Jeff Buckley - 1992-03-13 - New York City, NY (SBD/FLAC)

(Soundboard FLAC)

JEFF BUCKLEY with Gods & Monsters
St. Anne's Church, Brooklyn Heights, New York, USA


SOURCE
Very Good Soundboard recording
Lineage: ? > ? > CD(x) > EAC > Flac

Very soft rolloff to -80dB by 9kHz, with 2 step down shelves at 18.5kHz and 19.Khz, ending at below -90dB. No broadcast pilot tones evident.

Tracklist varies in some versions, order of last 3 tracks (probably depends on source). A video of this show exists, and it was also FM Broadcast.

DISC I
01 Cruel 6:57
02 Malign Fiesta (No Soul) 4:37
03 Distortion 6:48
04 Rise Up to Be [Grace] 4:41
05 How Long Will It Take? (Pat Kelly) 5:56
06 In The Cantina 6:28
07 Hymn L'Amour (Edith Piaf) 6:57
08 Satisfied Mind (Joe Hayes / Jack Rhodes) 6:06
09 Harem Man 11:16
10 Story Without Words 6:06
11 Dream of a Russian Princess 2:18

Running time: 1:08:10

DISC II
01 Sweet Thing (Van Morrison) 5:57
02 She is Free 5:53
03 Dink's Song (traditional / John Lomax) 5:27
04 No One Must Find You Here 11:55
05 Bluebird Blues (traditional) 7:23
06 And You Will [Mojo Pin] 6:57

Running time: 43:32

Total Running time: 1:51:42

NOTES
'Cruel' - Only live version of the song. Originally written with Gary Lucas for their collaborative album 'Songs to No One', under the name of 'Gods and Monsters'

'How Long Will It Take?' - Originally titled by 'How Long' by Pat Kelly, Jeff often performed it live with Gods And Monsters (the group formed by him and Gary Lucas).

'Harem Man' - Originally written with Gary Lucas for their collaborative album 'Songs to No One', under the name of 'Gods and Monsters'

'Dream of a Russian Princess' - Instrumental. Solo Gary Lucas from the 'Gods and Monsters' era.

'She's Free' - Originally written with Gary Lucas for their collaborative album 'Songs to No One', under the name of 'Gods and Monsters'

'Dink's Song' - Traditional blues song, attributed to the song collectors John/Alan Lomax. A lady named Dink sang the song for John Lomax in 1908. Jeff in turn learnt this version from listening to a version on a Bob Dylan bootleg, who known to have jokingly said he learnt it also from a lady named Dink. (tho it seems improbable he would have had any contact with that generation)