Pants

04 - Fat City

05 - For Awhile

06 - Saved by the Grace of Your Love

07 - I'd Like to get to Know You

08 - Lookout

09 - Gold Mine

10 - Lovelight > Beer Bottle Solo > Drum Solo > Get High

11 - Welcome to the Dance

Emerson, Lake & Palmer - 1977-07-12 - Boston, MA (AUD/FLAC) PrrP030 Works On The Road

(Audience FLAC)

PrrP 030 - Works On The Road
July 12th 1977 - The Garden, Boston, MA

Keith Emerson - Keyboards
Greg Lake - Bass Guitars, Guitars & Vocals
Carl Palmer - Drums & Percussion

CD1
01 - Intro/Karn Evil 9 - 1st Impression Part 2 04:59
02 - Howdown 04:06
03 - Tarkus 18:07
04 - Take A Pebble Part 1 03:16
05 - Piano Concerto #1 05:23
06 - Take A Pebble Part 2 02:28
07 - Still ... You Turn Me On 03:26
08 - Knife-Edge 05:04
09 - Pictures At An Exhibition (excerpts) 15:54

CD2
01 - C'est La Vie 04:13
02 - Lucky Man 03:09
03 - Tank 11:19
04 - Nutrocker 06:42
05 - Pirates 13:01
06 - Fanfare for The Common Man/Rondo 15:54

1977 was a year of huge change for Emerson, Lake and Palmer, change that would, sadly, signal the beginning of the end for the celebrated trio. After the ground-breaking 1973 album ‘Brain Salad Surgery’, considered by many to be the band’s crowning achievement, the colossal world tour that followed, taking in 75 shows, left the band drained of all energy. They elected to take a well-deserved break and spend time with their families. Eventually, the three musicians began working on solo projects which, coincidentally, all involved the use of orchestral arrangements. The band, it seemed, were about to embrace an entirely new musical direction, filled with new challenges and great expectations. But this new and so-called ‘orchestral crusade’ would also bring more than its fair share of problems for ELP.

Carl Palmer remembers: “Originally, what happened is we all went off and recorded the pieces of music we each wanted to do. And after about six months we got together and played through the individual stuff and suddenly it all clicked. Everybody had used an orchestra, had something with brass and strings and woodwinds.” At first, the project would see all three musicians releasing separate solo albums which would be followed by an album of band material but this idea was soon deemed to be an unwise move, as Palmer recalls: “We knew the problems about releasing individual albums. If you release them too close to each other, one takes the sales from the other.” Finally, band manager Stewart Young came up with the idea of packaging the whole thing as a double album with each of the first three sides separately dedicated to each musician’s best solo music and the fourth side featuring brand new band-written ELP material.

The band adjourned to Monteux and set about recording this vast amount of new material. The decision to record in Monteux was, in Keith Emerson’s words “… the worst we’ve ever made! It was like living in a padded coffin. There was nothing to do and nowhere to go to rave it up. Being there made us feel so isolated!” Carl Palmer: “The thing that kept us going in Monteux was the quality of the studio.” Yet the band stuck to it and out of these difficult recording sessions came the album ‘Works’, the like of which had never been heard in popular music before or since. The album was presented in a lavish three-way gatefold, with one of the discs at each end. As a visual sign of the change in the musical approach, the entire artwork was designed in black and white, very distant in concept from the colourful layouts of earlier albums such as ‘Tarkus’, ‘Trilogy’ or ‘Brain Salad Surgery’.

The new album was released in March 1977 and, after the initial shock of hearing the band’s new orchestral approach, it soon gained rave reviews from the press and fans alike. Much to everyone’s surprise, the album was marked as ‘Volume One’, which evidently led the fans to believe that a second album of similar magnitude and power was waiting in the wings for release at a later date. As will be explained later, the fate of ‘Works – Volume Two’ would take quite a different turn.

The next step was to bring the new album to the stage. This would be the biggest challenge of all and would, in the end, precipitate the downfall of ELP. From the start, all three band members were convinced that the ambition inherent in ‘Works – Volume One’ was worth the risk. The album was proving to be a huge success worldwide but taking the mammoth show on the road, complete with orchestra and the necessary back-up crew – a touring party of over 160 people – ruined the band financially. Although they would later recuperate some of their losses, this was the first sign of ELP’s imminent disintegration. The band had spent part of the winter and spring of 1977 rehearsing their demanding set at the Olympic Velodrome in Montreal. By that point they had been away from the stage for nearly three years so they really needed a quiet rehearsal space, away from the mob of British reporters intent on following their every move. Rehearsals went well and the band regained much of its usual confidence but the upcoming live dates still worried them.

