giovedì 31 gennaio 2019

10CC - 1980-04-30 - Mainz, DE (FM/FLAC)




(FM BROADCAST FLAC)

"WILLIAM TELL EDITION" 027

Recorded by:
"William Tell" 

Recorded on:
4-elements yagi-antenna>Accuphase T100(FM Tuner)>JVC CD-1669-2(Cassette Deck)>Maxell XLR II C-90 Cassette.

GRAHAM GOULDMAN – Bass/Vocals 
ERIC STEWART – Guitar/Keyboards/Vocals 
RICK FENN – Guitar/Vocals 
DUNCAN MACKAY – Keyboards/Vocals 
PAUL BURGESS – Drums 
STUART TOSH – Drums/Vocals 

CD1:
01. L.A.Inflatable
02. Wall Street Shuffle
03. One Two Five
04. I'M Mandy Fly Me
05. Lovers Anonymous
06. How'M Ever Gonna Say Goodbye
07. Good Morning Judge
08. From Rochdale To Ocho Rios
09. Art For Art'S Sake
10. It Doesn'T Matter At All

CD2:
01. The Things We Do For Love
02. Don'T Send Me Back
03. Deadlock Holiday
04. Feel The Benifit(Pt.1-3)
05. I'M Not In Love
06. Rubber Bullets/Life'S A Minestrone
07. Roll Over Beethoven

Pink Floyd - 1970-04-30 - San Francisco, CA (DVDfull pro-shot)


(DVDfull pro-shot)

KQED (HRV DVD 001 RevA)

KQED TV Studios

Video Lineage: 1982 KQED Rebroadcast > VHS > AVI > MPEG-2 (CBR 8Mbps)

Audio Lineage: 1" or 2" station master > 3/4" U-Matic sub-master > DVCAM > WAVE (48kHz/24 Bit)
Format: NTSC/PCM Mono
Running Time: Approx. 60 mins


01 - Atom Heart Mother
02 - Cymbaline
03 - Grantchester Meadows
04 - Green Is The Color
05 - Careful With That Axe, Eugene
06 - Set The Controls For The Heart Of The Sun



We decided to do a RevA of our 1st DVD release because we felt that, after much research, an audio upgrade was warranted. The video is exactly the same as our initial release. No re-encoding was applied. The video from the 3/4" U-Matic tape became unstable over time, resulting in a slightly jittery image while the audio was still solid. The audio from our initial DVD also came from this source but this was in the early days of HRV and while Mr Phloyd did a great job with the video, the compressed AC3 audio didn't really live up to its potential. We only recently looked into our original source after several FM (or VPro) recordings surfaced on Yeeshkul.


Some notes from MOB:

We had 2 sources to choose from: one source from a U-Matic TV station master, the other source from a mysterious FM broadcast. The FM source was said to be in stereo, but a quick analysis clearly shows there is absolutely no stereo separation on the instruments. Further analysis of the FM source reveals that the fake stereo effect is mainly due to multiple analog generations and fluctuations in the tape channels stretching. The fact is that the original recording was done in mono, and that there's no evidence of any true stereo mix of that performance. The FM source has also the typical alterations from FM processing (levelling and limiting), and is riddled with pops and crackles, not even mentioning a 1.7% deviation from the real speed.

On the other hand, the U-Matic source has the original mono recording with a very stable and correct speed, along with excellent spectral characteristics (as you could expect from a station master). A close comparison between the 2 sources shows some evidence of the "pureness" (in terms of sound fidelity) of the U-Matic tape compared with the multiple analog gens of the other source. It is not easy to describe it with words, let's just say that if you listen to the cymbals sound during some quiet parts, you hear "dziing" on the U-Matic source, while it's "tching" on the FM source… ;-)


Therefore, the remastering work was performed on the U-Matic source. It consisted in the following main activities: adjust the levels and EQ in order to bring clarity to the raw recording, get rid of the annoying low frequency hum that is present most of the time, and manually clean all the little imperfections of the raw transfer (mainly pops and drop-outs).


It has to be noted that, while Atom Heart Mother, Cymbaline, Green Is The Colour and Careful With That Axe Eugene were rather well recorded by the KQED sound engineers, it was much more difficult to get a good sound for Grantchester Meadows and Set The Controls For The Heart Of The Sun. These two tracks seem to have been captured differently by the KQED engineers and there were some bad sounding sections difficult to correct or improve (on every source we heard, these two songs are always with inferior sound quality than the four others). A possible explanation could be the specific instruments settings: acoustic guitars and vocals for Grantchester Meadows, and a lot of middle frequencies (gong, toms, lack of bass) for Set The Controls. Too bad KQED staff was not able to do a better job when recording and mixing these two tracks. (Ed: Perhaps these to tracks were recorded 1st and then adjustments/corrections were made?).



giovedì 24 gennaio 2019

The Band - 1971-12-xx - Hempstead, NY (STU/FLAC) Rehearsal




The Band - 1971-12-xx - Hempstead, NY
(Studio FLAC)

The Band 
Rehearsal at Ultrasonic Studios, Hempstead, NY 
1971, Dec. ?? 

Note: This previously circulated as the 'SNL rehearsals', but is now known to be rehearsals for "Rock Of Ages" at Ultrasonic Studios in Hempstead, Long Island in New York. 

Goody: If for no reason other than Garth's "Jingle Bells" quote at the end of "Chest Fever", I believe this is most likely a set of rehearsals with horns for "Rock of Ages" at the Academy of Music, in December of 1971. Therefore, the date change from previous editions in the title from Oct 30, 1976 to December of 1971. 

