sabato 27 giugno 2026

It's A Beautiful Day - 1970-06-27 - Shepton Mallet, UK (AUD/FLAC)




(Audience FLAC)

It's A Beautiful Day 
1970-06-27 Shepton Mallet, Somerset, England (M1-AUD) 
Royal Bath & West Showground 
Bath Festival Of Blues & Progressive Music '70 
Approximately 9pm 
8th band o' the day, sandwiched betwixt Colosseum & Steppenwolf 

(More enjoyable & longer Taper C source. NOT the Taper A 'almost unlistenable' 16CDR Bath Fest. tape) 
~*~ Carefully remastered fixing many issues without EQ ~*~ 

WARNING! "The PILLS I gave you were NOT aspirins!, I repeat..." (stage announcement) 

01. --announcements, AUD talk, tuning, band intro-- 
02. Don & Dewey 
03. White Bird 
04. Hoedown 
05. It Comes Right Down To You 
06. Soapstone Mountain 
07. Essence Of Now 
08. Time Is 
09. Bulgaria 
10. Bombay Calling 

Total Time ::: 1:07:41 

::: Fine but varying quality AUD (due mostly to weather!). Check samples for try-out sippin' or bliss-filled earbytin'. 
WARTS ::: Occasional mike bumps, mostly fixed but some not fully repaired. Bit o' clappin' in #4 - mostly exorcised. Occasional AUD talk, especially in #8. Several annoying unrepairable dropouts in #8. Tapeflip a minute into #10. At times wind creates some phasing, distortion & high end & fluctuations, but 'tis pretty damn groovy nonetheless. 
::: COMPARISON CLAUSE: This (Taper C) is NOT the same source as the 16 CDR Bath Festival collection (Taper A). Taper A version is only 56 mins & more distorted (& a bit slow?). This Taper C version is ~68 minutes & has intro & commentary plus the "missing" last song. 
::: Festival line-up information below. 
::: Pattie Santos to crowd, "You make me feel so stoned!" & "This sure beats Albert Hall. It's outside, Everybody's stoned, having a good time." with AUD member response, "It's bloody cold!". 
::: Nice Bath Festival photos & information at www.ukrockfestivals.com/bA1.html 
::: IABD tour info at Bruno's great site: http://thesanfranciscosound.blogspot...list-work.html 
::: Tons of SF scene info & a ltd. edition legit live archival IABD LP at http://www.chickenonaunicycle.com/Gi...0No%20Eyes.htm 
::: More recordings coming from this Taper C source. Not sure that any of his source tapes are included in the 16CDR collection. 

Recording Information ::: unknown mono cassette recorder (dictaphone machine!)-> master mono audience cassette tape -> 1st generation Maxell XLII-90 cassette, Dolby off (transfer circa 1984). 

Playback 2011-08-02 ::: 1st generation Maxell XLII-90 cassette on Nakamichi BX-300 cassette deck, Dolby B off, azimuth adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL professional CD recorder -> CD-RW, no track splits -> computer -> EAC secure mode (logs made) -> wav files. 

Remastering 2014-08-xx ::: wavs -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, single averaged speed fix at +2.4% after spectral analysis & with pitchpipe verification, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. Tape was in quite good shape overall. First uploaded week of 2014-09-06. 

Line-up ::: David LaFlamme - violin, vocals // Pattie Santos - vocals, tambourine, cowbell on #3 // Hal Wagenet - electric guitar, backing vocals // Fred Webb - keyboards, backing vocals // Mitchell Holman - electric bass, vocals // Val Fuentes - drums // PLUS Bruce Steinberg or ? - harmonica (including solo) on #2 only. 

J. Geils Band - 1971-06-27 - New York City, NY (FM/FLAC)


(FM broadcast FLAC)

J. Geils Band
June 27, 1971
Fillmore East, NY, NY 
WNEW-FM Broadcast

Goody Pitch-Corrected Remaster

Peter Wolf - voc
J. Geils - g
Magic Dick - harp
Seth Justman - key, voc
Daniel Klein - bg, voc
Stephan Bladd - dr, voc

01. Bill Graham Introduction 0:09 
02. New York City Breakdown 3:16 
03. Wait 3:14 
04. First I Look At The Purse 4:39
05. Whammer Jammer 3:11 
06. Homework 3:19
07. Pack Fair And Square 2:22
08. Cruisin' For A Love 4:01 
09. Serves You Right To Suffer 12:09 
10. Hard Drivin' Man 3:46
11. Thank You Staff & Bill Graham 1:50 
12. People 0:46 
13. It Ain't What You Do (It's How You Do It) 10:15 

Goody's additional lineage - 1/17/10:
dBpoweramp (WAV) > Cool Edit Pro (Pitch Bender +47 cents; Retracking) > Trader's Little Helper (FLAC Level 8) > movin', groovin', slippin' & slidin' back on out to the potential masses...