The tour started with an aura of good will but the enormous cost of keeping so many people on the road soon proved too much of a strain. For a tour of such magnitude to work financially, ELP would have had to perform to full houses at every venue, which was simply impossible to guarantee. Too many shows were scheduled in too little time for it to work. The orchestra had to go.

Keith Emerson recalls: “There were a lot of unforeseen things that made us jettison the orchestra. One was a ruling by the union that musicians can’t travel more than about 100 miles every day. But the thing is that people travel that far these days to see concerts. So we were packing places one night and then we’d travel 100 miles to the next place and we’d only have half the house filled. And a lot of other things started piling up to put us behind. From then on, it was impossible to catch up with the finances so we just had to stop and go out as a three-piece.” ELP’s reluctant decision to only use the orchestra in the very large venues also brought financial disaster. After two final appearances at Olympic Stadium in Montreal, the first of which was both recorded and filmed for posterity, the orchestra was dropped for good and the tour limped on without it.

Ultimately, only 14 concerts were performed with the orchestra. By the end of the tour, ELP were physically exhausted, approaching bankruptcy and completely disillusioned about the whole thing. Still they had to pick up the pieces and try to recoup some of the financial losses. It became apparent that only a full tour as a three-piece could help accomplish that.

As the fans had surmised, the original idea behind the ‘Works – Volume One’ album was that there would be a second volume of the same kind. The disastrous outcome of the orchestral tour had changed the band’s plans entirely. From then on, everything that ELP would do or release was done with only one goal in mind: to set the ELP ship afloat again. The band needed to pull themselves out of a very deep financial hole and taking extravagant risks would surely not do that. Hoping to bring in some fresh money to finance the much needed new tour, the band released the hastily assembled ‘Works – Volume Two’ album, a single LP that featured earlier singles, B-sides and rejects. The result, a very bland album unworthy of the band’s past accomplishments and reputation, proved a dismal failure and a huge disappointment for ELP fans. The band was walking along a tightrope and nothing, it seemed, could prevent them from taking that last fatal step.

But no matter what has been said or written about the infamous ‘Works’ tour, and despite the huge amount of problems that surrounded it, Emerson, Lake and Palmer still very much enjoyed performing together and the extensive amount of official and unofficial recordings from that particular period stands as staggering evidence to that effect. ELP were at the peak of their performing skills and to see them perform live was to remember them forever.

From 16th January 16 until 13th March 1978, ELP once again toured North America as a three-piece band. But even if the tour was successful enough to save the band from the financial anarchy of the orchestral tour, this would be the end of an era. The advent of punk rock and disco music had brought on a general reaction against progressive rock and the ‘dinosaur’ bands of the seventies had to either adapt or simply disappear into oblivion. 1978’s ‘Love Beach’ album was ELP’s attempt at a compromise between the two musical worlds. There were still some interesting avenues to explore but their heart wasn’t in it anymore. The band didn’t even tour in support of the new album, deciding instead to call it a day. Fans would have to wait another 14 years to see Emerson, Lake and Palmer together again on a live stage.

But even if the ‘Works’ era signalled the start of ELP’s downfall, the difficult 1977 tour was by no means a total waste. Audiences who attended either the orchestral or the three-piece concerts were treated to some of ELP’s most stellar live performances ever. Such was the case with the show which we now bring you, recorded on the first of two nights at the Boston Garden in July 1977. This was one of the many nights where ELP performed without the orchestra but, as you will hear, the band was on fire that night, each song as energetic and spectacular as the next. The absence of the orchestra forced the exclusion of some songs such as ‘Abaddon’s Bolero’, ‘The Enemy God’ and ‘Closer To Believing’ but the incredible performance of all the other numbers more than makes up for that. Enjoy!
PRRP Staff

Notes from the Re-Master
This show was sourced from a CD version of a 1st generation cassette tape. The man who provided photographs of the event was sitting right near the taper and recalls the set-up:

“I wasn't taping that time but I sat behind a guy (from Providence I think) who had a Nak 550 (recorder) with Nak CM-100's and CP4 shotgun mike capsules, so there's a good chance that he was the source. He was up front and had to be stealthy, so he kept his shotgun mikes well below head level, aimed almost straight up at the PA. I never liked that setup. I thought the CP1 cardioid capsules sounded better and I always kept them above head level in order to get sound from the stage monitors. It was worth the risk of getting shut down. I would have traded backward several rows to get a better position.”