Lolita's original notes: 
I corrected the pitch (-50 cents) with Sound Forge 9 upon Goody's advice. 
The levels have been adjusted and I also cleaned the transition tracks. 
Sbe's aligned with TLH. > 

Goody's additional lineage: 
TLH (WAV) > Audition (Tracking updated) > TLH (FLAC Level 8; Align sector boundaries; .ffp) 

*Text and files updated. Goody - August 22, 2011* 

Rick Danko – bass, violin, vocals 
Levon Helm – drums, mandolin, vocals 
Garth Hudson – organ, piano, accordion, tenor and soprano saxophones 
Richard Manuel – piano, organ, clavinet, drums, vocals 
Robbie Robertson – guitar, vocals, introduction 
Allen Toussaint – horn arrangements 
Howard Johnson – tuba, euphonium, baritone saxophone 
Snooky Young – trumpet, flugelhorn 
Joe Farrell – tenor and soprano saxophones, English horn 
Earl McIntyre – trombone 
J. D. Parron – alto saxophone and E-flat clarinet 

01 The Night They Drove Old Dixie Down> 
02 Across the Great Divide (take 1)> 
03 WS Walcott Medicine Show (take 1) 
04 WS Walcott Medicine Show (take 2) 
05 Life Is A Carnival (take 1) 
06 Life Is A Carnival (take 2) 
07 Across the Great Divide (take 2) 
08 Unfaithful Servant 
09 Chestfever 
10 Rag Mama Rag (take 1) 
11 Rag Mama Rag (take 2)

The rehearsal, which consisted of the 5 group members plus Allen Toussaint and a five-man horn section, was in preparation for the Band’s four night stand at the Academy of Music. Levon Helm is featured on lead vocals for most of the tracks, with Rick Danko taking the mic on “Unfaithful Servant” and Richard Manuel on “Across the Great Divide.” The resulting Academy of Music show was recorded and later released as their live album, Rock of Ages. 

To give their music an added dimension, The Band recruited Allen Toussaint and a five-man horn section to spice up their sound for the Cahoots album. When they rehearsed for a four-night stand at the Academy of Music in New York City back in the winter of ‘71, Toussaint and the horns were invited. 

On the introduction to this brief 40-minute excerpt of a rehearsal, the signature horns blow nicely that toot-toot New Orleans sound as the Band come together for The Night They Drove Old Dixie Down. That’s what you’ll hear throughout the rehearsal, how the horns swooped, swished and skittered around, above and below the songs. Injecting freshness and excitement to the Band’s repertoire. 

Just on the horizon other bands were preparing louder, angrier albums, hamming up with makeup and marketing, posing for hours in front of mirrors as they vied to be the next big thing. 

But The Band were digging the older vibe with accordians, horns, a carnival sound, vaudeville, a hoedown that invented Americana before the term was coined. Levon Helm handles much of the vocal chores on the songs here leaving Rick Danko with Unfaithful Servant. Richard Manuel gets to be heard on two takes of Across The Great Divide. 

The sound is thick and chunky with nice turns from Garth Hudson’s organ and Robertson’s sterling solos. But really, the horns take up centerstage much of the time. By now, success with Dylan and as a working unit had changed their lifestyle and Cahoots, the album preceding the concerts, had a bittersweet taste. 

“I can’t emphasize how much success had changed everything,” Rick Danko said of this period. “We were outrageous in our behavior, and it was impossible to get people in one place at one time. And when we did, it was hard to work because when we looked at one another and saw how wrecked we were, it was hard not to crack up.” 

This fly-on-the-wall moment with The Band and Toussaint disputes this. They sound energised and refreshed. But this was before they lurched forward into a downward spiral, eventually disbanding in 1978 with the prophetic Last Waltz. 

Puscifer - 2013-03-31 - Sao Paulo - BR (DVDfull pro-shot) by REQUEST

(DVDfull pro-shot)

Lollapalooza - Jockey Ckub - São Paulo, SP - Brazil 

lineage
Multishow SD => TV Alphaville => HD Cable TV Receiver - HDD PC Desktop - TMPGEnc Mastering Works 5 - You. 

Video 
Format : MPEG Video 
Format version : Version 2 
Format profile : Main@Main 
Format settings, GOP : M=3, N=18 
Bit rate mode : Variable 
Bit rate : 3 227 Kbps 
Maximum bit rate : 5 000 Kbps 
Width : 720 pixels 
Height : 480 pixels 
Display aspect ratio : 16:9 
Frame rate : 29.970 fps 
Standard : NTSC 
Scan type : Interlaced 


Audio #1 
Format : MPEG Audio 
Format version : Version 1 
Format profile : Layer 2 
Bit rate mode : Constant 
Bit rate : 192 Kbps 
Channel(s) : 2 channels 
Sampling rate : 48.0 KHz 

Audio #2 
Format : AC-3 
Format/Info : Audio Coding 3 
Mode extension : CM (complete main) 
Format settings, Endianness : Big 
Muxing mode : DVD-Video 
Bit rate mode : Constant 
Bit rate : 384 Kbps 
Channel(s) : 5 channels 
Channel positions : Front: L C R, Side: L R 
Sampling rate : 48.0 KHz 
Bit depth : 16 bits

01 - Tiny Monsters 
02 - Vagina Mine 
03 - Dozo 
04 - Toma 
05 - The Rapture (Fear is a Mind Killa Mix) 
06 - Horizons 
07 - Rev 22:20 
08 - Dear Brother 
09 - Breathe 
10 - Man Overboard 
11 - Telling Ghosts 
12 - The Undertaker 

mercoledì 23 gennaio 2019

Pink Floyd - 1977-06-27 - Boston, MA (AUD/FLAC) Steve Hopkins Master via JEMS



(Audience FLAC)

Pink Floyd 
Boston Garden 
Boston, MA 
June 27, 1977 
Steve Hopkins Master via JEMS 
16/44.1 Edition 

Contrast Clause: 
This direct-to-digital transfer of Steve Hopkins' cassette master tapes is different from the following which have other digital format generations in their lineage: 

http://www.dimeadozen.org/torrents-details.php?id=392327 
http://www.dimeadozen.org/torrents-details.php?id=580106 

