Alice Cooper - 1970-07-23 - Warren, MI (SBD/FLAC)

(Soundboard FLAC)

Alice Cooper - Chicago Underground 1970 (2020) [Flac]

Live At The Chicago Underground - Warren - Michigan - USA - 23rd July 1970

Source - SBD

Quality - VG/EX

Artwork - Full (300 dpi)

lineage

CDR - EAC (Secure Mode – Test & Copy) - Wav - Flac

01 - Intro

02 - Sun Arise

03 - Mr. And Misdemeanor

04 - Fields Of Regret

05 - I'm Eighteen

06 - Levity Ball

07 - Is It My Body

08 - Nobody Likes Me

09 - Lay Down And Die, Goodbye

NOTES

This is about the time the old Alice Cooper Band started to become the new Alice Cooper Band. This show still has the old songs from the first two albums but also has some early versions of songs that would later appear on the Love It To Death album. The version of I’m Eighteen here is possibly the earliest version of the song and is a slower more bluesy version. All in all a very interesting show and great quality for the age.

There are a number of versions of this show knocking around, some with an abrupt ending and some with tracks from other shows pasted to the end to make it look like a longer show. This  one would appear to be complete and unedited in any way. You can hear it come to a natural conclusion and hear the house announcer talking to the crowd after. I got this as a CDR trade some time ago. I was told the source was a soundboard recording but I've seen it listed as a local radio station broadcast on some lists. There are a lot of fake versions of this show out there. This is the real thing.

Bruce Springsteen - 1971-07-23 - New York City, NY (SBD/FLAC)

(Soundboard FLAC)

Damrosch Park, Lincoln Center. NYC
CD Title – Summertime In NYC ( Freedom For America Records – 876 544-2 )
SBD Recording

Lineage
Sliver Cd – extracted EAC – WAV – Traders Little Helper Flac 8 – You

Artwork & Info Included

01 - C. C Rider 10:43
02 - You Mean So Much To Me 6:31
03 - C’mon Billy, Break Up The Wine ( Nothing Can Stop Me Now ) 7:04
04 - I,m In Love Again 5:29
05 - Dance Dance Dance 8:06
06 - You Don’t Leave Me Much Choice 8:56
07 - Jambalaya 13:02

Total Time 59:54

Brucebase said :
1971-07-23 - GUGGENHEIM BANDSHELL, DAMROSCH PARK, LINCOLN CENTER, NEW YORK CITY, NY

C.C. RIDER - DOWN THE ROAD APIECE (10:00) / YOU MEAN SO MUCH TO ME (5:07) / NOTHING CAN STOP ME (5:15) / I’M IN LOVE AGAIN (4:11) / DANCE DANCE DANCE (5:52) / YOU DON’T LEAVE ME NO CHOICE (8:55) / JAMBALAYA (ROLL OVER) (12:47)

One show, with The Bruce Springsteen Band (along with a several other un-signed groups) performing as part of the Guggenheim Memorial Concert Series that took place daily in Damrosch Park during the summer of 1971. According to the New York Times the headliner and scheduled 8.00pm show closer on the 23rd was The Richard Goldman Band, a classical orchestra noted for its creative use of wind and brass instruments. Bruce and his team were one of several unnamed-in-print undercard acts, each of who were allocated hour-long performing slots. At one point Bruce can be heard off mike asking “How much more time do we have?” The response back is “15 minutes” and Bruce times the end of his show impeccably. The fact that Bruce’s mid-1971 lineup included horns may have been the reason Tinker got this particular booking. The trumpet and sax are highly prevalent throughout and the arrangements (likely created by Van Zandt) are outstanding.

The above-mentioned setlist is taken from a soundboard recording that is available on the CD “The Bruce Springsteen Story, Vol 6" (E Street Records). The bootleg cover implies some Columbia Records/CBS affiliation with the recording but this is just fantasy artwork. This 60 minute recording has continuity between songs and is almost certainly the complete show from this afternoon gig. Although this was an outdoor event, Bruce and the band were performing within the Guggenheim Band Shell. The superb acoustics of that shell, combined with an un-degraded source tape, have resulted in a truly exceptional concert document. Add to this a tight, highly disciplined and inspired performance by the entire band and it’s easy to see why most rate this Damrosch gig as the finest pre-CBS Springsteen concert currently in existence. This texture of this performance is more in keeping with the funkiness of Bruce’s 1974 Wild & Innocent Tour dates and early Asbury Jukes shows. It is essential audio in any Springsteen collection.