In any event, the quality of the sound is outstanding with clear signal up to 17,000Hz. The most obvious problem with the show was the tonality. The sub-bass components were very excessive. Additional adjustments to the bass section were also needed to balance the tone. Small adjustments in the mid-range and treble sections were made to enhance detail. Hiss was also a problem and its reduction allowed more subtle sections of the music to be better appreciated.

Audience noise was a big problem. Applause was excessively loud and whistlers seemed to congregate around the taper. Permanent hearing loss could be the result of listening to the raw version of this show through headphones due to the volume of these whistles. Lots of time was taken to reduce the whistles and other audience noises. Cuts in the recording did occur but were only found during applause sections. Mix-pasting fixed this minor flaw and allowed a continuous listening experience. Finally, the discs were re-balanced to roughly equalize the amount of music on each disc.

Kiss - 1977-07-12 - Montreal, Quebec, ON (AUD/FLAC)

(Audience FLAC)

Montreal Forum

Montreal, Quebec (Canada)

July 12, 1977

Love Gun Tour

FLAC - Master Audience Recording

Equipment - Unknown "Boom Box Type Thing"

Taper - D.L.

01 - Detroit Rock City

02 - Take Me

03 - Calling Dr. Love

04 - Hooligan

05 - Love Gun

06 - Firehouse

07 - Ladies Room

08 - Christine Sixteen

09 - I Stole Your Love

10 - Shock Me

11 - Ace Frehley Guitar Solo (cut)

12 - I Want You

13 - Makin' Love

14 - God Of Thunder

15 - Peter Criss Drum Solo

16 - Rock And Roll All Nite

17 - Shout It Out Loud

18 - Beth

19 - Black Diamond

+ Gene Simmons Interview CHOM-FM 97.7 Montreal from day of show

Bob Marley - 1980-07-12 - Deeside, Wales (SBD/FLAC)

(Soundboard FLAC)

Deeside Leisure Center

Queensferry, Flintshire, Wales, United Kingdom

Highly recommended, I love it.

* SQ *

When this Remaster appeared on Dime in 2005, it was a very large improvement in sound quality. The sound is excellent: very clear, almost no hiss and no audience noise. "A"

* Lineage *

I only know that the original Dime FLAC torrent was a Soundboard (sorry I didn't save the info.txt file). I used Cool Edit Pro 2.1 merely to retrack it, and TLH to re-encode to FLAC (level 8), which I tagged with Tag Frontend.

CD1 [73:44]

Bob Marley & the Wailers

01 Marley Chant > 3:55

02 Natural Mystic 4:23

03 Positive Vibration 5:05

04 Revolution 5:28

05 I Shot the Sheriff 5:00

06 War (few seconds of song missing) > 3:45

07 No More Trouble (most of song missing) 0:34

08 Zimbabwe 3:44

09 Zion Train 3:59

10 No Woman No Cry 6:52

11 Jammin' 4:34

12 Exodus 7:14

Encores

13 Redemption Song 4:10

14 Coming In From the Cold 4:25

15 Natty Dread 4:49

16 Work 4:15

17 Could You Be Loved?// 1:32

CD2 [18:25]

Opening Act: I-Three backed by the Wailers

01 //Precious Love 4:29

02 Slave Queen 4:04

03 Steppin' Out Of Babylon 4:33

04 That's The Way 5:18

Total 92:09

435 MB

Notes

None of the files are identical to the original torrent because I renamed them (sorry, in mid-2005 I didn't anticipate ever learning how to upload torrents). Given that, I have now also re-tracked the show; the original tracking placed the opening act at the start of disc one (I have treated it as filler, which was easy because the Bob Marley recording nearly fills one disc, and leaves the filler to a second disc), and it assigned tracks to non-songs (between one pair of songs there were two separate tracks for nothing but crowd noise, and band talk, respectively) which I have not (I think most people want trackmarks to allow listeners to hit 'track forward' to get to the next song, not to calculate song lengths).

Whoever created the original FLACs did a magnificent job; I examined the audio very carefully and found no flaws whatsoever.