The Beach Boys - 1971-06-27 - New York City, NY (SBD/FLAC)




(soundboard FLAC)

Live At The Fillmore East

Liberated Moonlight bootleg
Excellent stereo soundboard

01. Intro: Bill Graham
02. Heroes & Villians
03. Do It Again
04. Cottonfields
05. Help Me Rhonda
06. Wouldn't It Be Nice
07. Your Song
08. Student Demonstration Time
09. Good Vibrations
10. California Girls
11. I Get Around
12. It's About Time

Led Zeppelin - 1972-06-27 - Long Beach, CA (AUD/FLAC) "Wild Beach Party" by Godfatherecords


(Audience FLAC)

"Wild Beach Party"
Long Beach, California - Long Beach Arena
Godfatherecords "Welcome Back" (how the west was won tapes revisited-complete californian summer 1972 diaries)

linage 
audience sources combined > silvers > EAC wav > TLH flac 8

Disc 1
01 Before The Show
02 Tape Drone
03 Immigrant Song
04 Heartbreaker
05 Black Dog
06 Over The Hills And Far Away
07 Since I'Ve Been Loving You
08 Stairway To Heaven
09 Going To California
10 That'S The Way
11 Tangerine
12 Bron-Yr-Aur Stomp

Disc 2
01 Dazed And Confused
02 What Is And What Should Never Be
03 Dancing Days
04 Moby Dick

Disc 3

01 Whole Lotta Love
02 Applause
03 Rock And Roll
04 After The Show

notes:
bonus tracks from soundboard source removed ie. (wiawsnb,dd,md) from extraction, also removed from art

Canned Heat - 1973-06-27 - Stockholm, SWE (FM/FLAC)

(FM broadcast FLAC)

Canned Heat 
Stockholm,Sweden 

1st. Gen. FM 

Bob " The Bear" Hite: voc, harp 
Henry Vestine: g 
Fito de La Parra: dr 
Richard Hite: b, voc* 
James Shane: g, slide, voc + 
Ed Beyer: keyb, piano 

01 Let's work Together 
02 On the Road again 
03 Harley Davidson Blues + 
04 Election Blues (false start) 
05 Election Blues 
06 You're the Only One* 
07 The Boogie 
08 I´ve had my fun + ( end cut due end of Broadcast) 

This is a fine Canned Heat show in great FM Quality, not much circulating, anyway! Ed Beyer the new piano player in this show was really amazing here & sure was a great addition for the boys....! 

Gong - 1975-06-27 - Rome, IT (AUD/FLAC)


(Audience FLAC)

Gong 
Piazza Navona, Rome, Italy 
27 June 1975 

Free Concert (organised by Stampa Alternativa) 
Opening for Henry Cow & Robert Wyatt 

Liberated & speed corrected bootleg 'YOU VOLUME TWO' (Exposure EX-004-2GO) 

Lineage:
silver CDs > trade CDRs > EAC (secure) > WAV > Adobe Audtion CS6 (volume/speed adjustments) > TLH (fix SBEs) > FLAC (L8) 

Didier Malherbe - saxophone, flute 
Steve Hillage - guitar, vocals 
Miquette Giraudy - voice 
Mike Howlett - bass 
Brian Davison - drums 

Disc 1: 
1. Aftaglid > Dynamite > Tropical Fish (22:23) 
2. Solar Musick Suite > Outer Temple > Inner Temple (17:11) 

Disc 2: 
1. Magick Mother Invocation > Master Builder (11:07) 
2. Bambooji (early version) > The Isle of Everywhere (23:47) 
3. The Salmon Song (12:01)

The Rolling Stones - 1975-06-27 - New York City, NY (AUD/FLAC) "Hold On Tight"


(Audience FLAC)

The Rolling Stones - Hold On Tight CSR-MSG-75 - Recorded on June 27th, 1975 in New York 
C.S.R. Inc. Made In Great Britain. Black vinyl - mint copy! 
Matrix: CS-MSG-75-1/2/3/4/5/6 
Only trouble here is, it is running way too fast! 
I slowed it down with Audacity by 7,2%, hope it is okay now! 

There's a mistake in Brown Sugar around 2:21" not my fault, that's the way it is on the vinyl! 

Lineage: 
Rega P3 With Ortofon Tango MovingCoil > Sony HA-T10 > McIntosh C40 Preamp > Tascam CD-RW 402 Recorder > CDRW ripped with EAC (secure mode), cut and indexed with CD Wave Editor > 
Audacity > TLH Flac level 6, aligned on sector boundaries using fix. 

A01 Fanfare For The Common Man 
A02 Honky Tonk Women 
A03 All Down The Line 
A04 If You Can't Rock Me 
A05 Get Off Of My Cloud 
A06 Starfucker 

B01 Ain't Too Proud To Beg 
B02 You Gotta Move 
B03 Happy 
B04 Tumbling Dice 
B05 It's Only Rock'n'Roll 

C01 Band Introductions 
C02 Heartbreaker 
C03 Fingerprint File 
C04 Cherry Oh Baby (listed as Hold On Tight) 

D01 Angie 
D02 Gimmie Shelter 
D03 You Can't Always Get What You Want 

E01 Wild Horses 
E02 Outa Space 
E03 Midnight Rambler 

F01 Brown Sugar 
F02 Rip This Joint 
F03 Street Fighting Man 
F04 Sympathy For The Devil


The Rolling Stones - 1975-06-27 - New York City, NY (MTX/FLAC)


(Matrix FLAC)