The 9 member Bruce Springsteen Band at Damrosch Park is the same as the 10 member contingent that performed at The Sunshine In ten days earlier (see July 11th listing) with the exception that Tinker West is not playing congas, it seems Tinker was busy working the soundboard. This show includes some of Bruce’s finest early-period songwriting efforts. There are definitive live performances of “Jambalaya” and “You Mean So Much To Me” plus two songs (“I’m In Love Again” and “You Don’t Leave Me No Choice”) that are not available from any other show source. Delores Holmes delivers the sexy Ronnie Spector-ish lead vocal on these two songs. A Springsteen lead vocal of these two songs has yet to surface. Bruce’s searing guitar work during “You Don’t Leave Me No Choice” is among his all time best.

Extensive research has revealed little; the Bruce Springsteen Band was not mentioned in the programme or the New York Times. Many thanks to Special Collections in Performing Arts at the University of Maryland.

Jethro Tull - 1973-07-23 - Oakland, CA (AUD/FLAC)

(Audience FLAC)


Oakland Coliseum

PRRP 044 A Hush In The Play

lineage
Master Audience Reel > WAV > FLAC > Remastered and Re-Tracked > FLAC

Ian Anderson - Vocals, Guitar, Flute & Saxophone
Barriemore Barlow - Drums & Percussion
Martin Barre - Lead Guitars
John Evans - Keyboards
Jeffrey Hammond-Hammond - Bass Guitars

CD1
- A Passion Play -
01. Lifebeats 08:57
02. Prelude 02:25
03. The Silver Chord 04:24
04. Re-Assuring Tune 01:14
05. Memory Bank 04:32
06. Best Friends 04:35
07. Critique Oblique 05:15
08. Forest Dance #1 01:15
09. The Story Of The Hare Who Lost His Spectacles 04:15
10. Forest Dance #2 01:43
11. The Foot Of Our Stairs 04:50
12. Overseer Overture 03:26
13. Flight From Lucifer 03:52
14. 10:08 From Paddington 01:06
15. Magus Perde 03:58
16. Epilogue 01:41
+
17. Thick As A Brick 17:07
18. Cross-Eyed Mary 04:09

CD2
01. No Rehearsal (segment) 02:12
02. Drum Solo (cut) 08:09
03. Instrumental 05:21
04. Maternity Ward 01:24
05. Aqualung 10:07
06. Band Introductions 01:35
07. Wind Up 13:05
08. Locomotive Breath 06:38
09. Wind Up Reprise 06:01

Notes on PRRP 044 A Hush In The Play:

And Now For Something Completely Different?
The year was 1972 and Jethro Tull was on a roll. “Aqualung” and “Thick As A Brick” had been very successful albums and the band was receiving the praise and attention that they deserved. The music press of yhe UK had been kind in their reviews and noted music journalist Chris Welch was even considered a good friend. So what was next? The Tull website describes it well.

“... work began in Switzerland (in August 1972), then studios in France (mostly to escape high British tax rates). Enough tracks to fill three sides of a double album were developed when technical problems in the studio, and band members' longing for home, caused all but four tracks to be scrapped (some of this material, like 'Skating Away On The Thin Ice Of A New Day,' would appear on 'War Child'). The dreadful experience lead Ian to dub the Chateau d'Herouville studio as the 'Chateau d'Isaster.' With only seventeen days left before the American tour, Ian wrote new material and vastly restructured some of the 'Chateau d'Isaster' ideas and the band recorded the 45-minute album, 'A Passion Play' ... Thematically, the concept album chronicles, as the title implies, a story of life and death, beginning with a recently deceased man viewing his own funeral, descending into purgatory and Hell, then reincarnated.” - J-Tull.com

This new album was tracked only as “part one” and “part two”, each taking up a full side of the original LP record. It was not until the 1998 release of the Gold Remaster version of 'A Passion Play” that the originally intended tracking of the show was known and used. From that listing, one can see that the only track to survive from the Chateau d'Herouville sessions and make it onto this album was the song “Critique Oblique”, though “Tiger Toon” was re-worked to produce the Passion Play's “Prelude”. The album was to rise to number one in the United States and number 13 in the UK, but not without a few bumps along the way.

