Jefferson Airplane - 1966-10-16 - San Francisco, CA (SBD/FLAC) Early & Late show

(Soundboard FLAC)

JEFFERSON AIRPLANE

Grace's First

Fillmore Auditorium, San Francisco

October 16, 1966

Excellent quality

Grace Slick - vocals

Marti Balin - vocals

Jorma Kaukonen - guitar

Paul Kantner - guitar

Jack Casady - bass

Spencer Dryden - drums

EARLY SHOW

01. The Othe Side Of This Life

02. Let's Get Together

03. Let Me In

04. Don't Let Me Down

05. Run Around

06. It's No Secret

LATE SHOW

07. Tobacco Road

08. Kansas City

09. Bringing Me Down

10. This Is My Life

11. High Flying Bird

12. Thing

13. 3/5 Of A Mile In 10 Seconds

There is audience version of this show with less tracks and of inferior audience quality, unlike this soundboard version.

Pink Floyd - 1970-10-16 - San Rafael, CA (AUD/FLAC)

(Audience FLAC)

Rolf's Pepperland Bomb - MQR 012

Pepperland Auditorium

Source: Audience
Sound Quality: EX+
Tapers: Jay D. and Ron C. ...They sat 10-12 rows back, left of center.
Recording equipment: Sony TC-126 with Powered Single Point Stereo Microphone, using either Sony Red or Green cassette tapes

Lineage:
Oct. 1970. Recording equipment > Sony TC-252 7" Reel to Reel Recorder >1/4“ Scotch 140 RtR Tape (Jay D. copy).
Jun. 2011. 1st gen 1/4“ Scotch 140 RtR Tape > Baking process > Revox A77 RtR Deck > Tascam US-200 > Adobe Audition 24/96. 2013. 50 Hz dehumming in iZotope RX 2 Advanced > EQ > NR1 in RX > 1st Manual cleaning and restoring iZ RX2 A> NR2 in RX > 2nd Manual cleaning iZ RX2 A > EQ and MB compression > Balancing > Adobe Audition 1.5 for some manual dynamic adjustments.
a) 24/96 version - TLH for SBE fix and FLAC Level 8.
b) 16/44.1 version - Conversion and manual dynamic adjustments done with Adobe Audition 1.5 > TLH for SBE fix and FLAC level 8.

Remaster and Artwork made throughout the whole 2013 by MQR - creamcheese, WRomanus and }{eywood
Released on 17 December 2013

DVD Audio 2:12:05

(Disc One 69:05)
03:14 - 01. Astronomy Domine (1 st Attempt - Tune Up)
03:58 - 02. Astronomy Domine (2nd Attempt - Tune Up)
09:03 - 03. Astronomy Domine (3rd Attempt - Tune Up)
06:07 - 04. Astronomy Domine (4th Attempt)
00:27 - 05. Tune Up
12:09 - 06. Fat Old Sun
00:46 - 07. Tune Up
11:09 - 08. Cymbaline
01:53 - 09. Tune Up
20:19 - 10. Atom Heart Mother

(Disc Two 63:21)
01:13 - 11. Tune Up
11:01 - 12. The Embryo
01:26 - 13. Announcement - Tune Up
03:24 - 14. Green Is the Colour
10:52 - 15. Careful with that Axe, Eugene
01:14 - 16. Tune Up
12:06 - 17. Set the Controls for the Heart of the Sun
01:27 - 18. Tune Up
20:37 - 19. A Saucerful of Secrets

MQR releases this in memory of Rolf Ossenberg, who passed away on
17 December, 2012.
This show was the last Rolf worked on in the few
days before he left us.
Thanks to him and his passionate research over
the course of 35 years, research that took him all over the world at great
expense to himself in search of master tapes and other Pink Floyd
material, this show wasn't lost to time.
All those who knew this gentle
and nice guy can recognize in this artwork the same style he used in
his loony New Year cards.

The following notes were written by WRomanus and }{eywood based on the recollections of Rolf, Mike K., Ron C., Duckpont49, creamcheese and WRomanus.

Pepperland resided in San Rafael, CA, USA from September 1970 to the end of January 1972.
Prior to that it was known as Euphoria (though only for the summer of 1970) Bermuda Palms, and Lichfield's.
Pepperland was a Beatles-themed hall that featured a quadraphonic sound system designed by sound engineer John Meyer, who later built custom PA systems for the Grateful Dead.
It was 2 large rooms joined together with a partial wall separating both rooms.
This wall was opened up and later removed. The Room had a very low ceiling less than 10 feet high, creating excellent sound.
The support girders for the hall’s roof were adorned with painted portholes that mimicked the windows of the Yellow Submarine.
Even the sound system blended into the décor, with the speakers molded into huge fiberglass cones in which people would often be found sitting. There was very poor ventilation. Lots of pot and cigarette smoke. No air conditioning. No HVAC.
Very cold in winter, too hot the rest of the time.