Madison Square Garden

Falo matrix - Captain Acid remaster

CD1
01 - intro
02 - Honky Tonk Women
03 - All Down The Line
04 - If You Can't Rock Me
05 - Get Off Of My Cloud
06 - Star Star
07 - Gimme Shelter
08 - Ain't Too Proud To Beg
09 - You Gotta Move
10 - You Can't Always Get What You Want
11 - Happy
12 - Tumbling Dice
13 - It's Only Rock'n Roll
14 - Band introduction
15 - Doo Doo Doo Doo Doo
16 - Fingerprint File

CD2
01 - Cherry Oh Baby
02 - Angie
03 - Wild Horses
04 - That's Life
05 - Outa Space
06 - Brown Sugar
07 - Midnight Rambler
08 - Rip This Joint
09 - Street Fighting Man
10 - Jumping Jack Flash
11 - Sympathy For The Devil
    
Note: 
With special guests Carlos Santana (gtr) and The Steel Association (steel dr) on Sympathy For The Devil.

Led Zeppelin - 1977-06-27 - Inglewood, CA (AUD/FLAC) "The Lost and Found Mike the MICrophone Tapes Volume 214"



Led Zeppelin
The Forum
Inglewood, CA
June 27, 1977
Mike Millard Master Tapes via JEMS
The Lost and Found Mike the MICrophone Tapes Volume 214
Remastered Edition

Recording Gear: AKG 451E microphones (CK-1 cardioid capsules) > Nakamichi 550 cassette recorder

Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > Dadgad Mastering > FLAC

01 Intro
02 The Song Remains The Same
03 The Rover > Sick Again
04 Nobody's Fault But Mine
05 Over The Hills And Far Away
06 Since I've Been Loving You
07 No Quarter
08 Ten Years Gone
09 The Battle Of Evermore
10 Going To California
11 I Can't Be Satisfied
12 Black Country Woman
13 Bron-Y-Aur Stomp
14 White Summer > Black Mountain Side
15 Kashmir
16 Trampled Underfoot
17 Out On The Tiles > Moby Dick
18 Guitar Solo
19 Achilles Last Stand
20 Stairway To Heaven
21 Whole Lotta Love
22 Rock And Roll

Known Faults: "Trampled Underfoot" was unintentionally omitted from Rob's early 2000s master to DAT transfer. The version patched in here is from JEMS' transfer of Millard-made first generation cassettes.

Led Zeppelin - 1977-06-27 - Los Angeles, CA (AUD/FLAC) "Deep Striker" by EVSD




(Audience FLAC)

Deep Striker
Inglewood Forum,

Empress Valley Supreme Disc EVSD 26-29

Lineage:
silver CDs > EAC > WAV > FLAC > tracker > HD > Audacity lossless test

Disc 1
01 - The Song Remains The Same
02 - Sick Again
03 - Nobody's Fault But Mine
04 - Over The Hills And Far Away
05 - Since I've Been Loving You

Disc 2
01 - No Quarter
02 - Ten Years Gone
03 - The Battle Of Evermore
04 - Going To California

Disc 3
01 - Going Down South
02 - Black Country Woman
03 - Bron - Yr - Aur Stomp
04 - Dancing Days
05 - White Summer/Black Mountain Side
06 - Kashmir
07 - Trampled Underfoot
08 - Out On The Tiles/Moby Dick

Disc 4
01 - Guitar Solo
02 - Achilles Last Stand
03 - Stairway To Heaven
04 - Whole Lotta Love
05 - Rock And Roll

Peter Frampton - 1977-06-27 - Seattle, WA (2xDVDfull pro-shot)


(2xDVDfull pro-shot)

Venue: The Kingdome
Source: Video (Pro Shot)
Lineage: Low gen vhs tapes>2dvd
Transfer and Authoring By: JEMS

Video Attributes:
Disc 1
-Codec: MPEG-2
-Bitrate: 5955 kbps
-Resolution: 720x480
-Framerate: NTSC(29.97 fps)
-Aspect Ratio: 4:3
Audio Attributes:
-Codec: None (LPCM)
-Bitrate: 16 bit
-Samplerate: 48000kHz
-Channels: Stereo(2ch)

Disc 2
-Codec: MPEG-2
-Bitrate: 5976 kbps
-Resolution: 720x480
-Framerate: NTSC(29.97 fps)
-Aspect Ratio: 4:3
Audio Attributes:
-Codec: None (LPCM)
-Bitrate: 16 bit
-Samplerate: 48000kHz
-Channels: Stereo(2ch)

Musicians:
Peter Frampton - guitar, lead vocals
Bob Mayo - guitar, keyboards, vocals
Stanley Sheldon - bass, vocals
John Siomos - drums, percussion


Disc 1

01. All I Want To Be (Is By Your Side) (solo acoustic)
02. Penny For Your Thoughts (solo acoustic)
03. Baby I Love Your Way (acoustic full band)
04. Something's Happening"
05. Doobie Wah
06. Lines on My Face
07. Show Me The Way
08. Tried To Love
09. (I'll Give You) Money
10. (I'm A) Road Runner
11. Signed, Sealed, Delivered (cut)

Disc 2
01. Do You Feel Like We Do? (Frampton plays drums during the keyboard solo)
02. Jumpin' Jack Flash
03. I'm In You


Notes:
Here comes an exclusive from the JEMS archives and we believe the first time this video has ever been circulated. Support acts this night were The J Geils Band and Foghat. This show captures Peter at the height of his fame. The previous year he finally broke it big with Frampton Comes Alive!. This show is from the follow up tour and album I'm In You. A lot of what made Frampton Comes Alive! such a crowd pleaser is still part of the act in 77 with new additions like Tried To Love, (I'm A) Road Runner, Signed, Sealed, Delivered and the obvious I'm In You as the closer. The vhs tapes were professionally transferred but age has gotten to them so the video is not as good as it could be but overall it is pretty good. JEMS are not at the liberty to disclose the exact gen of the vhs tapes but we can say they are VERY LOW but are not from the master u-matics. Frampton took a lot of bashing for going lite weight with stuff like Baby I Love Your Way but damn could (and still can) the man play a guitar. His guitar leads in Something's Happening are tasty. 