The new tour with “A Passion Play” was supposed to begin on April 28th 1973 at the Wembley Empire Pool but this two-night booking was cancelled, despite sold out shows. Tull fans then looked to the start of the US tour for the first performance of the new material. On May 4th, the performance began in Evansville, Indiana with the opening “Lifebeats” but the accompanying film was not shown. Later in the show, the “Hare” film was shown out of context but broke down, as it did on May 30th in Toronto. The next night in Clemson, SC the equipment truck arrived late and so the soundcheck was performed in front of the audience. Since the show did not start until 10pm, “A Passion Play” was omitted from the set. The next night's show in Maryland was cancelled because the equipment truck broke down. Great confusion exists regarding the next 10 days in Tull history. Some claim that the band spent 4 days in Knoxville, TN rehearsing the new material, while others claim (with inconsistency) that Jethro Tull concerts were performed and attended. Finally, according to written account, “A Passion Play” was definitely performed in Hampton, VA on May 17th and Richmond, VA on May 18th.

After finishing the first leg of the American Tour, and in a move that defies logistical sanity, the band returned to the UK in June to play the two previously cancelled shows at the Empire Pool, June 22nd and 23rd, the only UK shows of the tour. As reported in Melody Maker on June 23rd, Tull's manager Terry Ellis admitted that all the proceeds from the two gigs would likely be used just to cover the cost of returning the equipment from the US and then flying it all back out again for the second leg of the American tour.

Once familiar with the material in the live setting, the band expected smooth sailing. “A Passion Play” was released in the UK on July 6th and was then released in the US on July 23rd, the day of this Oakland show. Audiences, who had understandably never heard the new material, seemed to receive it warmly. Sadly, the critics had other ideas. After playing three nights in Inglewood, CA (July 20-22), the Los Angeles Times printed these comments from Robert Hilburn:

“By the time Tull left the stage Sunday night, nearly 75,000 persons had paid upwards of $400,000 to see the British rock group ... I only hope they found the show more rewarding than I did. There were, to be sure, moments of high style and imagination, particularly in the use of film, but there were also some moments of extremely tedious music. While the group's stage antics at that time - highlighted by Anderson's flitting around like a wild-eyed, super-charged Captain Hook gone mad - and fire-breathing instrumental arrangements dominated by a sort of huff-and-puff flute sound - were among the most colorful in rock, there was a lack of strong, central focus to Anderson's lyrics that kept the group's music from realizing its full potential.

Things did, however, begin impressively at the Forum. Following a spirited set by Steeleye Span (a British group which has effectively merged traditional folk with modern electronics), the Tull portion of the evening began when a small white dot appeared on a movie screen at the rear of the stage. The dot flashed off and on in time with an amplified heartbeat. Slowly, the dot grew larger and larger. After several minutes it turned red, and a ballerina joined it on screen. At first, the dancer was lying motionless on her back. Slowly coming alive, she eventually leaped through a mirror in what was a stunning piece of film. At that instant, the screen was raised and the group came on stage to begin A Passion Play, a chiefly instrumental work that alternates, in typical Tull fashion, between gentle moments and sudden, dramatic bursts of power.

While it holds your attention for a while, its instrumental repetition and its un-arresting, inaccessible lyrics eventually undercut its impact. After 20 minutes, mercifully, the group gave way to another engaging Anderson film (The Hare). After the film, the group returned with another numbing 20 minutes of A Passion Play and then 15 minutes of Thick As A Brick. It then moved into some of the better known tunes from Aqualung. If there was ever any question about the rambling, disjointed nature of Anderson's longer works, the placement of these punchier, crisper, more concise pieces from Aqualung on the same show answered it. Anderson remains a talented, serious, imaginative artist, but his extended works need more easily identifiable, engaging themes and varied musical elements if they are to be worthy of the attention he wants for them.” R. Hilburn 24th July 1973

Chris Welch, attending the Empire Pool shows, describes other aspects of the show and adds his own commentary:

“... one and a half hours solid good music by Jethro Tull at the Empire Pool, Wembley, would have been sufficient to send home many more contented fans. Instead, an over-long over-produced marathon seriously impaired their impact - and their reputation ... The Passion Play which constituted the first part of the concert, and is the basis of their next album, was a disappointment ... (yet) Ian played soprano sax with a bug attachment, with considerable facility, which added a new tonal dimension to the band sound. Jeffery Hammond-Hammond their bass player charged around the stage in a suit and Panama hat, in a kind of Monty Python-ish silly walk that seemed a parody of the natural movements of a musician inspired by his music.