"Band lineup

Bob Marley, vocals, rhythm guitar

Aston Barrett, bass

Carlton Barrett, drums

Al Anderson, lead guitar

Junior Marvin, lead guitar

Earl Lindo, organ, clavinet

Tyrone Downie, keyboards

Alvin "Seeco" Patterson, percussion

The I-Threes, backing vocals

[Notes:]

band introductions by Junior during the "Marley Chant"

this is the most complete version, although there is a severe cut in "No More Trouble" due to tape flip. "Could You Be Loved?" is severely cut as well, because the 90 min tape ran out and therefore tracks that were normally played during this tour, "Kinky Reggae", "Get Up, Stand Up" and maybe "Roots, Rock, Reggae" are probably missing here.

other sources exist, most of them missing "No More Trouble" and "Could You Be Loved?", some without the I-Threes' set.

for a long time people thought this show was played in Chester, England and it was traded as such, while this concert actually took place some miles to the west in Queensferry, Wales.

second to last show Bob ever played in the UK and the last show in the UK with a known recording." per http://bobmarleyconcerts.com/1980.php

I heard that :

The Deeside Leisure Centre is usually used as an ice rink.

According to a newspaper article the show concluded with "Get Up, Stand Up".

Elvis Costello - 1980-07-12 - Montruex, CH (DVDfull pro-shot)

(DVDfull pro-shot)

Elvis Costello and the Attractions
Montreux Jazz Festival
Montruex, Switzerland
July 12, 1980

Elvis Costello - vocals, guitar
Steve Nieve - keyboards, vocals
Bruce Thomas - bass, vocals
Pete Thomas - drums

Video:
MPEG-2
5.0 Mbps
720x480
4:3
NTSC

Audio:
MPEG-2
224 Kbps
48.0 KHz
2 channels

01 - Accidents Will Happen (Audio problems first 45 seconds)

02 - The Beat

03 - Temptation

04 - Secondary Modern

05 - Lovers Walk

06 - Don't Look Back

07 - Lipstick Vogue

08 - Clubland

09 - From A Whisper to a Scream

10 - Watching the Detectives

11 - You Belong to Me

12 - Mystery Dance

13 - Help Me

14 - Oliver's Army

15 - I Can't Stand Up For Falling Down

16 - Pump It Up

Length: 59:49

It is an excellent PRO Shot video of Elvis and the Attractions in 1980. There are not many PRO Shot Elvis Costello and the Attraction shows currently in circulation so this is a special treat. Be patient for the first 45 seconds until the sound corrects itself. Then sit back and enjoy the show. One very interesting song is Elvis' cover of the Temptations' "Don't Look Back". The second part of the video is Elvis appearing on the Tom Snyder show. The quality of that footage isn't great but it's interesting to watch.

Foghat - 1980-07-12 - Chicago, IL (FM/FLAC)

(FM broadcast FLAC)

FOGHAT

International Amphitheatre

Chicago, IL

July 12th, 1980

WRUP Chicago broadcast

SOURCE: 

EX 2nd gen stereo FM tape given to me by a trader in the 80's.

LINEAGE : unknown tuner and recorder

-> 2nd gen Fuji FR-II cassette

-> Nakamichi CR1 azimuth manually adjusted Dolby off.

-> Zoom H2 -> Goldwave v.5.08 for edits, fades, tracks, channel balance,

-> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries, md5s

Tags with mp3Tag

01.Stone Blue

02.My Babe

03.Driving Wheel

04.Eight Day On The Road

05.Loose Ends

06.Third Time Lucky

07.Fool For The City

08.Intro/I Just Want to Make Love to You

09.Low Ride

10.Crowd

11.Chateau Lafitte '59 Boogie

12.Maybelline

TOTAL 1:16:56

Siouxsie and the Banshees - 1981-07-12 - Amsterdam, NL (DVDfull aud-shot)

(DVDfull aud-shot)

Lineage
MASTER VHS PAL >>SONY HQ HD DVD >> DVD >>VIDEO_TS 
 
01 - Playground twist
02 - Halloween
03 - Trophy
04 - Spellbound
05 - Arabian knights
06 - Placebo effect
07 - Christine
08 - Follow the sun
09 - Night shift
10 - Sin in my heart
11 - But not them
12 - Voodoo dolly
13 - Supernatural thing
14 - Israel
15 - Happy house
16 - Clockface
17 - Jigsaw feeling
18 - Helter skelter