Pink Floyd - 1977-06-27 - Boston, MA (AUD/FLAC) Tapers: Steve Hopkins + Dan Lampinski



(Audience FLAC)

Pink Floyd - 1977-06-27 Boston Garden, Boston, MA, USA (PRRPSAE009) 2 source stereo

Taper 1: Steve Hopkins
Location: FOB

Lineage
Sony ECM-99a > Sony TC-158SD > cass[master] >DAT[?] > cdr[?] > EAC > WAV > archived in shn

Source comment:
T.Mack (Yeeshkul): Almost certain this is a Master DAT clone and even if it's not, it's still damn good.
PRRP: Have a Cigar version is closer to proper speed but trails off after 18,000Hz more than this version. Both have step-wise processing artifact after 16,000Hz but Have a Cigar verion goes to zero and this version does not. This version is clipped and runs too fast but both problems were corrected.

Taper 2: Dan Lampinski
Location: Floor section CC, Row 20, Seat 4
Lineage : Two Nakamichi CM-300 Microphones > Nakamichi 550 Tape Recorder > Master Cassette > Nakamichi CR-3A cassette deck with azimuth correction > M-Audio Firewire Audiophile 2496 > CDWAV 24-bit/96-KHz wav files > Goldwave (normalizing and crossfades) > CDWAV (track breaks) > FLAC

Band:
David Gilmour - guitar, vocals
Roger Waters - bass, vocals
Richard Wright - keyboards, vocals
Nick Mason - drums, percussion
Dick Parry - saxophone
Snowy White - guitar

Set I
01 Sheep 11:29
02 Pigs On The Wing (Part 1) 1:26
03 Dogs 18:58
04 Pigs On The Wing (Part 2) 2:19
05 Pigs (Three Different Ones) 19:28
Total Time 53:40

Set 2
01 Shine On You Crazy Diamond (I-V) 13:17
02 Welcome To The Machine 8:34
03 Have A Cigar 5:06
04 Wish You Were Here 6:57
05 Shine On You Crazy Diamond (VI-IX) 22:10
06 Money 12:16
07 Us and Them 8:11
Total Time: 76:31

Remaster
1. Correct clicks, pops and tape imperfections of each source
2. Match EQ and verify pitch in each source
3. Dynamics differed between sources so channels balanced, clipping repaired.
4. Sync sources and correct speed
5. Repair missing sections using material from alternate source to complete each recording.
7 gaps repaired in Hopkins restoring 6 minutes and 41 seconds to the recording.
7 gaps repaired in Lampinski restoring 1 minute and 18 seconds to the recording.
6. Create stereo field
7. Correct phasing and center sound
8. Adjust dynamics
9. Track

Notes:
Limited stereo field noted in each source. This is improved by the 2-source blending process "As the Fear Grows" stated by one of the tapers at 5:15 of Sheep, Roger shouts '48' at 12:26 during 'Pigs (Three Different Ones).
In Lampinski source a strong whistle can be heard just before the beginning of Wish You Were Here. It is heard faintly in Hopkins.
Money guitar solo differs from typical performance, using interesting effects.
Roger announces "Us and Them"
Roger says "The perfect end to a perfect day" at the end of the performance

As The Fear Grows

Well, it's that time of the year again. Time to rejoice and celebrate another fruitful year in the life of the PRRP remastering group. Once more, our dedicated staff has made every possible effort to offer a good variety of exciting material to the ever growing progressive rock fan base. Over the years, the Special Anniversary Edition release has always been very special to us, its content carefully chosen to stand out from our regular programme of releases. This ninth edition of the anniversary special will be no exception to that rule. It features, for the first time in this instance, one of the most iconic bands in the history of rock music, the mighty Pink Floyd.

Pink Floyd is one of the most bootlegged bands in history, most of its tours widely documented in terms of high quality recordings, be it from radio or audience sources, and fans have been collecting these for over 40 years now. 'Most' is the key word here. Throughout these years, fans have desperately been searching for a high quality recording from the 1977 'Animals' tour. None of the shows from this tour was ever broadcast, and if Pink Floyd themselves have recorded some of them along the way, those must be surely kept under lock and key because no trace of such a recording has ever appeared anywhere, officially or not.

It is a well-known fact that this particular era in the band's life was not their favorite by far. Internal tensions were building up slowly, and although the 'Animals'album was a fine one in the end, it does however suggest that Roger Waters had already begun to take over as the main driving force behind the band. Shades of things to come. This new album was the beginning of a new phase in the band's existence, one that eventually drove Gilmour, Wright and Mason away from the Waters-driven Floyd. Even years later, when David Gilmour had resurrected the Pink Floyd name for two great albums and tours, it came as no surprise to see that none of the tracks from the 'Animals' album were ever included in the band's live sets.