The piece continued unabated, and bearing in mind we haven't heard the album yet, seemed to take a considerable time to show any signs of cohesion. The structure had a kind of Elizabethan mode, with a plethora of changes that did not resolve into any satisfying or logical direction ... the lyrics or story of the Passion Play did not communicate one whit ... part of the play was taken up with a film (The Hare), filmed in colour featuring members of the group and a ballet company. This fell flat at first, greeted with yells of 'No substitute,' with which I was bound to agree, although a colleague who thought the whole show terrible, said the film was the best part, which at least shows how opinions can differ ...” C. Welch, Melody Maker 30th June 1973

Ian Anderson was not too pleased with the reviews of the new Tull material. There were even rumors of a plan to halt the tour and disband Jethro Tull permanently. Fortunately for Tull fans the band has continued well into the 21st century. Most serious Jethro Tull fans have a strong opinion of “A Passion Play”, either positive or negative but all will agree that it was a unique experience in the history of the band.

Now let's move on to this recording; July 23rd, 1973 in Oakland, California. The show is from the master tape and is almost complete. Sadly, only a segment of the song “No Rehearsal” was present and was tracked separately. This is a song created during the Chateau d'Herouville sessions which was played during live performances in 1973. The drum solo is also cut at the beginning and we chose not to patch it. At the beginning of the recording we have tracked the entire Passion Play using the originally intended listing provided by the band. Towards the end, if you listen closely to the extended instrumental section of “Wind-up” you will hear segments that clearly become “Minstrel in the Gallery” later on in 1975. Finally, Anderson ends the show with the ringing telephone which was a metaphor for the time.
PRRP Staff

Notes from the Re-Master
We began with a FLAC encoded, digitised copy of the master tape. With the first listen it was clear that the hiss level was excessive and reduced appreciation of the subtle aspects of the show. There were also many microphone bumps that needed to be removed or reduced as much as possible along with other clicks and pops. The complete show is here except for a truncated “No Rehearsal” and the incomplete beginning of the drum solo. We chose to leave those segments un-altered rather than patching them from another source. For a 1973 audience recording this is quite good quality. Still, the frequency response drops significantly above 7,500Hz. Tonality needed adjustment given midrange excesses and excessive high-bass frequencies. Because auto-record-level circuits were in play, there were a number of partial dropouts found requiring repair. There were other single channel partial dropouts that also needed repair.

The original master tracked the Passion Play section as a single track. We added tracking to reflect the full tracking intended by Jethro Tull at the time. We also adjusted other track points. Finally, analysis showed that speed correction was needed and was applied to the whole show.

Johnny Cash - 1973-07-23 - Dinah!Johnny Cash (DVDfull pro-shot)

(DVDfull pro-shot)

Dinah! 7-23-75

The John Davidson Show 1981

Lineage: TV > very low gen, possibly master tape (unknown if Beta or VHS source) > Transfer > Author > DVD

No Artwork

Chapters: 2

NTSC / Stereo

TRT: 00:53:54

Audio codec: AC3

Audio bitrate: 256 kb/s

Video codec: MPEG2

Video bitrate: 3483 kb/s

Picture resolution: 720X480

Johnny Cash & June Carter

July 23, 1975

Dinah!

Los Angeles, CA

01. Darlin' Companion (with June Carter)

02. Interview & Cooking (with June Carter)

03. Look At Them Beans

04. Hey Good Lookin' (June Carter)

05. Lonesome To The Bone

06. Born To Loose (Carl Perkins)

07. Make The World Go Away (Dinah)

08. I Saw The Light (with June Carter)

09. I Walk The Line

- Bonus: Strawberry Cake

**********

Johnny Cash & June Carter

early 1981

John Davidson Show

Burbank, CA

10. Interview

11. Old Chunk Of Coal

12. Interview (June Carter)

13. Wildwood Flower (June Carter)

14. Gold Watch And Chain (with June Carter)

 

Eric Clapton - 1974-07-23 - Denver, CO (SBD/FLAC)

(Soundboard FLAC)

Coliseum 

Linage: 
Soundboard > ? > Trade cassette (in 1993) 

Transfer: 
Sony TC-WE475 > Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) > you ! 

01) [00:42] Tuning 
02) [03:44] Smile 
03) [03:28] Easy Now 
04) [05:41] Let It Grow 
05) [07:02] Badge 
06) [13:32] Willie and the Hand Jive > Get Ready 
07) [09:23] Blues Power 
08) [07:32] Little Wing // cut 
09) [06:29] Let It Rain 
10) [05:38] Crossroads 
11) [07:13] Tell the Truth (with cut at 00:45) 

Total [1:10:21] 

Yes - 1975-07-23 - Providence, RI (AUD/FLAC)

(Audience FLAC)

Providence Civic Center

Master audience recording taped by Dan Lampinski

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes

Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)

Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger

CD1
01 Firebird Suite
02 Sound Chaser
03 Close To The Edge
04 And You And I
05 Gates Of Delirium

CD2
01 Your Move
02 Mood For A Day
03 Long Distance Runaround
04 Moraz Solo
05 Clap
06 Jam
07 Ritual (spliced)
08 Roundabout
09 Starship Trooper (spliced)

Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.

Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.

Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.

Fleetwood Mac - 1976-07-23 - Cleveland, OH (AUD/FLAC)

(Audience FLAC)

Fleetwood Mac

Cleveland, OH

July 23, 1976

Source: Aud Recording

Lineage: Trade>CDR>EAC>WAV>SHN>Torrent>Dime (2007)->WAV->FLAC(2014)

CD1

01. Into/Say You Love Me

02. Station Man

03. Spare Me A Little Of Your Love

04. Rhiannon

05. Why

06. Landslide

07. Over My Head

08. You Make Loving Fun

CD2

01. I'm So Afraid

02. Oh Well

03. Green Manalishi

04. World Turning

05. Blue Letter

06. Hypnotized

Led Zeppelin - 1977-07-23 - Oakland, CA (AUD/FLAC) "Day On The Green"

(Audience FLAC)

Day On The Green

source: mono audience cassette master
transfer: 1st gen cassettes > Nakamichi Dragon >
Korg MR-1000 [DSF 1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [16/44.1] >
Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8)

01 - The Song Remains The Same
02 - The Rover Intro > Sick Again
03 - Nobody's Fault But Mine
04 - Over The Hills And Far Away
05 - Since I've Been Loving You
06 - No Quarter
07 - Ten Years Gone
08 - The Battle Of Evermore
09 - Going To California
10 - Black Country Woman > Bron-Yr-Aur Stomp
11 - Trampled Underfoot
12 - White Summer > Black Mountain Side
13 - Kashmir
14 - Guitar Solo >
15 - Achilles Last Stand
16 - Stairway To Heaven
17 - Whole Lotta Love > Rock And Roll
18 - Black Dog

Length: 166:14

Notes:
- tape flip @ 45:40 during No Quarter
- applause cut @ 122:13 after Kashmir
- tape flip @ 137:00 during Achilles Last Stand

Led Zeppelin - 1977-07-23 - Oakland, CA (AUD/FLAC) "The Last Performance In U.S.A." by Scorpio

(Audience FLAC)

The Last Performance In U.S.A. (Scorpio)

Venue: Alameda County Coliseum
Source: Audience

Lineage: 
Silver CD > EAC > WAV > Trader's Little Helper > FLAC(level 8)

Bootleg Title: The Last Performance In U.S.A.

Label: Scorpio

CD1
01.Intro
02.The Song Remains The Same
03.Sick Again
04.Nobody's Fault But Mine
05.Over The Hills And Far Away
06.Since I've Been Loving You
07.No Quarter

CD2
01.Ten Years Gone
02.The Battle Of Evermore
03.Going To California
04.Black Country Woman
05.Bron-Y-Aur Stomp
06.Trampled Underfoot
07.White Summer - Black Mountain Side
08.Kashmir

CD3
01.Guitar Solo
02.Achilles Last Stand
03.Stairway To Heaven
04.Whole Lotta Love
05.Rock And Roll
06.Black Dog

Average White Band - 1978-07-23 - Queens, NY (SBD/FLAC)

(Soundboard FLAC)

Belmont Racetrack

Genre: R & B Funk A (Some Static)
Stereo Soundboard
Lineage: Pre-FM SBD feed > Nak 550 > Maxell UDXL2 > MC > Nak CR7-A (azimith adjust) > SBM-1 (s/pdif) >...
Transfer: Goldwave (Volume Boost) > Media Monkey (Flac Transfer L8)

Tapers Notes: WILR and WPX FM "Sunset Series." This show features a 12 m version of "Pick Up The Pieces."

Alan Gorrie, Guitar, Vocals,
Hamish Stuart,Bass, Vocals
Onnie McIntyre, Rhythm Guitar, Vocals
Roger Ball, Keyboards, Alto Sax
Malcolm Duncan, Tenor and Soprano Sax
Steve Ferrone, Drums, Percussion s 

01. Love Your Life
02. Same Feeling, Different Song
03. A Love Of Your Own
04. McEwan's Export
05. Your Love Is A Miracle
06. She's A Dream
07. If I Ever Lose This Heaven
08. Pick Up The Pieces

TT: 58:55

Led Zeppelin - 1979-07-23 - Copenhagen, DK (AUD/FLAC)

(audience FLAC)

Led Zeppelin - Melancholy Danish Pageboys "Remake"

Falconer Theatre

Silver Rarities SIRA 80/81

this is audience recording from bootleg label 'Silver Rarities'

argenteumastrum.com says:

MELANCHOLY DANISH PAGEBOYS "REMAKE"

SILVER RARITIES SIRA 80/81

Recording: Excellent to Superb stereo audience.