This is also a different source recording, made by Dan Lampinski: 
http://www.dimeadozen.org/torrents-details.php?id=329158 

Recording Gear: Sony ECM-99a Stereo Mic > Sony TC-158SD 

JEMS 2016 Transfer: Steve Hopkins' master cassettes (Dolby B encoded) > Nakamichi CR-7A azimuth-adjusted playback (Dolby B decoded) > Sound Devices USBPre2 > Audacity 2.0 (24/96 capture to .wav) > iZotope RX > iZotope MBIT+ convert to 16/44.1 

01 Sheep 
02 Pigs On The Wing Part 1 
03 Dogs 
04 Pigs On The Wing Part 2 
05 Pigs (Three Different Ones) 
06 Shine On You Crazy Diamond (Parts I-V) 
07 Welcome To The Machine 
08 Have a Cigar 
09 Wish You Were Here 
10 Shine On You Crazy Diamond (Parts VI-IX) 

encore 
11 Money 
12 Us And Them 

Known Faults: 
-Sheep: slight cut in 
-Pigs On The Wing Pt 1: splice 
-Shine On You Crazy Diamond (Parts VI-IX): splice 

In 2012, Steve Hopkins was kind enough to loan JEMS his master cassettes of Pink Floyd, Boston, June 18, 1975, an outstanding recording from the famed Boston Garden, and one of the best tapes of the 1975 tour. We always planned to follow up that well-received project with his equally excellent 1977 master tapes from the same venue and now we have. 

This torrent marks the first time Hopkins' master cassettes have been digital transferred without a media generation in the lineage and in high resolution. Hopkins himself transferred the show to DAT many years ago and there are circulating copies both from CD-R and multi-generation DAT rips. This should be the best transfer of the material to date. 

Steve's seats for the show were Section AA, Row 10, Seats 3-4, which put him ten rows back, directly in front of the PA stack stage left (AA being one of four floor sections running right to left facing the stage). I often joke about the "Three Ls of Taping" being location, location, location, and if there was ever a tape to prove that axiom, this is it. His Sony stereo microphone is directly in front of what had to be an extremely loud and stunning clear PA. And while the stereo field of the recording is somewhat narrow, the trade-off in proximity is well worth it. 

There is almost no sense of distance from the music to the microphone and ultimately playback. This is nothing short of a breathtaking recording in my opinion. 

Over the last decade, I've posted hundreds of shows on behalf of JEMS and mastered nearly all of them to improve the sound. Those I didn't bother to master, I wish I had. I can't think of another recording in all that time that I listened to and thought I didn't need to do anything to improve it except this one. It has exceptional balance, warmth, high highs and low lows. As such, I've elected to leave it as is from a mastering perspective because it is just that good. If it ain't broke, don't fix it. Samples provided. 

That being said it has undergone de-clicking, azimuth-correction, level adjustments and other minor fixes we do to everything we post, but we haven't touched the sound characteristics. To offer the best possible quality, we are making the recording available in both 16/44.1 and 24/96 editions, each of them unmastered (in contrast to Steve's 1975 recording, where we mastered the 16/44.1 and left the 24/96 virgin). 

It should be noted that Steve missed approximately seven minutes of the show due to taping issues. We have not filled in those gaps from the Lampinski source, though I'm sure the release of Steve's true master will prompt a redo of the extant matrix recording of the two sources. Our pal Goody recently redid the Boston 1975 matrix to much acclaim; perhaps he will do so again for Boston 1977. He was kind enough to review this transfer for pitch issues and gave us his blessing. Much appreciated, Goody. 

Thanks once again to Steve Hopkins for allowing JEMS to present another of his outstanding audience recordings in a fresh light. As someone who has worked with a lot of audience tapes, Steve's work continues to amaze me as some of the very best. I defy anyone to make a better audience recording today, 40 years later. Please show him some love in the comments, he deserves it. 

Tip of the hat as well to mjk5510 for doing the final prep work on both versions of the show. It really helps the shows keep flowing. 

BK for JEMS

martedì 22 gennaio 2019

McCoy Tyner w Dave Holland - 2010-07-04 - Salzau, DE (DVDfull pro-shot)

(DVDfull pro-shot)

McCOY TYNER - piano
DAVE HOLLAND - bass

1. Interface
2. Secret Garden
3. Segment
4. Got bless The Child
5. Pass It On
6. Ballad for Aisha
7. Softly, As In a Morning Sunrise
8. In A Mellow Tone

# 1-5: Dave Holland solo
# 6-7: McCoy Tyner solo
# 8: McCoy Tyner & Dave Holland

Große Konzertscheue, Jazzbaltica, Salzau, Germany, 4th July 2010

sabato 19 gennaio 2019

The Eagles - 2014-05-22 - Amsterdam, NL (AUD/FLAC)



(Audience FLAC)

Venue: Ziggo Dome 

Recording: SP - CMC-8 microphones + Roland Edirol R-09 
Recorded by the Young Dutch Master 

Recorded from the 2nd Tier 213. 

Although high up in the stands, on the left side and just in front of the stage, I had a pair of speakers in front of me, some 20 meters away. This recording turned out far better as expected. Decent crowd around me, not to much talking. 

Lineage: 
Edirol > USB > harddisk. 

Red Roaster + Soundforge 4.5 + Plugins using the Maximizer process. 
Removal of loud clapping between the songs. 
Traders Little Helper Wav > flac. 