WARNING : CREATED ON A MAC COMPUTER / BURNS FINE WITH TOAST 9 FOR MAC BUT SOME PC's (!) MAY HAVE PROBLEMS BURNING THIS

Notes:
From The PKP Vaults : Master Tape VHS PAL 85 minutes
In 1981 Siouxsie gave a great concert at the Paradiso. It was filmed for the Amsterdam Pirate TV Station PKP with a portable VHS. They went to the Paradiso in the afternoon during the soundcheck, and it was the guitar player John McGeoch who talked to them and gave permission to film the concert that evening. They filmed from he balcony, and even though it is of course VHS quality from the eighties, it is stil quite enjoyable to watch. The follow spot on Siouxsie shines a little too bright at times but her dancing is great. Plus the concert ends in my favourite song: Helter Skelter. After the concert they were allowed an interview, but the interviewer ( I forgot his name ) was a little intimidated by Siouxsie so could not really come up with any sensible questions, which resulted in Siouxsie getting slightly obnoxious, dipping our microphone in a glass of water and making fun of the interviewer and the cameraman. It's all a little uncomfortable, but I included it anyway, cause it is a rare oppotunity to see old footage of siouxsie talking. PKP broadcasted several songs of the show later that summer, and somehow a copy of this VHS tape came into circulation, and the audio has also been ripped as a bootleg. This however is the best possible copy I could make from the original Master tape, which never left my house since 1981. Do not expect BBC broadcast quality. It is grainy and noisy VHS, but the best we had back in '81. 

Heart - 1982-07-12 - Seattle, WA (FM/FLAC)

(FM broadcast FLAC)

HEART
Parker's Ballroom
Seattle, Washington
July 12, 1982

First night of tour Soundboard/FM recording with BONUS tracks!
16/44 flac w/artwork

CD1
01 - City's Burning
02 - Magic Man
03 - Bebe Le Strange
04 - Straight On
05 - This Man Is Mine
06 - Love Alive
07 - Dog and Butterfly
08 - Raised On You
09 - Bright Light Girl
10 - Perfect Stranger
11 - Mistral Wind
12 - Crazy On You
13 - Barracuda
14 - Fast Time
15 - Rock and Roll

CD2
01 - Sweet Darlin'
02 - Rockin' Heaven Down
03 - Born To Be Wild

bonus tracks:
Nashville, TN. November 1983
04 - intro/sleep Alone
05 - Crazy On You
06 - Jealousy
07 - Magic Man
08 - Even It Up
09 - Bebe Le Strange

Mid-South Coliseum Memphis, TN. November 1983
10 - Mistral Wind
11 - Straight On
12 - How Can I Refuse
13 - Allies
14 - Barracuda

notes
A rarity that seems to show up on deep trade lists but nowhere else. Liberated badass Heart boot. Now the Seattle show's sound is more of a rough FM recording. There was hardly any bottom to it so I remastered these tracks. Hot, hot show from an era alot of people slag off. "The Situation" from 1982's Private Audition is the greatest Heart song ever! Now the other tracks are in pristine soundboard sound. No need to touch these files. This thing cost me a chunk o' change so I hope this means something to someone out there.

David Bowie - 1983-07-12 & 13 - Montreal, Quebec (SBD/FLAC)

(Soundboard FLAC)

David Bowie

1983-07-12/13

Montreal Forum

Montreal, Quebec, Canada

Wardour-216

Lineage: - Ripped by Neil Wilkes

Factory Silver Replicas > EAC > FLAC L5 > You

Full artwork scans included

CD1+CD2

1983-07-12

01 Look Back In Anger

02 Breaking Glass

03 Scary Monsters

04 Rebel Rebel

05 Heroes

06 What In The World

07 Life On Mars

08 Sorrow

09 Golden Years

10 Fashion

11 Let's Dance

12 Red Sails

13 China Girl

14 White Light White Heat

15 Station To Station

16 Cracked Actor

17 Ashes To Ashes

18 Space Oddity

19 Young Americans

20 Cat People

21 TVC 15

22 Fame

23 Star

24 Stay

25 Jean Genie

26 I Can't Explain

27 Modern Love

CD3+CD4

1983-07-13

01 Look Back In Anger

02 Breaking Glass

03 Scary Monsters

04 Rebel Rebel

05 Heroes

06 What In The World

07 Life On Mars

08 Sorrow

09 Golden Years

10 Fashion

11 Let's Dance

12 Red Sails

13 China Girl

14 White Light White Heat

15 Station To Station

16 Cracked Actor

17 Ashes To Ashes

18 Space Oddity

19 Young Americans

20 Cat People

21 TVC 15

22 Fame

23 Star

24 Stay

25 Jean Genie

26 I Can't Explain

27 Modern Love

Dire Straits - 1983-07-12 - Zagreb, Yugoslavia (AUD/FLAC)