Back in 1977, however, the band did embark on a long an gruelling tour to promote the album. Being the consummate perfectionists they always were, the band gave all that they had to offer fantastic and memorable live performances. Sadly, only a handful of the audience recordings that were made over the course of this turned out well, and those could only be granted a 'B' rating at best.

A short while ago, however, it was discovered that two young men from the Boston area, Dan Lampinski and Steve Hopkins, both known for the high quality of their audience recordings from the seventies, were at The Garden on June 27th, 1977, as Pink Floyd performed the 'Animals' show. Dan and Steve always used the best portable equipment available at the time, so both men achieved amazing results that night. After laying dormant for many years, these recordings were recently made available, and both received rave reviews from the fans.

Now here's the PRRP twist. Both of these recordings are truly good, separately. Each has its own merits, but is limited to a rather narrow acoustic field. Since the two tapers were sitting on opposite sides of the Garden, the PRRP sound engineer decided to combine the two recordings to try and increase the acoustic field. What you hold in your hands is the result of this meticulous and time-consuming process. This true labor of love was no waste of time by any means. The joining of the two recordings has not only widened the acoustic field, but also improved the overall sound and created a surprising stereo effect, which makes for a stunning listening experience. Only you, the fans, will be able to pass an unbiased judgment on this, but I personally believe this combined remaster to be the very best sounding 'Animals' tour recording EVER. Enjoy !

RH

Notes from the Re-Master
What a great opportunity! Two high quality audience recordings of Pink Floyd during their wonderful 1977 tour. The Dan Lampinski team has provided us with his high quality source. The Steve Hopkins source has been available in various forms for a number of years. There has been some debate regarding the best source for the Hopkins recording. A presumed, master DAT clone was available on Yeeshkul as was a version called "Have a Cigar". Both showed some signs of probable high-frequency processing but the Cigar version frequency response drops close to zero while the master clone does not. For this reason, the master clone was used for this project.

Both recordings captured the full show but a number of gaps occurred in each. The largest gap was close to 5 minutes in the Hopkins recording during Shine On You Crazy Diamond part 6-9. Mr. Hopkins may have had to hide his equipment for security personnel at that time. Of course, for each gap, only one source was available but fortunately, all gaps were staggered so they were all filled using the other source. Since this is a two source stereo remaster, during the single source, gap filled segments, there is a noticeable change in the stereo field. This is particularly true during the long Hopkins gap. For the other smaller gaps, the change is brief.

Each recording was separately remastered. During the process, non-destructive repairs were made to clicks, pops and other tape imperfections. Pitch and frequency response/EQ were then compared and matched as close as possible. The dynamics of the two recordings differed greatly so calculations were made to match average and total power for each. The two recordings were then synchronized to the exact same run time. A stereo field was then created by blending the two sources together.

The individual recordings were each high quality but both had limited stereo field characteristics on their own. By combining the recordings, the overall stereo field was greatly expanded and better reproduced the experience that must have existed in the venue that night. Phasing was corrected and routines were used to center the sound in the stereo field. The final recording was then tracked using traditional tracking points.

PRRP Staff

Pink Floyd - 1977-06-27 - Boston, MA (AUD/FLAC) Steve Hopkins Master via JEMS



(Audience FLAC)

Pink Floyd 
Boston Garden 
Boston, MA 
June 27, 1977 
Steve Hopkins Master via JEMS 
16/44.1 Edition 

Contrast Clause: 
This direct-to-digital transfer of Steve Hopkins' cassette master tapes is different from the following which have other digital format generations in their lineage: 

http://www.dimeadozen.org/torrents-details.php?id=392327 
http://www.dimeadozen.org/torrents-details.php?id=580106 

This is also a different source recording, made by Dan Lampinski: 
http://www.dimeadozen.org/torrents-details.php?id=329158 

Recording Gear: Sony ECM-99a Stereo Mic > Sony TC-158SD 

JEMS 2016 Transfer: Steve Hopkins' master cassettes (Dolby B encoded) > Nakamichi CR-7A azimuth-adjusted playback (Dolby B decoded) > Sound Devices USBPre2 > Audacity 2.0 (24/96 capture to .wav) > iZotope RX > iZotope MBIT+ convert to 16/44.1 

01 Sheep 
02 Pigs On The Wing Part 1 
03 Dogs 
04 Pigs On The Wing Part 2 
05 Pigs (Three Different Ones) 
06 Shine On You Crazy Diamond (Parts I-V) 
07 Welcome To The Machine 
08 Have a Cigar 
09 Wish You Were Here 
10 Shine On You Crazy Diamond (Parts VI-IX) 

encore 
11 Money 
12 Us And Them 

Known Faults: 
-Sheep: slight cut in 
-Pigs On The Wing Pt 1: splice 
-Shine On You Crazy Diamond (Parts VI-IX): splice 

In 2012, Steve Hopkins was kind enough to loan JEMS his master cassettes of Pink Floyd, Boston, June 18, 1975, an outstanding recording from the famed Boston Garden, and one of the best tapes of the 1975 tour. We always planned to follow up that well-received project with his equally excellent 1977 master tapes from the same venue and now we have. 