The sound is: good - excellent 

Disc 1 = set 1 (65 minutes) 
01. Saturday Night 
02. Train Leaves Here This Morning 
03. Peaceful Easy Feeling 
04. Witchy Woman 
05. Doolin-Dalton 
06. Tequila Sunrise 
07. Doolin-Daltin / Desperado (Reprise) 
08. Already Gone 
09. The Best Of My Love 
10. Lyin' Eyes 
11. One Of These Nights 
12. Take It To The Limit 

Disc 2 = set 2 (72 minutes) 
13. Pretty Maids All In A Row 
14. I Can't Tell You Why 
15. New Kid In Town 
16. Love Will Keep Us Alive 
17. Heartache Tonight 
18. Those Shoes 
19. In The City 
20. Band Introduction 
21. Life's Been Good 
22. The Long Run 
23. Funk #49 
24. Life In The Fast Lane

Disc 3 = encores (23 minutes)
25. Hotel California 
26. Take It Easy 
27. Rocky Mountain Way 
28. Desperado 

Robin Trower trio - 2012-03-22 - Twist, DE (AUD/FLAC)

(Audience FLAC)

Heimathaus
Twist, Germany

"THE PLAYFUL HEART" - tour

source
audience recording in a good quality ba YAQUIYAGUA

Lineage
OKM II R > A3 > Nomad Jukebox3 > wav 16bit/44.1kHz trackmarks + cover artwork by FBAUER

Robin Trower - guitar
Richard Watts - bass, voc
Chris Taggart - drums 

CD1 47:19 
01. (intro) 1:09
02. Day Of The Eagle 4:06
03. Bridge Of Sighs 8:16
04. Not Inside - Outside 3:16
05. See My Life 4:33
06. Lady Love 3:02
07. For Earth Below 8:25
08. Samebody Calling 7:17
09. Rise Up Like The Sun 2:58
10. Confessin' Midnight 4:11

CD2 40:04
01. Little Red Rooster 5:18
02. The Turning 6:57
03. Too Rolling Stoned 8:03
04. Little Bit Of Sympathy 4:23
05. (applause) 1:08
06. That's Alright Mama 3:20
07. Daydream 10:53

total time 87:23 min

martedì 15 gennaio 2019

Roger Waters - 2008-05-13 - Odense, DK (AUD/FLAC) by REQUEST



(Audience FLAC)

All Religion Divides

Roger Waters
Date: 2008-05-13
Titel: All Religion Divides
Venue: Fionia Park, Odense, Denmark
Label: Hommage Productions
Source: Audience
Lineage: SP-CMC-8->Zoom H4->Sound Forge (track-split and some mastring) ->FLAC
Quality: 4-/5
size: ~ 850 MB
Artwork included

CD1:
01 - Intro
02 - In the flesh
03 - Mother
04 - Set the controls for the heart of the sun
05 - Shine on you Crazy Diamond
06 - Have a cigar
07 - Wish you were here
08 - Southampton Dock
09 - The Fletcher Memorial Home
10 - Perfect sense
11 - Leaving Beirut
12 - Sheep
Time: 79:05

CD2:
01 - Speak to me
02 - Breathe
03 - On the run
04 - Time
05 - Breathe (reprise)
06 - The great gig in the sky
07 - Money
08 - Us and them
09 - Any colour you like
10 - Brain Damage
11 - Eclipse
12 - Audience
13 - Band intros
14 - The happiest days of our lives
15 - Another brick in the wall (part 2)
16 - Vera
17 - Bring the boys back home
18 - Comfortably numb
Time: 67:11

Comments: This time in Denmark and I had a great time there. But I'm even today a little bitter because I hade a very good ticket in front of the stage but because of brain damage (alcohol) and lack of information I stood a way back in the arena (mixer table). The recording is 3 pieces. First 20 minutes was recording to low (adjusted in the release)… second part (16 min) is from HP's recording in Landgraaf (fixed to fit the volume) two days before because of flickering fingers that put the internal mikes on. From “Wish you were here” it went well and the second disk I’m pleased with.

The Rolling Stones - 2013-05-08 - San Jose, CA (AUD/FLAC) (Schoeps source #2)



(Audience FLAC)

HP Pavilion

Source:
Schoeps > Tinybox > Sony PCM-M10

Lineage:
wav 16/44 > minor edits > FLAC

01 Intro
02 Get Off of My Cloud
03 It's Only Rock 'n' Roll (But I Like It)
04 Paint It Black
05 It's All Over Now (The Valentinos cover) (with John Fogerty)
06 Gimme Shelter
07 No Expectations
08 Let It Bleed (with Bonnie Raitt)
09 Emotional Rescue
10 Bitch
11 One More Shot
12 Honky Tonk Women
13 -band intros-
14 Before They Make Me Run
15 Happy
16 Midnight Rambler (with Mick Taylor)
17 Miss You
18 Start Me Up
19 Tumbling Dice
20 Brown Sugar
21 Sympathy for the Devil

Encores:
22 You Can't Always Get What You Want (with the San Jose State University Choraliers and Matt Clifford on french horn)
23 Jumpin' Jack Flash
24 Satisfaction (with Mick Taylor)

Total Time: 140:21

domenica 13 gennaio 2019

The Who - 1969 - The Fall 1969 Soundboard Tapes Vol. 1-5 (SBD/FLAC)


(Soundboard FLAC)

THE WHO
The Fall 1969 Soundboard Tapes
Vol. 1-5
Newly Restored & Remastered 2016 [Prof. Stoned]

This collection consists of direct-to-stereo soundboard recordings that were made for possible inclusion on a live album during The Who's 2nd American tour of 1969. The tapes ended up being rejected in favor of what became Live at Leeds. Pete Townshend drastically tried to prevent the 1969 tapes from being bootlegged by destroying them, but some of the material eventually did find its way into circulation, albeit scattered over various poorly compiled/mastered bootlegs and with very little documentation to accompany them.

Every single circulating recording from this tour has been included here with the exception of officially released material. Furthermore, the best available sources have been selected, the speed of all recordings has been corrected and everything has been newly mastered for optimal sonic consistency. A lot of the dates remain a mystery and probably always will, unless previously uncirculated recordings of this tour show up.