Source: Falkoner Theatre, Copenhagen, Denmark July 23 '79.

Comments: UK bootleg. Deluxe jewel case.

Lineag:

silverCDs > EAC > WAV > FLAC > tracker > HD > Audacity lossless test

CD1

01. The Song Remains The Same

02. Celebration Day

03. Black Dog

04. Nobodys Fault But Mine

05. Over The Hills And Far Away

06. Misty Mountain Hop

07. Since I've Been Loving You

08. No Quarter

09. Hot Dog

CD2

01. The Rain Song

02. White Summer / Black Mountain Side

03. Kashmir

04. Trampled Underfoot

05. Achilles Last Stand

06. Guitar Solo

07. In The Evening

08. Stairway To Heaven

09. Rock And Roll

The Police - 1979-07-23 - In Session at the BBC (FM/FLAC)

(FM broadcast FLAC)

The Police

In Session at the BBC

23 July 1979

01 Can't Stand Losing You (the bit we left out)

02 This Beds Too Big Without You

03 Next to You

04 Message in a Bottle

05-08 - as per 01 - 04, but with DJ chat and intros included.

Recording Lineage

FM off-air from original broadcast 1979-07-30 -> Revox B77 reel-to-reel -> Master reel

Playback / Encoding Lineage

Master reel on Revox B77 -> Alesis Masterlink @ 44.1kHz, 16-bit (track splits, fades, level adjustment) -> CDR -> EAC to .wav -> TLH to .flac

TLH sez no SBEs

Tom Petty - 1979-07-23 - Salinas, CA (SBD/FLAC)

(Soundboard FLAC)

Tom Petty and The Heartbtreakers 
Sherwood Hall 
Salinas, CA 
July 23, 1979 

CD1
01 - When The Time Comes 
02 - Anything That's Rock 'N Roll 
03 - Fooled Again 
04 - I Need To Know 
05 - The Wild One 
06 - Forever 
07 - Listen To Her Heart 
08 - Here Comes My Girl 
09 - American Girl 
10 - Cry To Me 

CD2
01 - Even The Losers 
02 - Breakdown 
03 - Strangered In The Night 
04 - Too Much Ain't Enough 
05 - Shout 
06 - Dogs On The Run 
07 - I Fought The Law 
08 - Any Way You Want It 

Judas Priest - 1981-07-23 - New York City, NY (pre-FM/FLAC)

(pre-FM FLAC)

Source: Pre-Broadcast LP
Quality: EX+
Artwork Included

01. Solar Angels 4:51
02. Heading out to the highway 3:38
03. Diamonds & Rust * REMOVED 3:26
04. Hellbent for Leather 2:41
05. Sinner 8:54
06. Beyond the realms of Death 7:08
07. Grinder 4:18
08. Desert Plains 4:43
09. Hot Rocking 3:27
10. You Don't have to be old.. 7:15
11. Victims of Changes 8:28
12. Green Manalishi * REMOVED 4:43
13. Breaking the Law 2:43
14. Living After Midnight 4:40
15 Tyrant 7:39

Notes by the uploader:
Transferred from my own copy of the Pre-Broadcast LPs of "Supergroups presents Judas Priest .. A night on the road" done about 10 years ago. I was at this show and it was amazing, Iron Maiden open up for them and they were great as well.
Following Dime's policies, Diamonds & Rust and The Green Manalishi have been removed as they were officially released on the Metalogy box set

Genocide, Exciter and The Ripper, the first tracks of LP 2 were broadcast as well but were taken from "Unleashed in the East" so they are not included in the torrent. BTW Exciter and The Ripper were not performed on this Tour.

