lunedì 9 ottobre 2023

The Psychedelic Furs - 1991-10-09 - London, UK (FM/FLAC)


(FM broadcast FLAC)

THE PSYCHEDELIC FURS
Wednesday, 9 October 1991
Town & Country Club
9-17 Highgate Rd, Kentish Town
London NW5
England
UK

FLAC master, 19 November 2018, by elegymart:
Analog radio broadcast (stereo): WDRE 92.7 (Garden City, Long Island, New York) FM broadcast > low analog audio cassette generations > 1985-86 US Maxell XLII 90 (Type II CrO2) analog audio cassette {from the Stonecutter Archives} > Sony TC-WE435 (azimuth adjustment) >Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBE) > CD Wave (track splits) > TLH (WAV > FLAC8).
Created this text file.

Richard Butler – vocals
John Ashton – guitar
Knox Chandler - guitar, cello
Tim Butler – bass guitar
Joe McGinty - keyboards
Mars Williams - saxophone
Paul Garisto - drums

01 Heaven [4:26]
02 Until She Comes [3:56]
03 Sleep Comes Down [4:44]
04 Get a Room [4:41]
05 There's a World Outside [5:03]
06 Tearing Down [5:55]
07 Don't Be a Girl [4:02]
08 Pretty in Pink [4:17]
09 In My Head [3:44]
10 Better Days [4:02]
11 Forever Now [6:40]
12 No Easy Street [5:13]
13 Love My Way [4:17]
14 All That Money Wants [4:17]

Total running time [65:24]

Notes:
Courtesy of the Stonecutter Archives is this broadcast recorded by the BBC of the Psychedelic Furs promoting their last studio album "World Outside." An FM version of this was uploaded eleven years ago on dime, but no tracklist was furnished, so it's unclear how this may differ from that version. There was also a reseed about eight years ago of an audience recording of this show -- based on that tracklist, about nine songs were omitted here for broadcast. Another three circulate on a BBC transcription disc. Although it wasn't noted anywhere on the tape, this is more than likely a first gen. Quality is excellent, although it's not without some choppy edits and the WDRE station ID zaps right into the start of the vocals on "All That Money Wants" in the most unfortunate way. Perhaps someday someone will put together a composite of the broadcast tracks and fill it in with the audience tape, using this as one of the primary sources.

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