(FM broadcast FLAC)
ROBIN TROWER
Seattle West Studios aka Sea West Studios
Seattle WA.
August 13th, 1973
KOL FM Broadcast
Broadcast date August 19th, 1973
A JEMS 10.5 Inch Mono Master Reel to Reel
Transferred and Presented By Krw_co
LINEAGE KOL SEATTLE FM BROADCAST JEMS 10.5" MASTER REEL IN MONO @ 3 AND 3/4 ips>TEAC A-7300 REEL TO REEL> (W/MANUAL AZIMUTH ADJUSTMENT)CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Robin Trower Guitar
James Dewar Bass Vocals
Reg Isadore Drums
01 Intro
02 The Fool and Me
03 Twice Removed from Yesterday
04 Lady Love
05 Daydream
06 Another Day Another Night aka Day of The Eagle
07 I Can't Wait Much Longer
08 Man Of The World
09 Sinner's Song
10 Little Bit Of Sympathy
11 Still On The Air
12 Kol DJ Jimmy Pitkin
Late last month, JEMS lost a second founding member, the great Stan Gutoski. Stan recorded hundreds of shows in and around the Seattle area starting in 1972 and kept taping over five decades. He was famous for recording shows on a Tandberg full-track mono reel to reel, and his masters of Led Zeppelin, Bruce Springsteen, The Who, David Bowie, CSNY and Joni Mitchell are some of the best '70s recordings of those artists.
What is less widely known about Stan is that he was equally committed to recording radio broadcasts on his home reel to reel which was a Revox B77.
If any local Seattle station was broadcasting a live concert or carrying a syndicated concert series, Stan fired up the recorder, sometimes going to sleep with an alarm to wake him up to flip the tape (his job in the postal service required him to report to work very early). He also set up a timer system to record broadcasts when he couldn't be there to start the deck.
Stan made over 200 radio recordings, some on 10" reels that are packed with music and interviews. Those reels were sitting idle in the JEMS Archive for years until our friends at KRW_CO volunteered to transfer them. We were only too happy to let a team whose work we admire take possession of the radio reels and bring Stan's tireless late-night efforts into the digital age.
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