Vol. 1 - State University of N.Y.

01. Heaven and Hell
02. Can't Explain
03. Fortune Teller
04. Overture
05. It's a Boy
06. 1921
07. Amazing Journey
08. Sparks (tape drags within)
09. Summertime Blues
10. Shakin' All Over
11. My Generation

bonus:
12. Young Man Blues

Time: 50m03s
Tr. 01-02, 09-11: unknown place/date*
Tr. 03: unknown place/date
Tr. 04-08: State University of New York, Stony brook, NY - October 18, 1969
Tr. 12: unknown place/date

*has been labeled as "McDonough Gymnasium, Georgetown University, Washington D.C. - November 2, 1969"

Note: Sourced from "Wintertime trip" and "Pure Rock Theatre". Unlike the 2006 version, the Tommy section has now been put in the middle. I have some doubts whether Tr. 01-02 and 09-11 are actually from the same show, nor have I ever seen convincing evidence that either one of these sections were recorded in D.C. This assumption seems to have arisen from Townshend's comment before the last song: "Before we go back to England, we'd just like to say; why don't all you fuckers who wanted to cause trouble, and that includes the cops, why didn't you go to Washington, because this is a rock 'n' roll concert". Why advice someone to go to Washington D.C., when you are already there?! Furthermore, it would be another 2 weeks (and 13 shows) before the band was supposed to go back to England. My uneducated guess is that this section comes from one of the last four shows of this tour (three of which were in the State N.Y.). Tr. 03 does not belong with the so-called "Georgetown" sections. I just put it there on the 2006 version and have decided to let it stay.

(P.S.: The following comment was posted by a user on DIME after he read above notes: "I attended the Georgetown show - the Who were very late arriving and the poor opening local act Love Cry Want - a sort of jazz-folk outfit - were told to keep playing, which they did for well over an hour until they were booed off the stage more or less, though they were pretty good - acoustic bass, guitar, keyboards [maybe] and a koto player - they tried but this was a Who crowd... The Who played through Tommy - which was still pretty new the States - and then, to make up for being late, they played a long encore set - I was never convinced that the recording on "Wintertime Trip" was the same show I saw, which was long and fairly loose.)"


Vol. 2 - Capitol Theater

01. Heaven and Hell
02. Can't Explain
03. Fortune Teller
04. Tattoo
05. Young Man Blues
06. I'm Free (0m34s, cuts in)
07. Tommy's Holiday Camp
08. We're Not Gonna Take It
09. Summertime Blues
10. Shakin' All Over 

Time: 41m57s

Tr. 01-05: Capitol Theater, Ottawa - October 15, 1969 (1st Set)
Tr. 06-10: unknown place/date 

Note: Sourced from "Pure Rock Theatre" except for two tracks which appear in slightly cleaner quality on "Wintertime trip". There is some tape warbling on Tr. 01 & 10 and some of the tracks are faded abruptly. I remedied this by flying in some audience response from a different source to maintain the feel of a live-show. The majority of the Tommy section of this show was officially released in 2013 on the Super Deluxe Boxset version of Tommy, none of which had previously circulated on ROIO or bootleg. 


Vol. 3 - Fillmore East

01. Jerry Pompili Introduction
02. Heaven and Hell
03. Can't Explain
04. Fortune Teller
05. Young Man Blues
06. Overture
07. It's a Boy
08. 1921
09. Amazing Journey (fragment missing within)
10. Sparks
11. Eyesight to the Blind
12. We're Not Gonna Take It (1m29s, cuts in)
13. Summertime Blues
14. Shakin' All Over 

Time: 50m26s 

Tr. 01-11: Fillmore East, New York, NY - October 22, 1969 
Tr. 12-14: unknown date, assumed to be from the same venue

Note: The Who played 8 shows in 6 days at the Fillmore East Theatre from Monday Oct. 20 to Saturday Oct. 25, 1969. Tr. 01-11 were recorded during one of these shows for sure, most likely the third one on Oct. 22, if we go by the remarks Pete makes after Fortune Teller: ("See, we don't play the same thing every night", "Every night the same amplifier is always blown up during the solo of the first song" & "We have only done three shows so far").We can faintly hear Pete have a tantrum over the malfunctioning amplifier after the first song, so this show should probably be counted as one of those three. The announcer has often been mistaken to be the late Bill Graham (legendary promotor, not the TV preacher), but the voice actually belongs to Jerry Pompili, an associate of Graham's. 
Sourced from "Accept No Substitute" & "Wintertime Trip". The latter only has a part of the Tommy section from the Fillmore shows and was sourced from a tape with better fidelity. Tr. 12-14 might be from another night. This section runs slower than the rest on the "Accept No Substitute" and there's no sign of the buzzing in John's amp which can be heard between interludes on the first part. Also, there is a 50 second fragment of an unidentified version of "Amazing Journey" on "Accept No Substitute" between Tr. 11 & 12 (not included here) which doesn't match with Tr. 09 or the versions from 1969/10/15, 1969/10/18 & 1969/10/19.


Vol. 4 - Electric Factory

01. Heaven and Hell (1m40s, cuts in)
02. Can't Explain 
03. Overture 
04. It's a Boy 
05. 1921 
06. Amazing Journey 
07. Sparks 
08. Acid Queen (2m41s, cuts off)
09. Summertime Blues
10. My Generation

bonus:
11. Fortune Teller
12. Young Man Blues

Time: 49m02s

Tr. 01-10: Electric Factory, Philadelphia, PA - October 19, 1969
Tr. 11-12: unknown place/date

Note: Tracks 01-10 are sourced from "Electric Factory 1969". The recording is marred (or enhanced, depending on your perspective) somewhat by a technical malfunction; the sound of the guitar distorts whenever it is turned up on the P.A. and at the very end of the recording we can hear an English guy mutter "Fucking P.A., bad up here". The Who played two shows at 4pm and 8pm. This portion is sourced from the late show. Tr. 11 & 12 were compiled from "Who is Tommy?" & "Live at Leeds Rejects"; the latter source has superior sound but misses the first 21 seconds of Tr. 12 plus the lengthy announcement by Pete.