A Gathering Of Minds - 1982-07-23 - Montreux, CH (SBD/FLAC)

(Soundboard FLAC)

Le Casino,Montreux Jazz Festival 

lineage
Digital Sb Master > Digital Clone > 7-1/2 Ips Reel > Audio Cd > Soundforge Extraction > Cd Wave Editor > Flac

Allan Holdsworth 
Jack Bruce 
Billy Cobham 
David Sancious 
Didier Lockwood 

01-Intro 
02-Crazy Eights 
03-Mysterious Conversation 
04-Ursula In Summer 
05-Talk 
06-Drifting Into The Attack 
07-Theme From An Imaginary Wester 
08-Uptown Breakdwon 
09-Sleight Of Hand 
10-Bloody Mary 
11-Crowd 
12-Improvisation In B Flat 
13-Outro 

Aerosmith - 1983-07-23 - New York City, NY (SBD/FLAC)

(Soundboard FLAC)

Aerosmith
1983.07.23
Pier 84, NYC
("Tennis Rock" benefit)
(Low gen sbd)

The Performers:
Steven Tyler: vocals, harmonica
Tom Hamilton: bass
Joey Kramer: drums
Jimmy Crispo: guitar, vocals
Rick Dufay: guitar, vocals

01 intro by John McEnroe & Vitas Gerulaitis
02 Toys In The Attic
03 Train Kept A Rolling
04 Steven Tyler incoherent banter #1
05 Don't That Sun Look Good Goin' Down
06 Steven Tyler incoherent banter #2
07 (cut in) All Your Loving > Blues Jam (with Buddy Guy & others)
08 Steven Tyler incoherent banter #3
09 ? (with Buddy Guy & others)

Blue Oyster Cult - 1983-07-23 - Pasadena, CA (FM/FLAC)

(FM broadcast FLAC)

RKO Captured Live (3 LP)
Broadcast Date 29 Aug 83

Lineage
Vinyl>VPI HW 16.5 Record Vacuum>VPI MK III table/Audioquest PT-6 Arm/AT OC-9 Cartridge>McIntosh 4100>Sony

CDRW 33 Pro Cd Recorder>CDRW>WAV>CD WAV>Flac

01. Intro / Stairway To The Stars
02. Harvester Of Eyes
03. Workshop Of The Telescopes
04. Before The Kiss, A Redcap
05. Born To Rock
06. Hot Rails To Hell
07. Seven Screaming Dizbusters
08. Cities On Flame With Rock & Roll
09. Burning For You
10. Joan Crawford
11. Born To Be Wild
12. (Don't Fear) The Reaper
13. Roadhouse Blues
14. Announcer
15. Outro

Supertramp - 1983-07-23 - Munich, DE (pre-FM/FLAC) Rodger Hogdson's last show

(preFM FLAC)

"The Last Goodbye"

Lineage:
CD---EAC---FLAC

CD1
01 Crazy
02 Ain'T Nobody But Me
03 Breakfast In America
04 Bloody Well Right
05 It'S Raining Again
06 Put On Your Old Brown Shoes
07 Hide In Your Shell
08 Waiting So Long
09 Give A Little Bit

CD2
01 From Now On
02 The Logical Song
03 Goodbye Stranger
04 Dreamer
05 Rudy
06 Fool's Overture
07 School
08 Crime Of The Century

Notes:
This is the well known Rodger Hogdson's last show with Spertramp, as he says in "Give a Little Bit" intro. "Famous last words" tour, this is the FAMOUS LAST SHOW, as I entitled my own copy.

Supertramp - 1983-07-23 - Munich, DE (DVDfull pro-shot)

(DVDfull pro-shot)

Video Source:
VHS video (1. generation), or TV broadcast (analogue)

Lineage:
3-Sat retransmission from about 1995 via Swiss Cable, VHS SP with Stereo HiFi Soundtrack - Stereo HiFi VHS Recorder- Standalone DVD+r recorder - autoring done with TMPGenc DVD

Menu: yes  / song access, yes (disc starts directly with playback)
Chapters: yes / intuitive (song access),
Transfer Rate: 4.096 - 6.100mb/s
Format: PAL / 25fps 720x526
Audio: Dolby Digital 2.0 / bitrate,(stereo)
Aspect Ratio: 4:3
Number of Discs: 1
Disc Type: DVD5

The general quality is ok, stabe colors, although there are two places with some tape errors, but not to annoying. If you look at the first 30 min you might think the colors might be to saturated, but i think it's just the Stage lighting... anyway the audience shots show much more natural colors.