(Audience FLAC)

Maksimir stadium

Line-age (yes yes Mr.Pottel):

Taper's master > traded on CD-R > Flac level 6 > you

CD1

01. Intro

02. Once upon a time in the west

03. Industrial disease

04. Expresso love

05. Romeo & Juliet

06. Love over gold

07. Private investigations

08. Sultans of swing

09. Twisting by the pool (cut)

10. Two young lovers

CD2

01. Portobello belle

02. Tunnel of love

03. Solid rock

04. Going home

(Very) good sounding audience recording of the first Dire Straits concert ever in (former) Yugoslavia. Some small parts missing and probably the entire Telegraph road, but this recording is well worth listening. Absolute amazing version of Once upon a time in the west!

Miles Davis Group - 1984-07-12 - Pori, FIN (TV/FLAC)

(TV broadcast FLAC)

Miles Davis Septet

1984-07-12 (b)

Urheilutalo

Pori, Finland

TV broadcast recording, 87'12, A-

Lineage: TV rebroadcast > Mcas > dat(x) > cdr

Miles Davis (tp, synth)

Bob Berg (ss, ts)

John Scofield (g)

Robert Irving III (synth)

Darryl Jones (el-b)

Al Foster (d)

Steve Thornton (perc)

01 Speak / That's What Happened (11:49)

02 Star People + What It Is [nc] (13:35)

03 It Gets Better (12:59)

04 Something on Your Mind (11:55)

05 Time After Time (10:19)

06 Hopscotch / Star on Cicely (11:05)

07 Jean-Pierre (9:33)

08 Code M.D. (5:54)

Sounds great as is, but it is incomplete... and I just corrected the lineage info above.

This is the long version of the TV broadcast, but it is incomplete

The Pretenders - 1985-07-12 - Philadelphia, PA (SBD/FLAC)

(Soundboard FLAC)

The Pretenders
Chestnut Cabaret
Philadelphia, PA
July 12th, 1985

This was an unscheduled rehearsal performance on the evening prior to the Pretenders performing at Live Aid Philadelphia the following day. The Pretenders opened for The Vels on this night. The Vels were one of the premier Philadelphia new wave bands and their recording from that night was upped here a few months ago.

SBD> Analog Cassette Master Tape> Sony Beta PCM> DAT Panasonic SV 3700> CDR HHB 800
Extracted from CD using Sony Soundforge 9> Flac

01. Time The Avenger
02. Message Of Love
03. Stop Your Sobbing
04. Chain Gang
05. Middle Of The Road
06. My City Was Gone
07. Talk Of The Town
08. Mystery Achievement
09. Brass In Pocket
10. Up The Neck
11. Precious

This is from my cassette master but in a sort of roundabout way. Some friends recently did a new transfer from the master tape (in 2015) and there unfortunately were a few dropouts. It looks like this excellent version of the show fell of the tracker so here it is again, enjoy.

Siouxsie and the Banshees - 1986-07-12 - Brest, FR (FM/FLAC)

(FM broadcast FLAC)

Siouxsie and the Banshees

Rockscene Festival

Brest, France

1986-07-12

lineage

FM > ? > CD-R > FLAC

Siouxsie Sioux – vocals

Steven Severin – electric bass, keyboards

Budgie – drums, percussion

John Valentine Carruthers – guitars, keyboards

01 - Green Fingers

02 - Candyman

03 - The Sweetest Chill

04 - Cannons

05 - Christine

06 - Melt

07 - Preacher man

08 - 92 degrees

09 - Nightshift

10 - Sin in My Heart

11 - Headcut

12 - Arabian Knights

Eric Clapton w Phil Collins - 1986-07-12 - Juan Les Pins, FR (DVDfull aud-shot)

(DVDfull aud-shot)

Eric Clapton 1986-07-12

Eric Clapton

Juan les Pins

France

Chapters: Yes

Menu: Yes

PAL, Mpeg 2 4.9 Mbps - Dolby Digital 2.0 256kbs 16bit 48Khz, video rate 4:3

Eric Clapton – guitar / vocals

gregg Philinganes - keyboards

Nathan East - bass

Phil Collins - drums

White Room

I Shot the Sheriff

Wanna Make Love to You

Run

Miss You

Same Old Blues

Tearing Us Apart

Holy Mother

Behind the Mask (Greg Phillinganes on vocals)

Badge

Let it Rain

In the Air tonight

Cocaine

Layla

Sunshine of your love

Audience Shot; Lineage unknown

Video 5

Audio 7

Bob Dylan & The Grateful Dead - 1987-07-12 - East Rutherford, NJ (SBD/FLAC)

(Soundboard FLAC)

Bob Dylan & The Grateful Dead 

Giants Stadium, East Rutherford, NJ, U.S. 