Vol. 5 - Acetates 

01. Heaven And Hell
02. Can't Explain
03. Fortune Teller
04. Tattoo
05. Young Man Blues
06. Summertime Blues
07. Shakin' All Over

bonus:
08. My Generation

Time: 46m28s

Tr. 01-10: unknown place/date

Note: As mentioned below, these tracks all originate from the reference acetates that were made by Damon Lyon-Shaw at IBC studios in Jan. 1970. Tr. 01-05 & 06-07 are likely from 2 different nights. All are sourced from "Live at Leeds Rejects". Tr. 08 is of lesser audio quality and comes from "Who is Tommy". There were two needle skips on this track which I repaired by patching the missing fragments in from "1969 Autumn Acetates", along with the last 5 minutes of this song. Funny enough, this ROIO does not have the skips even though it clearly originates from the same scratchy acetate. 


Some Lo-Fi Extra's

01. Can't Explain 
02. Fortune Teller
03. Young Man Blues
04. My Generation (6m59s, cuts off)

Time: 20m02s

Tr. 01-04: unknown place/date (Tr. 4 was reported to be from one of the Fillmore shows)

Note: More from the acetates. All are sourced from "Who is Tommy" except for the last track which was taken from an unknown tape source. There is a small fragment missing on Tr. 02 due to a needle skip, which appears on the "1969 Autumn Acetates" version as well, so I remedied it somewhat by replacing it with a piece from earlier in the song. Tr. 03 is the same version as on Vol. 1 but appears in stereo here. I suspect Tr. 01-02 (and possibly 03 as well) are from the same show as Tr. 06-07 from Vol. 5.


Lineage:

SDB > ? > Silver bootleg CD* > EAC > WAV > Mastering > FLAC (lvl 8, SBE aligned) 

* with the exception of Electric Factory which was sourced from a 1st generation securely burned CDR. 

Mastering was done using Cubase 5, using Universal Audio Hardware (See: http://www.uaudio.com/store/plug-in-...ng-bundle.html). Playback on PMC IB2s monitors. 

Audio sources:

- Accept No Substitute (CD, Big 011, 1992)
Sourced from tape of unknown generation (I suspect 3rd or 4th) and runs a bit slow.

- Who is Tommy? (2CD, Dynamite Studio, DS94-A077, 1993) 
Sourced from acetate recordings dubbed to tape of unknown generation. Quality not too great and quite a few skips and surface noise from the acetates. 

- Pure Rock Theatre (CD, Hiwatt ZA59, 1996) 
Quite clean sound on the 1969 tracks which implies a low generation tape source but digital noise reduction was used heavy handedly during the mastering process, which mostly affects the quieter spots. Runs slightly off-speed.

- Wintertime Trip (CD, Dandelion DL 112, 1999) 
Again quite a clean source with a wealth of great material, but this too suffers slightly from a digital noise reduction treatment. Most of the material is off-speed. 

- Electric Factory 1969 (CD, NightHawk NH-02013, 2002)
A pretty clean source without noise reduction. Runs off-speed.

- Live at Leeds Rejects (CD, Jack Of Hearts JOH 3, 2003)
A slightly off-speed source but in great quality. Presumably sourced from acetate but no audible skips or surface noise. 

- 1969 Autumn Acetates ROIO 
Low-fi compilation sourced from a 2nd generation cassette. 

Recording Setup/History:

All 33 shows of The Who's 2nd North-American tour in 1969 were recorded directly to stereo on a Vortexion tape recorder by the band's long-serving (and long-suffering) live-soundengineer Bob Pridden. Pete Townshend had hoped to compile a live-album from these tapes, as had been requested by American record-company Decca. The setup was very simple: Pridden used the mono P.A. mix (heard within the center of the stereo panorama) and supplemented it with two strategically placed mics on the stage which picked up the guitar, bass and drums in stereo. Pridden adjusted the balance on-the-fly and the overall results were quite decent. Townshend was pleased with the quality when he got to hear some of the tapes during the tour.

After the tour, Townshend asked Pridden to review the recordings. Shortly after Christmas 1969, when the two met up again to discuss the project, it turned out that Pridden had listened to all the tapes but had neglected to make notes and was unable to give directions on what material he deemed useable for release. Another 7 British shows had been added to the pile at this point and Townshend did not feel like wadding through 70+ hours of concert footage. So he told the soundengineer to hire a mobile recording unit to record two dates in February 1970 instead. When asked what to do with the 1969 stereo tapes, Townshend ordered all of them to be destroyed. Pridden dutifully burned all reels in a bonfire in his garden and kept only or two tapes in his archive. 
However, this was not before 2 master reels of selected material were prepared on January 6, 1970 by Damon Lyon-Shaw (resident engineer at I.B.C. Studios). A tapesheet of the first reel as pictured in the "Anyway Anyhow Anywhere" book by Andy Neill & Matt Kent can be seen below. The tracks on Reel #1 were: "Young Man Blues" #1 "Can't Explain" "Fortune Teller" "Young Man Blues" #2 "Summertime Blues" "Shakin' All Over" "Tattoo" & "My Generation"^. 

The main reason why Pete Townshend had wanted the tapes destroyed was fear of bootlegging. Such was his paranoia, that he made a point of warning Pridden that if the tapes were ever to be bootlegged, the soundengineer would be held responsible. Townshend came to regret his decision later on and even called it one of his greatest mistakes in his autobiography. The ultimate irony in this story is that some of the material did eventually find its way to bootleggers over two decades later. Most likely, these fragments originated from tape copies made in late 69/early 70 when the tapes were being reviewed. The band and Bob Pridden seemed to have no prior knowledge of the existence of these recordings.