For Pink Floyd's shows there the band needed to use the ballroom floor to accommodate all of their gear, which took up two trucks to transport. PF was set up against the back wall opposite the entrance on a very low riser.
The big Glyph horns were set up in the corners and there were Shure vocal columns set up every 20 feet or so along the walls in between. There were slide projectors up in the metal rafters projecting fisheye photos of farm animals into the painted portholes on the walls in reference to the Atom Heart Mother cover.
A few steps up at the back of the performance space was another space with a trippy sculpture in the center, a female hand holding up a glowing sphere surrounded by "angel hair" and all under a plex dome. There were no more than 500 people present, sitting on the floor in the center, with some folks sitting up inside the big Glyph bottom horns.

Pink Floyd were on tour promoting their new album, Atom Heart Mother, which had just been released a few days before. They played there two nights, the 16th and 17th, returning to California for the fourth time in their career. As with everytime they came to CA they felt at their best and their performance was really hot. This time, though, was the first time they didn't play Interstellar Overdrive, an omission not lost to the Californian fans who considered it a certainty.

That first night there were many problems with the power. The club's system was unable to deal with the multichannel sound system the Floyd brought, and several power outages marred the performance of Astronomy Domine. Three more small outages occurred during the crescendo of A Saucerful of Secrets, but this time the band forged on and finished the song in spite of them, much to the fans' delight.

The show was originally recorded by Jay D. and Ron C. with a Sony TC-126 with Powered Single Point Stereo Microphone, using either Sony Red or Green cassette tapes. They sat 10-12 rows back, left of center. When the boys got back home, they instantly made two copies onto Scotch 7" Reel, one for Jay and one for Ron C. The Master Cassettes were re-used for next day's Jethro Tull show in Berkeley. They were usually never kept, due to the unreliability of cassette transport mechanisms at the time.

Thanks to this recording the show was soon famous amongst the fan trader circles and many bootlegs were released with at least some of these songs, especially the four attempts at Astronomy Domine.

Jay D. never traded this item so all copies around came from Ron C.'s reel copy which went rotten in the early 90's. Rolf Ossenberg managed to get the Jay D. 1st gen reel copy which would no longer play back at all. With the invaluable help of Mike K., the reel was baked in June 2011 (the morning after Roger Waters' show in Düsseldorf) and transferred from Revox A77 into Tascam US-200 to a 96KHz/24bit file. Rolf was really nervous about baking the Scotch tape. The issue is that the binder used was incorrectly made so it absorbs moisture. This is believed to be a problem with all old Scotch/Ampex reels. This moisture interferes with the adhesive so during playback you get lots of sticky gunk (yes, that is the technical term for it) collecting on the playback head and it impacts playback quality and even speed. So you have to fix it. Rolf had bought a well-controlled oven specifically for this purpose. They baked at 53C to 55C for 3-4 hours to drive the moisture out without damaging the plastic backing, let cool down to room temp, and voila' ... The tape plays back with no problems for a month or so.

Rolf gave that to creamcheese for cutting and some "basic treatment", as we used to call it. A 50 Hz hum that probably appeared with the transferring process was taken away very carefully. A little EQ was done to give the recording a bit more body. Rolf approved it that way. He furtherly agreed to MQR making a remastered release from this but it was his wish to release that (almost) raw one himself first. Unfortunately we were in November 2012 and Rolf's time has come. Creamcheese released the transfer as Grolsch's Baked Pepperland Reel a few days after Rolf (Grolsch) passed away.

This remaster uses that same transfer. The 50 Hz de-humming was redone with iRX2. The recording was then EQ'ed and a 1st run of Noise Reduction was done with iRX2. A 2nd Noise Reduction run was applied later. Some kind of noise "popping up" around sharp transients is audible throughout the show. A hiss that only appears in conjunction with an audible sound; when there's no sound there's no hiss. This was particularly noticeable during the spoken intros. For this reason the whole project was restarted from scratch. Although the result of the 2nd attempt is way better sounding, we were not able to remove that popping noise entirely. As it appeared independently of the NR settings, we suspect it to have been in the source material but buried in the hiss. After that WRomanus manually removed clicks, pops, shits and some coughs for a more pleasant listening with iRX2. The final master was then done by creamcheese applying another slight EQ, balancing the stereo image in collaboration with WRomanus and removing some phase issues on the bass range of the recording. A little pressure was added applying very gentle multiband compression. }{eywood manually adjusted the volume of a few parts to be more dynamic and better represent the way the songs sounded live, countering the level compression of the original analog gear, and then made an optimi zed 16/44.1 Master for CD playback of this very dynamic recording.

The main artwork is made with two of the pics WRomanus took of Rolf talking about this show with Ron C., one of the tapers, during a meeting of floydian fans in Rome. WRomanus conceived this artwork with Rolf's loony New Years cards in mind... Some of which you can see in the booklet. 