12th July 1987 

'Dylan Plays Dead', The Razor's Edge RAZ022 

Lineage

Silver > EAC (Secure) > WAV > TLH (Verify then flac8)

01 - Slow Train 

02 - Stuck Inside Of Mobile 

03 - Tomorrow Is A Long Time 

04 - Highway 61 Revisited 

05 - It's All Over Now, Baby Blue 

06 - Ballad Of A Thin Man 

07 - John Brown 

08 - The Wicked Messenger 

09 - Queen Jane Approximately 

10 - Chimes Of Freedom 

11 - Joey 

12 - All Along The Watchtower 

13 - The Times They Are A-Changin'

Bob Dylan - 1987-07-12 - East Rutherford, NJ (DVDfull pro-shot DL)

(DVDfull pro-shot DL)

Bob Dylan 
July 12, 1987 
Giants Stadium 
East Rutherford, NJ 

None of these recordings have been officially released, neither video, nor audio 
Very nice production, with several camera's from different angles 

Brokedown House Production 

Taped by Don Pearson 
Tapes Provided by Charlie Miller 
Capture, Synch, Edit, Author by Kevin Tobin 

Lineage: 
Video: Multi Camera Pro-shot > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) 
Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > MPEG2 > TMPGEnc MPEG Editor 2.0 > Sony DVD Architect Pro 6 > DVD5 & DVD9 
[NTSC, 4:3, 8.0 Mbs, 720x480, 29.97 fps] 

Lineage: 
Audio: SBD 
Set 3: Mono SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) - (shnid=144301) 
Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > FLAC 16/44 
Capture, Mixed, FLAC by Kevin Tobin 
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz] 

Bob Dylan - Vocal, Acoustic GuitarJ 
Jerry Garcia - Guitar, Pedal Steel Guitar # 
Bob Weir - Guitar 
Brent Mydland - Keyboards 
Phil Lesh - Bass 
Bill Kreutzmann - Drums 
Mickey Hart - Drums 

01 - Slow Train 

02 - Stuck Inside Of Mobile With The Memphis Blues Again 

03 - Tomorrow Is A Long Time # 

04 - Highway 61 Revisited 

05 - It's All Over Now, Baby Blue 

06 - Ballad Of A Thin Man 

07 - John Brown 

08 - The Wicked Messenger 

09 - Queen Jane Approximately 

10 - Chimes Of Freedom 

11 - Joey 

12 - All Along The Watchtower 

13 - Times They Are A Changin' 

14 - Touch Of Grey 

15 - Knockin' On Heaven's Door 

01:29:54 

Notes: 
Set 3 
00:11:49-00:11:50 - Filled With Graphics 
00:43:59-00:44:00 - Filled With Graphics 
01:11:49-01:11:50 - Filled With Graphics

Iggy Pop - 1988-07-12 - Chicago, IL (pre-FM/FLAC)

(pre-FM FLAC)

The Metro, Chicago, USA

Lineage:
Download > Audacity > CD Wave > TLH > FLAC

01 Instinct
02 Kill City
03 1969
04 Penetration
05 Power And Freedom
06 Shake Appeal
07 High On You
08 Five Foot One
09 The Passenger
10 Easy Rider
11 1970 (I Feel Alright)
12 Search and Destroy
13 Cold Metal
14 Squarehead
15 No Fun
16 I Wanna Be Your Dog

Notes by the uploader/trader:
This is a slightly mixed version of a pre-FM download, albeit with 1969 added in (it was missing from the download version). This latter version was clearer but had very excessive treble, with a little apparent treble distortion. This noise does seem to stem from the original recording, as I noticed it was there in the background on my tape version, but buried under tape hiss (which isn't bad on my original seed, but it is there). I have mixed this to reduce that treble noise so that now I find it an ideal match between my original tape version - slightly hissy, but very gutsy - and the clearer version - very clear, too much treble / treble noise. I think this sounds very good now, as good as the KBFH (official) CD version of the Boston Channel 1988 concert to my ears.