This torrent marks the first time Hopkins' master cassettes have been digital transferred without a media generation in the lineage and in high resolution. Hopkins himself transferred the show to DAT many years ago and there are circulating copies both from CD-R and multi-generation DAT rips. This should be the best transfer of the material to date. 

Steve's seats for the show were Section AA, Row 10, Seats 3-4, which put him ten rows back, directly in front of the PA stack stage left (AA being one of four floor sections running right to left facing the stage). I often joke about the "Three Ls of Taping" being location, location, location, and if there was ever a tape to prove that axiom, this is it. His Sony stereo microphone is directly in front of what had to be an extremely loud and stunning clear PA. And while the stereo field of the recording is somewhat narrow, the trade-off in proximity is well worth it. 

There is almost no sense of distance from the music to the microphone and ultimately playback. This is nothing short of a breathtaking recording in my opinion. 

Over the last decade, I've posted hundreds of shows on behalf of JEMS and mastered nearly all of them to improve the sound. Those I didn't bother to master, I wish I had. I can't think of another recording in all that time that I listened to and thought I didn't need to do anything to improve it except this one. It has exceptional balance, warmth, high highs and low lows. As such, I've elected to leave it as is from a mastering perspective because it is just that good. If it ain't broke, don't fix it. Samples provided. 

That being said it has undergone de-clicking, azimuth-correction, level adjustments and other minor fixes we do to everything we post, but we haven't touched the sound characteristics. To offer the best possible quality, we are making the recording available in both 16/44.1 and 24/96 editions, each of them unmastered (in contrast to Steve's 1975 recording, where we mastered the 16/44.1 and left the 24/96 virgin). 

It should be noted that Steve missed approximately seven minutes of the show due to taping issues. We have not filled in those gaps from the Lampinski source, though I'm sure the release of Steve's true master will prompt a redo of the extant matrix recording of the two sources. Our pal Goody recently redid the Boston 1975 matrix to much acclaim; perhaps he will do so again for Boston 1977. He was kind enough to review this transfer for pitch issues and gave us his blessing. Much appreciated, Goody. 

Thanks once again to Steve Hopkins for allowing JEMS to present another of his outstanding audience recordings in a fresh light. As someone who has worked with a lot of audience tapes, Steve's work continues to amaze me as some of the very best. I defy anyone to make a better audience recording today, 40 years later. Please show him some love in the comments, he deserves it. 

Tip of the hat as well to mjk5510 for doing the final prep work on both versions of the show. It really helps the shows keep flowing. 

BK for JEMS

UK - 1978-06-27 - Toronto, ON (FM/FLAC)




(FM broadcast FLAC)

John Wetton - Vocals & Bass Guitars
Eddie Jobson - Keyboards & Electric Violins
Bill Bruford - Drums & Percussion
Allan Holdsworth - Guitars

01 Alaska 2:10
02 Time To Kill 7:21
03 The Sahara of Snow 10:05
04 Carrying No Cross 9:58
05 The Only Thing She Needs 8:47
06 Thirty Years 8:56
07 In The Dead of Night 5:55
08 By The Light of Day 5:54
09 Presto Vivace and Reprise 4:03

Bob Marley - 1980-06-27 - Milan, IT (SBD/SHN)



(Soundboard FLAC)

Bob Marley And The Wailers 1980-06-27 Stade San Siro, Milan, Italy (SBD) (SHN)

Source: SBD > Bootleg CD > EAC > SHN

Disc 1 [53:42]
The I-Three's:
01. Precious World
02. Save Peace
03. Steppin' Out of Babylon
04. That's The Way Jah Planned It

Bob Marley & The Wailers:

05. Marley chant > Natural Mystic
06. Positive Vibration
07. Revolution
08. I Shot The Sheriff
09. War > No More Trouble
10. Zimbabwe
11. Jammin'

Disc 2 [57:56]

Bob Marley & The Wailers (cont):
01. No Woman No Cry
02. Zion Train
03. Exodus

Encores:

04. Redemption Song
05. Could You Be Loved?
06. Work
07. Natty Dread
08. Is this Love?
09. Get Up, Stand Up
10. Coming in From the Cold
11. Lively Up Yourself

Notes
Often mislabeled as 6.12.80 as well as 6.26.80
This show comes from Japanese bootleg: Boot -> EAC [high,secure] -> SHN

It is different from most circulating copies since it includes the I-Three's opener and also has very high quality sound. The only known cut in this show is about 5 minutes of crowd clapping before encore. This is one of my favorite shows. Get it if you don't have it.

Depeche Mode - 1981-06-27 - Raleigh, UK (SBD/FLAC)


(Soundboard FLAC)

Crocs Glamour Club

Dave Gahan : vocals
Vince Clarke : keyboards, backing vocals
Martin Gore : keyboards, backing vocals
Andrew Fletcher : keyboards

Lineage:
Mixing desk > analog master (stereo) > analog copy > computer > CDR > CDR > CDR > wave > normalization (no equalization) Soundforge > DBpowerAMP > FLAC (level 8)


01 Television set
02 Dreaming Of Me
03 Big Muff
04 New Life
05 Boys Say Go !
06 Tora ! Tora ! Tora !
07 The Price Of Love
08 Just Can't Get Enough
09 Photographic


* complete gig (35.33)

Nota : it seemed that a short pause was done during the start of “Tora ! Tora ! Tora !”, editing one drum beat. I reworked it coping the next one to have a more continuous intro. But don’t panic, the original track is also included in a separate folder.