In 2013, the band finally released a portion of one of their surviving tapes officially on the "Tommy" Super Deluxe Edition. The fact that the producers failed to find any versions of the last three Tommy tracks from the Fall 1969 tour to round out the disc, makes it seem like indeed almost nothing from the 40 recorded shows has survived in the official Who archives*. 

^ (This might very well be the material that can be heard on Vol. 5, even though there's no sign of "Heaven and Hell". "Young Man Blues" #1 could be the version on Vol. 4. Whatever the case, a number of recordings were mastered to acetate, including a couple of alternative versions of the same tracks, among them the bonus tracks on Vol. 01+04, Tr. 01+02 of "Some Lo-Fi Extra's" and the version of "Fortune Teller" on Vol. 4.)
* (among these was the Coliseum, London show from December 14, 1969 which had been filmed by Kit Lambert & Chris Stamp and was eventually issued in full on DVD as a bonus to the 1977 Kilburn show. The soundtrack seems to exist in lo-fi mono only. The film footage itself was also nearly thrown out until Jeff Stein saved it from a garbage can at the Track Records headquarters in the late 70's.) 

It has been 10 years since I first started this series. As you may know, Vol. 4+5 did not get completed at the time, even though the first 3 volumes were (and continue to be) quite popular. All three ended up being professionally bootlegged on various CD's and Vol. 1 even made it to some lavishly packaged colored vinyl release in 2013 (no, I did not buy it.) 

So why revisit this now? Quite frankly; I felt the mastering work on the 2006 volumes could be improved upon. But that's not the only reason; the requests to finish the series never really stopped and there was still some great material left that I had received from a few helpful people. Luckily, I kept my notes from 2006 which made it a lot easier to complete Vol. 4+5. I pieced Vol. 1-3 together again from scratch, rather than using the original unmastered files and this has led to some new insights which helped improving the overall quality.

sabato 12 gennaio 2019

Miles Davis - 1983-05-20 - Sendai, JP (AUD/FLAC)




(Audience FLAC)

(8 items; TT = 83:41) 
Miyagi Kenmin Kaikan, Sendai (Japan) 
Audience recording (B) 

Miles Davis Septet 

Miles Davis (tpt, synth) 
Bill Evans (ss, ts, fl, el-p) 
John Scofield (g) 
Mike Stern (g) 
Tom Barney (el-b) 
Al Foster (d) 
Mino Cinelu (perc) 

1 Come Get It (M. Davis) 5:56 
2 Star People (M. Davis) 17:22 
3 Speak - That's What Happened 11:07 
4 It Gets Better (M. Davis) 9:30 
5 Hopscotch (M. Miller) 7:13 
6 U 'n' I (M. Davis) 8:10 
7 Star on Cicely (M. Davis) 7:26 
8 Jean Pierre (M. Davis) 16:57

The Byrds - 1978-05-20 - Long Beach, CA (AUD/FLAC)




(Audience FLAC)

Roger McGuinn / Gene Clark / Chris Hillman
Terrace Theatre
Long Beach, California

01. Don't You Write Her Off Like That
02. Release Me Girl
03. Train Leaves Here This Morning
04. Crazy Lady
05. Chestnut Mare
06. Mr. Tambourine Man
07. Feeling Higher
08. Lover Of The Bayou
09. You Ain't Going Nowhere (tape flip after song)
10. Turn Turn Turn
11. Knocking On Heaven's Door
12. So You Want To Be A Rock and Roll Star?

encore (tape stopped-spliced)
13. Eight Miles High

second encore (tape stopped-spliced)
14. Bye Bye, Baby
15. Coming events are announced

[62:01]

opening for the Bob Weir Band

Recorded by the L.A. Tape Exchange (L.A.X.) team.
John was the engineer while Mark (the B Man) and Mike (the Flying M) held the microphones.
With the lovely Sue sneaking the deck in for her hubby and my girlfriend Dulcy as support tonight.

Recorded from the 12th row center with the microphones about 6 feet apart and pointed at the stage
The hall has a “big” sound even up close.

Source
2 Sony ecm-280 microphones > Teac PC-10 w/ Dolby

Reel to Reel copy (May 1978)
Akaii GX 570 D2 w/ Dolby > Tandberg 9000X @ 3 3/4 ips using a TDK Audua LB-1800 tape

Transfer (Nov. 2014):
Revox B77 > Korg mr2000-s @ 1 bit, 5.6 MHz DSDIFF

Mastering:
AudioGate (24-96) > Adobe Audition 3.0 (clean up, cut tracks) > AudioGate Aqua (16-44) > TLH (flac, Level 8) 
Song information embedded with Stamp ID3 tag editor

venerdì 11 gennaio 2019

Led Zeppelin - The Story of Led Zeppelin (DVDfull pro-shot)

(DVDfull pro-shot)

Led Zeppelin
A to Zeppelin - The Story of Led Zeppelin
Unofficial Documentary
A Sky Arts 1 Broadcast

Sky Arts 1 (DVB-C Virgin Tivo)>LG stand alone DVD rec>PC>Fully authored using Magix MEP.
http://i892.photobucket.com/albums/a...9h43m05s37.png
A 2004 Documentary split into 18 chapters.
Run time:- 00:55:40 

One of the truly seminal bands of British hard rock, Led Zeppelin took the structures of the blues, married it to the volume and impact of rock & roll, and created a hybrid that's been a major influence on literally thousands of hard rock and heavy metal bands ever since. A to Zeppelin: The Story of Led Zeppelin is an unauthorized documentary that examines the history and legacy of this most important group. The film includes interviews with road manager Richard Cole, touring partner Carmine Appice, producer Andy Johns, close friends Pamela Des Barres and Lori Mattix, and fans and compatriots from Bad Company, Foreigner, and the Yardbirds. Please note that this film was created without the participation of Led Zeppelin or their representatives, and features no music or performances from the band.