MQR - Magna Qualitas Records (creamcheese, WRomanus and }{eywood )
Released simultaneously of TTD, Dime and Planet Rock on 17 December 2013

Pink Floyd - 1970-10-16 - San Rafael, CA (AUD/FLAC) The Baked Pepperland Reels

(Audience FLAC)

The Baked Pepperland Reels - The entire concert (Digital Upscale Remaster)

Mastered at 44Khz-24Bit

3 X LP's DUDE Records - The Baked Pepperland Reels

Technics 1210 MKII >Concorde Stylus > Allen and Heath Xone 62 Mixer > EMU-1212M

Cubase 5 Studio.
Wavelab
Waves Plugins
Adobe Audition CS6

FLAC FRONTEND FOR WINDOWS LEVEL 5

A1 - Astronomy Domine (1st Attempt)
A2 - Astronomy Domine (2nd Attempt)
A3 - Astronomy Domine (3rd Attempt)
A4 - Astronomy Domine (4th Attempt)
B1 - Tune Up
B2 - Fat Old Sun
B3 - Tune Up
B4 - Cymbaline
C1 - Tune Up
C2 - Atom Heart Mother
D1 - Tune Up
D2 - The Embryo
D3 - Green Is The Colour
E1 - Careful With That Axe, Eugene
E2 - Set The Controls For The Heart Of The Sun
F1 - Tune Up
F2 - A Saucerful Of Secrets

The orginal concert recording sounds very thin, hardly any bass or very high top frequencies can be heard, the source sounds dull and hard to make out (Painful on the ears) at very loud sections. The vocal volume constantly changes so needed to have attention. The aim was to fix these issues and upgrade the fidelity of the recording, fix any problems and balance everything out.

The Entire complete concert has been patched into one continous complete file, giving the full concert experience!

All Pops and Crackles removed, remastered as 44.1Khz 24 Bit as quite honestly the extra audio information is virtually negligable due to source format (The LP Set source comes from a 1st Gen Casette copy which was made from a Reel to Reel which was used for recording made at the venue) I Guess they used great mics and a great recorder for the age of this recording :-)

Top frequencies have been almost totally restored, also bass frequencies have been recovered by pitch shifting the bass both up and down by but kept in tune then EQ'ed and cleaned and mixed this in to the mix, compression applied to stablize the bass end. The top end middle frequencies were also enhanced in this way; pitch shifting but keeping in key then using the recovered requencies that were missing and adding them back in to the mix, lots tidying and EQ'ing. Full EQ Balance and basic mastering applied, slight compression on mixdown to stabalize the mixdown.

Slight hiss reduction has also been applied where needed.

I may have used a little too much adaptive noice reduction in certain very quiet parts due to artifacts caused by distortion which is present on the original source and magnified by the upscale process. Distortion seems to be magnified by the upscaling process due to this some distortion was unable to be removed as it is present on the original recording, especially in the very loud sections. These sections have been treated as much as possible without causing obvious artifacts or degradation to the sound, however they are not worse than the source recording.

Pink Floyd - 1971-10-16 - Pasadena, CA (AUD/FLAC)

(Audience FLAC)

Cosmos Topper is the tribute MQR makes to Ted Alvy and Pink Floyd music.

The Show - Disc One and Two - Civic Auditorium - Santa Monica, CA, USA
The Interview - Disc Three - KPPC FM, Pasadena, CA, USA
Both October 16th 1971

Show Source: Audience
Taper: Al
Recording equipment and Mastertape: Unknown
Transfer: 1st gen TDK SA-90 > Sony TC-WE475 > SB X-FI Platinum > Sony Sound Forge 8.0 @ 24/96 > TLH

Restored and Enhanced by MQR to Sound Quality EX-
MQR is: creamcheese, WRomanus, }{eywood

Disc One 73:56
12:27 01. CAREFUL WITH THAT AXE, EUGENE
01:05 02. Tune Up
15:55 03. FAT OLD SUN
13:31 04. SET THE CONTROLS FOR THE HEART OF THE SUN
01:46 05. Tune Up
16:26 06. ATOM HEART MOTHER
12:44 07. THE EMBRYO

Disc Two 68:37
01:17 01. Tune Up
11:47 02. CYMBALINE
03:24 03. Tune Up
05:33 04. BLUES
27:45 05. ECHOES
00:51 06. Tune Up
16:59 07. A SAUCERFUL OF SECRETS

Disc Three 37:04
02:31 01. Introduction, Commercial (Vagabond Theatre and Civic Aud.)
03:58 02. American Tour, Technicals, Playing in Big Halls
02:40 03. Solo Works, Ummagumma, Fearless (Summer '68..snip)
05:36 04. Meddle songs, Interstellar Overdrive, PF shows
05:21 05. Equipments, Other bands (Fat Old Sun ..snip)
05:09 06. Commercial (200 Motels - Mothers of Invention)
04:35 07. Evening show, Next works, Touring Europe
03:26 08. Rapping about Rock Radio
03:48 09. Zabriskie Point, The Christmas Song, movies

Procol Harum - 1971-10-16 - Stockholm, SWE (SBD/FLAC)

(Soundboard FLAC)

PROCOL HARUM
Folkets Hus, Stockholm
October 16, 1971

Sbd master>cdr>Sound Forge7>wav>flac

Gary Brooker
Dave Ball
Alan Cartwright
Chris Copping
BJ Wilson

01 Shine on Brightly
02 In The Wee Small Hours of Sixpence
03 Still There'll Be More
04 All This And More
05 Magdalene (My Regal Zonophone)
06 Quite Rightly So
07 Power Failure
08 Pilgrims Progress
09 Simpler Sister
10 A Salty Dog
11 Repent Walpurgis
12 In The Autumn Of My Madness
13 Look To Your Soul
14 Grand Finale