01 - Crazy
02 - Ain't Nobody But Me
03 - Breakfast In America
04 - Bloody Well Right
05 - It's Raining Again
06 - Put On YOur Own Brown Shoes
07 - Hide In Your Shell
08 - Waiting So Long
09 - Give A Little Bit
10 - From Now On
11 - Logical Song
12 - Goodbye Stranger
13 - Dreamer
14 - Rudy
15 - Fool's Overture

Encore:
16 - School
17 - Crime Of The Century

Total Running Time: 1h 37m 44s*

Bruce Springsteen - 1984-07-23 - Toronto, Canada (AUD/FLAC)

(Audience FLAC)

CNE Stadium
1st Generation Tape

01. Born In The USA
02. Out In The Street
03. 10th Avenue Freeze-Out
04. Atlantic City
05. Johnny 99
06. Highway Patrolman
07. Prove It Al Night
08. Glory Days
09. The Promised Land
10. Used Cars
11. My Hometown
12. Badlands
13. Thunder Road
14. Cadillac Ranch
15. Hungry Heart
16. Dancing In The Dark
17. Sherry Darling
18. No Surrender
19. Because The Night
20. Pink Cadillac
21. Fire
22. Bobby Jean
23. Backstreets
24. Rosalita
25. Jungleland
26. Born To Run
27. Street Fighting Man
28. Devil With The Blue Dress Medley

This is the first of 3 shows Bruce played at CNE Stadium in the summer of 1984. Fantastic show straight from the master source.

Didn’t tape this one myself, but was at all 3 shows and they were killer. Bruce was only some 2 weeks and 13 shows into the legendary Born In The USA tour, the album that would eventually propel him into super stardom. Bruce was still just introducing some of the Nebraska songs and the arrangement he gives them is great.

Keith Jarret Trio - 1985-07-23 - Juan-les-Pins, FR (FM/FLAC)

(FM broadcast FLAC)

Pinede Gould

SOURCE: fresh transfer of EX+ FM master tapes.

LINEAGE :
-> FM broadcast -> Tuner QUAD FM3 (still in use in 2013!)
-> Nikko MD1000 cassette recorder Dolby B on.
-> master Sony HF-ES and AHF Type I cassettes.
-> Nakamichi Dragon (with NAAC auto-azimuth) Dolby B on for playback
-> Zoom H2 -> wav
-> Goldwave v.5.56: edits, fades, tracks, bass boost for the first 90 minutes, maximize at full dynamic range
-> TLH 2.4.1 (build 160)-> FLAC level 8, md5s

Keith Jarrett p
Gary Peacock b
Jack DeJohnette d

01.Falling in Love with Love (6:09)
02.Someday My Prince Will Come (8:13)
03.Late Lament (7:45)
04.Rider (10:19)
05.You and the Night and the Music ? (11:36)
06.I Wish I Knew (6:48)
07.Stella by Starlight (9:56)
08.Skylark (6:26)
09.I Fall in Love too Easily (6:02)
10.If I should loose you (22:41)
11.God Bless the Child (15:17)
12.Delaunay's Dilemma [encore](7:51)
13.It's Easy to Remember, so hard to forget (4:41)

TOTAL 2:04:40

Judas Priest - 1986-07-23 - Montreal, Canada (DVDfull aud-shot)

(DVDfull aud-shot)

Judas Priest 
The Forum - Montreal, Canada 
1986-07-23 

01. Out In The Cold 
02. Locked In 
03. Heading Out To The Highway 
04. Metal Gods 
05. Breaking The Law 
06. Love Bites 
07. Some Heads Are Gonna Roll 
08. The Sentinel 
09. Private Property 
10. Desert Plains 
11. Rock You All Around The World 
12. The Hellion / Electric Eye 
13. Turbo Lover 
14. Freewheel Burning 
15. Victim Of Changes 
16. Green Manalishi (With The Two Pronged Crown) 
17. Living After Midnight 
18. You've Got Another Thing Comin' 
19. Hell Bent For Leather 

Notes: Damage Inc. Classic Series 

* * * * * * * * 

*** General Parameters *** 
- Name: VTS_01_3.VOB 
- Container: Mpeg Program Stream 
- Size: 1 
- Duration: 30mn 8s 
- Bitrate: 4 749 Kbps 

*** Video Track Parameters *** 
- Format: MPEG-2 Video 
- Bitrate: Max.: 9 586 Kbps / Average: 4 399 Kbps / Min.: --- 
- Frame rate (fps): Max.: Undefined / Average: 29.970 / Min.: Undefined 
- Encoding profile: Main@Main 
- Image size: 704*480 
- Pixel Aspect Ratio: Undefined 
- Display Aspect Ratio: 4:3 
- Interlacing: Interlaced - Top Field First 

*** First Audio Track Parameters *** 
- Format: AC3-A52 
- Bitrate: 256 Kbps 
- Resolution: 16 bits 
- Rate: 48.0 KHz 
- Channel(s): 2 (stereo) 
- Position: Front: L R