Dire Straits - 1981-06-27 - Sanremo, IT (AUD/FLAC)



(Audience FLAC)

Stadio Comunale 

"First Ever Show In Italy" 

Lineage: 
Unknown recording device > low generation tape > Aiwa Tape Deck TC-WE475 > Audiophile 2496 Soundblaster > HD > 
SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 

Mark Knopfler: guitars and vocals 
John Illsley: bass and backing vocals 
Pick Withers: drums 
Hal Lindes: guitars 
Alan Clark: keyboards 

01. Intro 
02. Once Upon A Time In The West 
03. Expresso Love 
04. Down To The Waterline 
05. Lions 
06. Skateaway 
07. Romeo and Juliet 
08. News 
09. Sultans Of Swing 
10. Portobello Belle 
11. Angel Of Mercy 
12. Tunnel Of Love 
13. Les Boys 
14. Where Do You Think You Are Going? 
15. Solid Rock 

TT 113:41 

Notes:
Nice quality for a 30+ years recording, Mark seems pleased to play in Italy nearby the seaside. This was Dire Straits at its peak, playing the Making Movies album.

Jaco Pastorius - 1982-06-27 - New York City, NY (FM/FLAC)


(FM broadcast FLAC)

Jaco Pastorius Word of Mouth Big Band
Kool Jazz Festival, Avery Fisher Hall, NYC
1982/06/27

Randy Brecker (tp), Lew Soloff (tp), Jon Faddis (tp), Ron Tooley (tp), Alan Rubin (tp), 
John Clark (frh), Peter Gordon (frh), Bob Mintzer (ts, ss, bcl), Frank Wess (ts), 
Lou Marini (ts), Norbert Stein (reed), Dave Bergeron (tb), Wayne Andre (tb),
David Taylor (tb), Jim Pugh (tb), Howard Johnson (tuba), Toots Thielemans (hca), 
Jaco Pastorius (b), Peter Erskine (ds), Othello Molineaux (steel-ds), Don Alias (perc)

Source : Radio Broadcast (Bootleg CD)
Lineage : CDR > EAC > WAV > FLAC frontend > FLAC (Level 8)
Sound Quality : A

CD1: (47:01)
01 -- MC --
02 Invitation
03 Bass Solo
04 Soul Intro / The Chicken
05 Sophisticated Lady
06 Three Views of a Secret
07 Liberty City

CD2: (43:00)
01 Percussion Solo
02 Okonkole Y Trompa
03 Reza / Giant Steps / Reza
04 Mr. Fone Bone
05 Fannie Mae / -- MC --

Rod Stewart - 1983-06-27 - London, UK (FM/FLAC)

(FM broadcast FLAC)

Rod Stewart
Earl's Court, London England
June 27, 1983

lineage
FM Broadcast -> CD-R (unknown generation) -> Exact Audio Copy -> Trader's Little Helper (FLAC level 8) 

01 Sweet Little Rock N Roller
02 Passion
03 Sweet Surrender
04 I Don't Want To Talk About It
05 Baby Jane
06 Young Turks
07 Maggie May >
08 You Wear It Well
09 Stay With Me

INXS - 1984-06-27 - Cleveland, OH (FM/FLAC)


(FM broadcast FLAC)

Recorded from a live radio simulcast on 100.7 WMMS in Cleveland, Ohio on 27 June 1984.

They played the night before at Blossom Music Center as the opening act for the Go-Go's and agreed to play at the free WMMS Coffee Break Concert series the next day.

History: FM>Cassette>Digitized with SoundForge>Flac'd with WinAmp Flac plugin

01 - The Swing
02 - Soul Mistake
03 - Face The Change
04 - The One Thing
05 - Dancing on the Jetty
06 - Interview by Matt the Cat
07 - I Send a Message
08 - Just Keep Walking
09 - Jan's Song
10 - To Look At You
11 - Band Introductions
12 - Black and White
13 - Original Sin
14 - Don't Change
15 - The Loved One

R.E.M. - 1984-06-27 - Seattle, WA (SBD/FLAC)




(Soundboard FLAC)

Recorded at Music Hall,

Lineage:
SBD > ? > Flac

01 Moral Kiosk
02 Hyena
03 Camera
04 Pilgrimage
05 Talk About The Passion
06 7 Chinese Bros.
07 So. Central Rain
08 Pretty Persuasion
09 Gardening At Night
10 9-9
11 Windout
12 Old Man Kensey
13 Radio Free Europe
14 Little America
15 Burning Down
16 Pale Blue Eyes
17 1,000,000
18 So You Want To Be A Rock'n'Roll Star
19 Carnival Of Sorts (Boxcars)
20 Skank

This show is one of the all time greatest R.E.M. performances taken from a sweltering night in Seattle on the globe-trotting Little America tour. This show was recorded by the band for possible release as a live album but was shelved indefinitely because such a project just didn't fit with R.E.M.'s nonconformist and independent-minded ethos - live albums were soooooooo "corporate rock". Fortunately the tapes survived and we present them here in all their glory. This show provides THE definitive performances of so many classics like Radio Free Europe, Pilgrimage, Gardening at Night, 9-9, and Carnival of Sorts as the band rip through the songs with such breathtaking intensity and spectacular abandon that you'll throw away your studio albums for being pale imitations. Yet amongst the maelstrom and ferocity are exquisite and controlled performances of Old Man Kensey, the Velvet's Pale Blue Eyes and an incredibly emotional Camera that ranks as one of the finest ever performances by Michael Stipe.