Herbie Hancock - 1974-10-16 - Kansas City, MO (FM/FLAC)

(FM broadcast FLAC)

HERBIE HANCOCK HEADHUNTERS

Kansas City

16 October 1974

Radio broadcast

Lineage:

FM > n generation tape > Aiwa Tape Deck AD-WX828 > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave >FLAC Frontend (level 6)

Bennie Maupin - reeds

Herbie Hancock - piano, keyboards

Paul Jackson - bass

Mike Clark - drums

Bill Summers - percussions

01. Palm grease

02. Vein melter

03. Butterfly

04. Watermelon Man

05. Spank-a-lee

06. Bill Summers solo percussions

07. Chameleon

LDB Special Series #28

The Outlaws - 1975-10-16 - Hollywood, CA (FM/FLAC)

(FM broadcast FLAC)

The Outlaws

Clover Studios, Hollywood, CA

October 16, 1975 date correction

Source

KWST 105.9 FM > unknown generation (Maxell XLII-S) (courtesy of Wes Meyette archive)

Transfer

Nakamichi Dragon > Sony PCM-M10 > CD Wave Editor (tracking) > TLH (SBE aligned) Flac 8

Hughie Thomasson : guitar, vocals (1967-1997, 2005-2007)

Billy Jones : guitars, vocals (1972-early 1981)

Henry Paul : guitars, vocals (1972-early 1977, 1983-1989, 2005-2017)

Monte Yoho : drums, percussion (1969-1979, 2005-2017)

Frank O'keefe : bass, vocals (1967-early 1973, 1974-early 1976)

01 Intro

02 Stick Around For Rock-n-Roll

03 Song In The Breeze

04 Prisoner

05 There Goes Another Love Song

06 Cry No More

07 Knoxville Girl

08 Green Grass & High Tides

Total Time = 48:55

Formed in 1972, the Outlaws were signed to Clive Davis' new label, Arista Records, at the height of the southern rock movement. When their blend of driving guitars, cowboy twang, and Eagles-esque harmonies came together, the public bought in. The group had a Top 40 hit right out of the box with "There Goes Another Loves Song," from their 1975 self-titled debut album.

From that record also came an FM radio classic hit. The lengthy guitar-opus "Green Grass And High Tides," was, and remains today, the band's signature song. The Outlaws, had released their second album in May of 1976. Titled "Lady in Waiting".

The Faces - 1975-10-16 - Lakeland, FL (AUD/FLAC)

(Audience FLAC)

LAKELAND,FL:CIVIC CENTER

10/16/75

lineage

Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC

01. -interview with Rod Stewart-

02. -The Stripper-

03. Memphis, Tennessee

04. It's All Over Now

05. Miss Judy's Farm

06. Three Time Loser

07. I'd Rather Go Blind

08. Sweet Little Rock'n Roller

09. (I Know) I'm Losing You (with drum solo)

10. Big Bayou

11. Angel

12. Bring It On Home To Me/You Send Me

13. You Wear It Well

14. Maggie May

15. Stay With Me (cuts off)

16. Twisting The Night Away (cuts in)

17. Early One Morning (Highgate Shuffle)/Twisting The Night Away (reprise)

Heart - 1976-10-16 - Cleveland, OH (SBD/FLAC)

 (Soundboard FLAC)

Title: Chicago Countdown 1976
Venue: John Carroll University, Cleveland OH

01 Countdown (Instrumental)
02 Heartless
03 Sing Child Sing (Guitar Solo)
04 Dreamboat Annie
05 Silver Wheels
06 Magazine
07 Soul of the Sea
08 White Lightning & Wine
09 Devil Delight
10 Magic Man (Drum Solo)
11 Crazy On You

(encores)
12 Rock and Roll
13 Kick It Out
 
BONUS TRACK (Night Gallery, Chicago IL 08-03-1976)
14 The Battle of Evermore

Santana - 1976-10-16 - New York City, NY (SBD/FLAC)

 

(Soundboard FLAC)

The Bottom Line

lineage

Trade CD>EAC>HD>fix flaws>FLAC

CD1

01 - intro> well alright

02 - black magic woman>gypsy queen

03 - dance sister dance

04 - europa

05 - dealer

06 - >incident at neshabur

07 - move on

08 - batuka>no one to depend on

CD2

01. one chain

02. toussaint l' overture

03. she's not there

04. open invitation

05. jungle strut

06. transcendence

07. evil ways

Below text was taken from the Bottom Line archives:

* SANTANA SHOW was broadcast live on WNEW F.M.( New York) and WMMR F.M.

( Philadelphia)

* This show as well as the show we did with Van Morrisson almost a month later, Nov 1, 1978, was very special to Stanley and myself. Bill Graham, someone we both admired, introduced both of those artists from our stage the night of those shows. Graham told us that he felt the Bottom Line stage had become as important in New York City as the Fillmore stage in terms of an artist¹s career. That was the ultimate compliment coming from the person we most admired. Words do not convey what Bill¹s comp[liment meant to us because we always thought of the club as a mini-Fillmore. You cannot imagine the joy it brought to hear him introduce SANTANA in that initimible Bill Graham way...N.Y. Let¹s have a warm Bottom Line greeting for...