Todd Rundgren - 1989-07-12 - San Francisco, CA (SBD/FLAC)

(Soundboard FLAC)

Todd Rundgren July 12, 1989

The Fillmore, San Francisco

’Nearly Human’ tour

Soundboard (mono)

lineage

CD-r>iTunes(MacOS10)>xact>flac

Todd Rundgren (vocals, guitars)

Vince Welnick (keyboards)

Bobby Strickland (saxophone)

Max Haskett (trumpet)

Lyle Workman (guitar)

Byron Allred (keyboards)

Larry Tagg (bass)

Michael Urbano (drums)

Scott Matthews (percussion)

- and "the most dangerous backup singers in the world":

Jenny Muldaur

Michele Gray

and Shandi Sinnamon

CD1

01 - Real Man

02 - Unloved Children

03 - Parallel Lines

04 - Can’t Stop Running

05 - Compassion

06 - Secret Society>

07 - Something To Fall Back On

08 - There Goes My Inspiration*

09 - Love Of The Common Man*

10 - Mated

11 - Love In Action

12 - (cuts in)/Lost Horizon> Marvin Gaye medley (What’s Going On> Mercy Mercy Me> I Want You)> Lost Horizon>

13 - Feel It

14 - Rock Love

CD2

01 - Hawking

02 - (cuts in)/ The Want Of A Nail

03 - Hello, It’s Me

04 - I Love My Life/ (cuts out)

[* = Todd solo, acoustic]

Received cd-r in a trade, long ago. SQ grade EXCELLENT, except for a few cuts. This soundboard is in mono, and missing a few songs. (Tiny Demons, Cliché, CWSBF?) I guess the tape ran out mid-show?)

B.B. King - 1991-07-12 - Montreux, CH (SBD/FLAC)

(Soundboard FLAC)

Casino de Montreux

Lineage: 
CDR TRADE > EAC (WAV) > TLH (FLAC-8) > YOU 

B.B. King - guitar, vocals 
Leon Warren - guitar 
Michael Doster - bass 
Calep Emphrey Jr. - drums 
James Toney - keyboards 
Walter King - saxophone 
Melvin Jackson - saxophone 
James Bolden - trumpet 

* Jam Guests: 
Lavern Baker - vocals 
Ruth Brown - vocals 
Big Time Sarah - vocals 
Otis Rush - guitar 
Big Jay McNeely - sax 
Howard Johnson - bari-sax 
Greg Phillinganes - keys 
Jim Lauderdale - guitar 
David Gogo - guitar 
Claude Nobs - harp

CD1
01. Custom Made (Instrumental) 
02. Two I Shoot (Instrumental) 
03. Intro BB King 
04. Let The Good Times Roll 
05. Paying The Cost To Be The Boss 
06. Into The Night 
07. Darlin' You Know I Love You 
08. Ain't Nobody's Business 
09. All Over Again (Instrumental) 
10. Why I Sing The Blues (Instrumental) 
11. Early In The Morning (Instrumental w/band intros) 
12. Since I Met You Baby 

CD2
01. The Thrill Is Gone 
02. Please Accept My Love 
03. When Love Comes To Town 
04. Peace To The World 
05. Intro Guests * 
06. Everyday I Have The Blues 
07. Everyday I Have The Blues Jam 2 
08. Shake Rattle And Roll 
09. When The Saints Go Marching In 

Iggy Pop - 1991-07-12 - Leysin, CH (SBD/FLAC)

(Soundboard FLAC)

Iggy Pop

Recorded live at the "Leysin Festival", Switzerland

July 12 1991

Source info:

likely sbd -> pressed silver -> EAC secure -> flac + tags

Iggy - vox/git

Whitey Kirst - lead git

Craig Pike - bass

Larry Mullins - d

01. Down on the Street #

02. My Baby Wants to Rock and Roll

03. Raw Power

04. Gimme Danger

05. Loose

06. T.V. Eye

07. Dirt

08. Lovebone

09. Five Foot One

10. China Girl

11. Lust For Life

12. Candy

13. Real Wild Child

14. The Passenger

15. No Fun

16. I Wanna Be Your Dog

17. Home

# fades in

Liberated bootleg named "Raw Power '91",

released by "Swingin' Pig Records", TSP-CD-111