This show is so good that when Peter Buck failed to get his copy of the masters due to a record company screw up he went out and bought the vinyl bootleg. Yes it is that essential and if not the greatest R.E.M. show of all time then it has to be in the top 3 no question.

The Smiths - 1985-06-27 - Los Angeles, CA (FM/FLAC)


(FM broadcast FLAC)

The Smiths 
The Palladium 
Los Angeles, California 
June 27, 1985 

Trade CDR>EAC>SHN V.3 

Possibly a broadcast source(?) 

01. intro 
02. Meat Is Murder 
03. Hand In Glove 
04. Shakespeare’s Sister 
05. The Headmaster Ritual 
06. Nowhere Fast 
07. I Want The One I Can’t Have 
08. This Charming Man 
09. That Joke Isn’t Funny Anymore 
10. Stretch Out And Wait 
11. Heaven Knows I’m Miserable Now (take 1) 
12. Heaven Knows I’m Miserable Now (take 2) 
13. What She Said 
14. Still Ill 
15. How Soon Is Now? 
16. William It Was Really Nothing 
17. Jeane 
18. Rusholme Ruffians 
19. Miserable Lie 
20. Barbarism Begins At Home 

This is a highly degraded soundboard or broadcast recording. 
Heaven Know's I'm Miserable Now stops because someone apparently steals a piece of the band's equipment. It is returned and the song restarted. 
EAC/SHN compression by terrapinstation 06/01/2004 

Inxs - 1986-06-27 - St Gallen, CH (SBD/FLAC)



(Soundboard FLAC)

INXS
1986-06-27, Open Air Festival, St. Gallen, Switzerland
"Original Sin"
Release Information: The Swingin' Pig Records.
Reference: TSP-CD-123
5 Stars Soundboard.

lineage
silver bootlegs>WAV>FLAC8>You

01 - Same Direction
02 - Soul Mistake
03 - Biting Bullets
04 - This Time
05 - Melting in the Sun
06 - I Send a Message
07 - Original Sin
08 - Do Wot You Do
09 - Shine Like It Does
10 - Kiss the Dirt (Falling down the Mountain)
11 - Listen Like Thieves
12 - One x One
13 - What You Need
14 - Don't Change
15 - Johnson's Aeroplane
16 - Red Red Sun

notes:
- Soundboard 5 Stars.
- The first show of INXS in Switzerland...

UFO - 1986-06-27 - Milwaukee, WI (FM/FLAC)




(FM broadcast FLAC)

Artist: UFO 
Source: Henry Maier Festival Park, Milwaukee, WI. June 27th 1986 

01. Heaven's Gate [cuts in] (3:49) 
02. The Chase (4:47) 
03. Meanstreets (4:49) 
04. Too Hot To Handle (4:06) 
05. Name Of Love (5:42) 
06. The Only Ones (5:48) 
07. Wreckless (9:51) 
08. Night Run (5:37) 
09. Only You Can Rock Me (7:22) 
10. Lights Out (9:06) 
11. Doctor Doctor (8:18) 

Time: 69:16 

Notes: FM. Summerfest

Peter Gabriel - 1987-06-27 - London, UK (DVDfull pro-shot)

(DVDfull pro-shot)

Earl's Court
A Ratpie production: "RPdvd02"
Quality: C+/B-
1DVD-R (PAL)

Video Attributes:
Video compression mode: mpeg-2
frms: 30,501
kbps: 5359
frame rate: 25.000
Source picture resolution: 720 x 576
Pal DVD
aspect ratio: 4:3

Peter Gabriel - Vocals
David Sancious - Keyboards
David Rhodes - Guitars
Tony Levin - Bass
Manu Katche - Drums

01 - San Jacinto
02 - Red Rain
03 - Shock The Monkey
04 - Family Snapshot
05 - Not One Of Us
06 - Games Without Frontiers
07 - No Self Control
08 - Mercy Street
09 - This Is The Picture
10 - Big Time
11 - Don't Give Up
12 - Solsbury Hill
13 - Lay Your Hands On Me
14 - Sledgehammer
15 - Here Comes The Flood

Total Running Time : 01:36:00

Notes:
Incomplete performance. Nevertheless all the songs played here are 100% complete. Nice to have "Not One of Us" on video.
Not the quality you can expect from a pro shot video. Probably taken from a very old and tired VHS. But, hey, this is a pro shot video from the "so" tour.

This is the comments from Maurizio 'Ratpie' who authored the DVD (thank you very much "Ratpie"):
"Although being a professionally shot video, the quality of this film is quite poor. The picture is dark (with nice moments when the musicians are well lit) and sometimes disrupted, with occasional loss of colour.