Keith Jarrett - 1977-10-16 - Vienna, AT (AUD/FLAC)

(Audience FLAC)

771016 Keith Jarrett European Quartet Sound Improved - Flambay and Goody Pitch Fixed !!!
Jan Garbarek (ts, ss)
Keith Jarrett (p, perc)
Palle Danielsson (b)
Jon Christensen (dr)

Lineage
Flac files directly from web > Audacity(cough and bips cutting - volume adjusting - retracking) > TLH (Flac - SBE) > Dime

A Goody -Flambay - U014945 Production

00. Warm-up 00:44
01. Track 1 13:08
02. Track 2 11:33
03. The Journey Home 15:36
04. Country 04:48
05. The Windup 13:21 (piano intro 6')
06. Mandala 11:46
10. Late Night Willie 14:59
11. My Song 06:05

TT 92:06

Sound Quality A-- / B

Audience

Music Quality very very Good !!

Goody's Notes :
I've found that to minimize the bad warble I roll down the treble knob on my receiver that my computer is plugged into. Adding a bit of bass with the other knob gives it a fuller sound and helps out as well. I wouldn't suggest doing any actual EQing of these files, though. This is all something that is only a personal listening preference. However, it might be a good idea to make this suggestion in your final text as well, if you plan on sharing it online, leaving it up to the listener.

Taj Mahal - 1977-10-16 - Tokyo, JP (SBD/FLAC)

(Soundobard FLAC)

Lineage:
Unknown source >> trade cd >> EAC (wav) > TLH (flac) 

Takehisa Kosugi – electric violin, harmonica, voice, etc. 
Ryo Koike – electric double bass, santur, voice, etc. 
Yukio Tsuchya – tuba, percussion, etc. 
Seiji Nagai – trumpet, mini-Korg synthesizer, tympani, etc. 
Michihiro Kimura – mandolin, percussion, voice, etc. 
Tokio Hasegawa – percussion, voice, etc. 
Kinji Hayashi – electronic technique 

01 
02 

TT: 93 min 

Formed in 1969 by "six meta-music creators & one electronic engineer", this group created stunning cosmic music which was always entirely improvised. The ensemble regularly played throughout Japan and was best known for events such as playing all day at a beach in Kanagawa. In 1971, they made their first tour of Europe, meeting up with Don Cherry, among others. The following year, they returned, but with a twist. From Rotterdam, they drove an old Volkswaggon bus all the way to Pakistan, picking up santoor [a type of dulcimer instrument] on the way in Iran. Finding the border between Pakistan and India closed, they sold the bus and flew to India - finally travelling to the Taj Mahal. Upon 
their return to Japan, they played a benefit concert on July 15, 1972, to help pay for their return to the U.K. This concert was recorded and issued as the first of their two LPs. Though playing for television and radio many times, both in Japan and Europe, and playing many concert and festivals, their next record did not come until 1975. Recorded in August of 1974, this would prove to be the last official release by the group, which started to come apart later in 1975. After the group disbanded, almost all of the members stopped their involvement with music and disappeared. The notable exception was Takehisa Kosugi, who continues to be active to this day. Also, in recent years, the youngest member of the group, Seiji Nagai has returned from India and become active with electronic music again. In addition to these core members, the group was joined by occasional guests such as Hirokazu Sato and 

Heart - 1978-10-16 - Pittsburgh, PA (FM/FLAC)

(FM broadcast FLAC)

Lineage:
CDR > EAC > flac (Trader's Little Helper)

CD1:
01. Cook With Fire (4:42)
02. High Time (3:25)
03. Heartless (4:56)
04. Devil Delight (5:07)
05. Straight On (5:37)
06. Magic Man (5:57)
07. Love Alive (6:22)
08. Magazine (7:27)

CD2:
01. Mistral Wind (7:33)
02. Dog & Butterfly (5:29)
03. Crazy On You (7:33)
04. Kick It Out (3:03)
05. Barracuda (5:23)
06. White Lightning & Wine (6:18)
07. Rock And Roll (5:46)

Time:
Disc 1: 43:32
Disc 2: 41:04

Heart - 1978-10-16 - Pittsburgh, PA (FM/FLAC)

(FM broadcast FLAC)

lineage
CDR > EAC > FLAC (Trader's Little Helper)

Source: Civic Arena, Pittsburgh, PA. October 16th 1978
Sound Quality: A+
Time: Disc 1: 43:32
Disc 2: 48:54
Notes: FM.

CD1:
01. Cook With Fire (4:42)
02. High Time (3:32)
03. Heartless (4:48)
04. Devil Delight (5:09)
05. Straight On (5:36)
06. Magic Man (6:04)
07. Love Alive (6:39)
08. Magazine (7:01)

CD2:
01. Mistral Wind (7:46)
02. Dog & Butterfly (5:35)
03. Crazy On You (7:23)
04. Kick It Out (2:57)
05. Barracuda (5:24)
06. White Lightning & Wine (6:14)
07. Rock And Roll (7:25)
08. Without You (6:11)

Santana - 1978-10-16 - New York City, NY (FM/FLAC)

(FM Broadcast FLAC)

Bottom Line 

Broadcast live on American radios WNEW (New York, NY), WMMR (Philadelphia, PA). 

Carlos Santana (g/perc/vo), 
Raul Rekow (perc/vo), 
Chris Rhyne (kbd), 
Greg Walker (vo), 
Chris Solberg (g/kbd), 
Graham Lear (ds), 
Pete Escovedo (perc), 
David Margen (b), 
Armando Peraza (perc/vo)

CD1 
01 - Intro-Well Alright 
02 - Black Magic Woman 
03 - Gypsy Queen-Dance Sister Dance 
04 - Europa 
05 - Dealer-Spanish Rose 
06 - Incident At Neshbar 
07 - Victory is Won-Move On 
08 - Batuka-No One To Depend On 

CD2 
01 - One Chain 
02 - Toussaint L' Overture 
03 - She's Not There 
04 - Open Invitation 
05 - Jungle Strut 
06 - Transcendence 
07 - Evil Ways 

Notes:
Carlos Santana and band live at the Bottom Line in New York, with introduction by Bill Graham. A great presentation with special focus on Moonflower from 1977, and Inner Secrets from 1978. 

Santana - 1978-10-16 - New York City, NY (SBD/FLAC)

(Soundboard FLAC)

Carlos Santana and band live at the Bottom Line in New York, with introduction by Bill Graham. A great presentation with special focus on Moonflower from 1977, and Inner Secrets from 1978.

CD1
01 - Intro-Well Alright
02 - Black Magic Woman
03 - Gypsy Queen-Dance Sister Dance
04 - Europa
05 - Dealer-Spanish Rose
06 - Incident At Neshabur
07 - Victory is Won-Move On
08 - Batuka-No One To Depend On

CD2
01 - One Chain
02 - Toussaint L' Overture
03 - She's Not There
04 - Open Invitation
05 - Jungle Strut
06 - Transcendence
07 - Evil Ways

Steve Hackett - 1978-10-16 - Paris, FR (AUD/FLAC) "First Touched Mine"

(Audience FLAC)

First Touched Mine (Highland HL505/506)

Olympia Theatre, Paris, France – October 16th, 1978

CD1 (42:57):

01 - Land Of A Thousand Autumns

02 - Please Don’t Touch

03 - Racing In A

04 - Ace Of Wands

05 - Carry On Up The Vicarage

06 - Ace Of Wands

07 - Hands Of The Priestess

08 - Icarus Ascending

09 - Narnia

CD2 (41:49):

01 - Acoustic solo (Black Light / Blood On The Rooftop / Horizons),

02 - Kim

03 - A Tower Struck Down

04 - Spectral Mornings

05 - band introduction

06 - Star Of Sirius

07 - Shadow Of The Hierophant

08 - Clocks

The Clash - 1978-10-16 - Paris, FR (AUD/FLAC)

(Audience FLAC)

THE CLASH
Le Stadium, Paris, France
1978-10-16

Unknown generation excellent audience recording

***Speed corrected by Bluesdevil 2013-04-22***

01 Complete Control
02 Tommy Gun
03 I Fought The Law
04 Jail Guitar Doors
05 Clash City Rockers
06 White Man in Hammersmith Palais
07 Drug Stabbing Time
08 Protex Blue
09 Guns On The Roof
10 Stay Free
11 Police and Thieves / Blitzkreig Bop
12 Capital Radio
13 Janie Jones
14 Garageland
15 English Civil War
16 London’s Burning
17 White Riot

AC/DC - 1979-10-16 - Towson, MD (SBD/FLAC)

(Soundboard FLAC)

Taken from the liberated bootleg DEMON DRIVE from KING STORK Master Reel Tape - remaster UPGRADE VERSION 
Tranformed in Flac with AVS Audio Converter 6 - CORRECT VERSION
two channels of 16-bit samples at 44100 samples per second

Bon Scott (RIP)
Angus Young
Malcolm Young
Cliff Williams
Phil Rudd

01 - Live Wire
02 - Shot Down in Flames
03 - Hell Ain't Bad Place To Be
04 - Sin City
05 - Problem Child
06 - Bad Boy Boogie
07 - The Jack
08 - Highway To Hell
09 - High Voltage
10 - Whola Lotta Rosie
11 - Rocker
12 - If You Want Blood
13 - Let There Be Rock

This is maybe the best recording of the HIGHWAY TO HELL US Tour......BON AT THE TOP !!!!!!

George Thorogood - 1979-10-16 - New York City, NY (FM/FLAC)

(FM broadcast FLAC)

GEORGE THOROGOOD & THE DESTROYERS

BOTTOM LINE NEW YORK CITY, NY (USA) JANUARY 16, 1979

WNEW FM BROADCAST ANALOG MASTER

FROM THE JOE MALONEY COLLECTION

TRANSFERED AND PRESENTED BY KRW&CO

LINEAGE 

FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8)

George Thorogood Vocals Guitar

Jeff Simon Drums

Billy Blough Bass

01 WNEW Intro

02 House of Blue Lights

03 One Bourbon, One Scotch, One Beer

04 Ride On Josephine

05 Cocaine Blues

06 It Wasn't Me

07 Station ID/George Talks

08 Madison Blues

(tape flip edit at 46:13 real time)

09 The Sky Is Crying

10 New Hawaiian Boogie

11 Who Do You Love?

12 Johnny B. Goode

13 Encore Break WNEW DJ Talk

14 Tune up/George Talks

15 No Particular Place To Go

16 Encore Break WNEW DJ Talk

17 Reelin' & Rockin'(tape flip edit in song at 92:40 real time)

18 WNEW Outro

Blue Oyster Cult - 1981-10-16 - Chicago, IL (FM/FLAC)

(WLUP FM BROADCAST FLAC)

LINEAGE 
WLUP FM BROADCAST ANALOG FIRST GENERATION TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 

Eric Bloom vocals guitar 
Donald 'Buck Dharma' Roeser guitar vocals 
Allen Lanier keyboards 
Joe Bouchard bass vocal 
Rick Downey drums 

CD1 
01 Intro/Dr. Music 
02 Red And The Black 
03 Eti 
04 Hot Rails To Hell 
05 Joan Crawford 
06 Burnin` For You 
07 Cities On Flame 
08 Veterans Of The Psychic Wars 

CD2 
01 Me262 
02 Godzilla/Drum Solo 
03 Bass Solo 
04 Born To Be Wild 
05 Don'T Fear The Reaper 
06 Roadhouse Blues

Eric Clapton - 1981-10-16 - Aarhus, DK (AUD/FLAC)

(Audience FLAC)

Eric Clapton

Vejlby-Risskovhallen

Arhus, Denmark

October 16, 1981

CD-R2 - Aud 4

lineage

CD-R > EAC v. 0.99 Prebeta 4 (Secure, offset Correct) > FLAC (8) > You !

Eric Clapton Guitar, Vocals

Albert Lee Guitar, Vocals

Dave Markee Bass

Henry Spinetti Drums

Chris Stainton Keyboards

Gary Brooker Keyboards, Vocals

CD1:

1. Tulsa Time

2. Lay Down Sally

3. Wonderful Tonight

4. Worried Life Blues

5. After Midnight

6. A Whiter Shade of Pale

7. Country Boy

8. Double Trouble

CD2:

1. Rita Mae

2. Knockin' On Heaven's Door

3. Blues Power

4. Rambling On My Mind -> Have You Ever Loved a Woman

5. Cocaine

6. Layla

7. Band Introduction -> Futher On Up the Road

Geetarz Comments:

Bizarre beyond words. EC plays saxophone, and introduces himself as the sax player! And, you wondered if he was still drinking at the time ...

The Cure - 1981-10-16 - Lyon, FR (AUD/FLAC)

 

(Audience FLAC)

01 - The Holy Hour
02 - In Your House
03 - The Drowning Man
04 - 10:15 Saturday Night
05 - Accuracy
06 - The Funeral Party
07 - M
08 - Primary
09 - Other Voices
10 - All Cats Are Grey
11 - At Night
12 - Three Imaginary Boys
13 - Fire In Cairo
14 - Play For Today
15 - Splintered In Her Head
16 - A Forest
17 - Faith
18 - Jumping Someone Else'S Train
19 - Another Journey By Train
20 - Killing An Arab
21 - Boys Don'T Cry
22 - I'M Cold
23 - Grinding Halt
24 - Forever

For some reason the band gave a very long encore including a few tracks they didn't play since August. Forever's lyrics were about loneliness ("knowing just anyone at all").

Nina Hagen - 1982-10-16 - Berlin, DE (AUD/FLAC)

(Audience FLAC)

Nina Hagen

Tempodrom, Berlin, Germany, 1982-10-16

lineage

Cassette(audience,unknown gen,from Camden Market seller early 90's) > wav > Soundforge(normalise) > CDWave > split on sector boundaries > flac(6)

01 Lied Einer Berliner Trummerfrau

02 L'amour Est Un Oiseau Rebelle (Habanera) from Carmen

03 I Love Paul

04 Ich Liebe Dich

05 Cosma Shiva

06 Secret Life Of Arabia (David Bowie cover)

07 14:37

08 Born In Xixax

09 Satisfaction (Rolling Stones cover)

10 My Way (Frank Sinatra cover)

(encore)

11 ? (acapella)

12 Miracles

13 Heiss

14 Du Hast Den Farbfilm Vergessen (short acapella)

Length - 41:09

AC/DC - 1982-10-16 - London, UK (AUD/FLAC)

(Exc audience FLAC)

CD > EAC > wav > flac

CD1
01 - Hells bells
02 - Have a drink on me
03 - Shot down in flames
04 - Back in black
05 - Shoot to thrill
06 - Sin city
07 - Bad boy boogie
08 - Rock and roll ain't noise pollution

CD2
01 - Highway to hell
02 - The jack
03 - Let's get it up
04 - Dirty deeds done dirt cheap
05 - Whole lotta rosie
06 - Let there be rock
07 - You shook me all night long
08 - For those about to rock (we salute you)
09 - T.N.T.

This is a very good audience recording of AC/DC's last appearance at Hammersmith Odeon until their return in 2003. It was the last of four sold out shows there on the 1982 tour and one of six shows in London that year (two at Wembley Arena followed). As usual: it's AC/DC at its best (Brian doing a great performance !) with an absolutely fantastic crowd !

Dead Kennedys - 1984-10-16 - Portland, OR (SBD/FLAC)

(Soundboard FLAC)

Pine Street Theatre

Source\Lineage: 
SBD(1)> Onkyo TA-RW344 w\ azimuth correction>Goldwave>.wav>CD Wave>flac (level 8)

***Metzler Tapes, Vol 9***

Taper: Nathan

01) >intro<
02) Soup Is Good Food
03) Hellnation
04) This Could Be Anywhere (This Could Be Everywhere)
05) >chat<
06) When You Get Drafted
07) Terminal Preppie
08) MTV Get Off the Air
09) A Child and His Lawnmower
10) >chat<
11) Jock-o-Rama
12) Moral Majority
13) >chat<
14) Kill the Poor
15) >chat<
16) Macho Insecurity
17) >chat<
18) Police Truck
19) >chat<
20) Goons of Hazard
21) >chat w\ Truckin’ tease<
22) Government Flu
23) Bleed for Me
24) >chat<
25) Short Songs
26) Nazi Punks Fuck Off

A smokin’ set of a tape that has seen some circulation, but never from this low of a gen, as far as I know. The date here is indeed correct (yay!)…no revamps of info should be needed, as a poster of the show is included in torrent to prove it!...

The Corvallis show, originally thought to be part of this stint, actually turns out to be from 1982…still need to do some digging on that date, as it appears to have eluded even the most ardent DK fans…

Background:
I was lucky enough to develop a pretty solid virtual friendship with Chris Metzler, and seemingly was able to succeed where many others have not: getting him to open up his vast collection of recorded material to digitally transfer. The many requests he received over the years were impossible to fulfill, and he honestly felt badly about ‘hoarding’, but there was little way to oblige all of them over the decades of taping, trading, and collecting

Perhaps Chris saw in me the chance to get his tapes transferred for himself, and also out to the many folks who had requested them since his last trading days many moons ago...

What we have in Chris’ collection is a brilliant snapshot of the Portland \ Eugene \ Corvallis, Oregon scene in the early to mid-1980’s. Then, after a prolific spell taping his favorite bands in and around Portland, Chris scored a job working for Touch’n’Go sister label Blast First Records out of the UK. He became label support for Band of Susans, and worked closely with many of the stalwarts during the heyday of Touch’n’Go.

Chris has also worked closely with many other bands, in various capacities; including Wire and Nick Cave (at Mute Records); the Buzzcocks, after their reformation in 1989; as well as many, many others…far too many to mention. This series does not even begin to scratch the surface of his collection; much of which is privately recorded and cannot be released to the public without the bands’ permissions. Still, what has been offered up is a pretty amazing collection of recordings, nonetheless, and certainly will bring to light a wealth of new material as well as many upgrades which have remained elusive for far too long.

John Martyn - 1989-10-16 - Osnabrueck, DE (SBD/FLAC)

 

(Soundboard FLAC)

John Martyn

Hyde Park, Osnabrück

Germany

1989-10-16

lineage

Soundboard >unknown equipment > trade cd> mac pro > adobe audition check volume> xact> sbe>.flac8

01.Angeline

02.Big Muff

03.Same Difference

04.The Easy Blues

05.Solid Air

06.Cocain

07.May You Never

08.Sweet Little Mystery

09.Discover The Lover

10.John Wayne

11.Look At That Girl

12.Johnny Too Bad

13.Bless The Weather > Make No Mistake

14.Send Me One Line

15.Lookin' On

Scorpions - 1993-10-16 - Munich, DE (FM/FLAC)

(FM Broadcast/Master FLAC)

lineage:
CDR > EAC > flac 

Sound Quality: A 

CD1:
01. Intro
02. Coming Home
03. Big City Nights
04. Someone To Touch
05. Tease Me Please Me
06. When The Smoke Is Going Down
07. Always Somewhere
08. Under The Same Sun
09. Positive Forward
10. Holiday

CD2:
01. Alien Nation
02. The Zoo
03. Bad Boys Running Wild
04. Hit Between The Eyes
05. Blackout
06. Still Loving You
07. Wind Of Change
08. Rock You Like A Hurricane

Misses: 
Don´t Believe Her
Is There Anybody There
Coast To Coast
No Pain No Gain

Cheap Trick - 1995-10-16 - Las Vegas, NV (pre-FM/FLAC)

(pre-FM FLAC)

WW1 MASTER CDS PRE FM

Lineage
Ww1 Superstar Concert Series Master Cds To Eac/Wav To Audio Cleaning Lab For Re-Tracking Editing Of Ads And Editing Both Cds Together Krw Transfer To Cdr To Eac Secure Mode To Tlh Flac Level 8

Rick Nielsen Guitar Mandocello Vocals
Robin Zander Vocals Guitar
Tom Pettersson 12 String Bass Vocals
Bun E Carlos Drums

01 Intro
02 She'S Tight
03 Girlfriends
04 I Want You To Want Me
05 Cold Turkey
06 12 String Bass Solo
07 Heaven Tonight
08 Magical Mystery Tour
09 Don'T Be Cruel
10 The Flame
11 Ain'T That A Shame
12 Surrender
13 Voices
14 Need Your Love
15 Dream Police
16 Goodnight Now
17 Ad For The Show