GSpot Says:
DVD VOB format
MPEG-2Program Stream << (1 vid, 1 aud)
Sys Bitrate 10080 kb/s VBR 8223 kbps I/L TFF
PAL 16:9
AC3 0xbd(0x80):48000Hz 384 kb/s tot.
Stereo (2/0)









giovedì 10 gennaio 2019

Santana - 1999-04-24 - New Orleans, NO (SBD/FLAC)



(Soundboard FLAC)

Jazz & Heritage Festival

SBD> Unknown taper/gear> unknown transfer > CDr(x) > EAC secure > TLH (FLAC) > you

Carlos Santana (g/perc/vo)
Rodney Holmes (ds)
Tony Lindsay (vo)
Karl Perazzo (perc/vo)
Raul Rekow (perc/vo)
Benny Rietveld (b)
Chester Thompson (kbd/vo)
tracks marked * with Bill Summers.

CD1: (62:03)
Bacalao Con Pan (missing)
01. Everybody's Everything
02. Right On/Get On
03. Day Of Celebration
04. Put Your Lights On
05. Living Space
06. Aranjuez/Maria Maria
07. Love Of My Life
08. The Calling/Mr. Mystery
09. Yaleo *
10. Rodney Holmes

CD2: (57:52)
01. Make Somebody Happy
02. Get It In Your Soul/Benny Rietveld
03. Band Introduction/Black Magic Woman
04. Gypsy Queen *
05. Oye Como Va
06. Raul Rekow/Karl Perazzo
07. Europa/I want you
08. Jingo/Band Introduction

Note:
12-min. segment broadcast in the promotional video "Santana. The Making Of Supernatural" on June 19, 1999 on American TV WB. This bit was never officially released as far as I can tell and as far as my sources tell me.

Warren Zevon - 1986-xx-xx - Compilation, New York City, NY (DVDfull pro-shot)

(DVDfull pro-shot)

Lineage:
CABLETV>VHS>ATICAPTURE"MOVIEFILE"

Title one
Warrens Letterman Apperances :

01. Boom Boom Mancini
02. Interview
03. Mr. Bad Examplee
04. Roland The Headless Thompson Gunner
05. Raspberry Beret
06. Searchin For A Heart
07. Seminole Bingo
08. Migelicudys Reeks
09. Warrens Birthday
10. Sweet Soul Music
11. Last Late Show Appearance
12. Interview
13. Mutineer
14. Genius
15. Roland The Headless Thompson Gunner

Title two
Warren Zevon Live "1986" Electric : Taken from tv broadcast "The cutting edge hour on the road" with The MTV new music college tour for multiple sclerosis.

01. Boom Boom Mancini
02. Sentimental Hygine
03. Poor Poor Pitiful Me

martedì 8 gennaio 2019

Warren Zevon - 1980-04-18 - Passaic, NJ (2xDVDfull pro-shot)


(2xDVDfull pro-shot)

Warren Zevon
Capitol Theatre
Passaic, New Jersey
04-18-1980

01 Intro 04:53 
02 Bad Luck Streak In Dancing School 03:52 
03 Johnny Strikes Up The Band 03:43 
04 Excitable Boy 04:07 
05 Banter 00:35 
06 Mohammed's Radio 04:34 
07 Tuning 00:49 
08 Gorilla, You're A Desperado 02:36 
09 Tuning 00:36 
10 Werewolves Of London 04:33 
11 Banter 00:39 
12 Band Intro 02:11
13 Jeannie Needs A Shooter 03:48 
14 Jungle Work 10:36 
15 A Certain Girl 04:05 
16 Join Me In L.A. 04:25 
17 Banter 03:24 
18 Bill Lee 01:32 
19 Accidentally Like A Martyr 04:42 
20 Sleep When I'm Dead 06:16 
21 Poor Poor Pitiful Me 04:41 
22 Wild Age 05:04 
23 Encore Applause 02:03 
24 Song Intro 00:24 
25 Lawyers, Guns And Money 04:21

lunedì 7 gennaio 2019

Led Zeppelin - 1969-04-24 - San Francisco, CA (AUD/FLAC) "Fillmore 69"




Led Zeppelin - 1969-04-24 - San Francisco, CA
(Audience FLAC)

Venue: Fillmore West 
Label: House of Elrond 
Title: Fillmore 69 ("Definitive Remastered Edition" on back art and "oh so fine 69" on silver CD) 
CDs: 1 
Type: AUD (there have been reports this was a SB, but I believe it's just an excellent AUD recording with reportedly two microphones on stage) 
Artwork: Yes (scanned outer & inner cardboard case artwork and silver CD too) 
Size: 468 MB 
Quality: A++ 

LINEAGE: 
House of Elrond silver CD > Creator 2010 Pro to convert to FLAC > Trader's Little Helper to create and verify checksum & torrent files > you 

SETLIST: (keeping same names as on artwork and embedded on silver CD) 

01. As Long As I Have You 
02. You Can't Judge A Book By Its Cover 
03. Killing Floor 
04. White Summer 
05. Babe I'm Gonna Leave You 
06. Pat's Delight 

Bonus Track: 
07. How Many More Times (medley) (from 1969-01-26 Boston, MA show) 

domenica 6 gennaio 2019

Robert Plant - 2014-06-12 - Bergen, Norway (FM/FLAC)

(FM broadcast FLAC)

Bergenfest 
Bergenhusfestning 
Bergen 
Norway 

Robert Plant and The Sensational Space Shifters 

FM broadcast (part 1) 
Broadcast date: 
Friday November 21st 2014 on Radio Rock,NRK P1 

Lineage: 
Nrk P1 FM broadcast -> Edirol R09(48khz/16bit) -> Adobe Audition Pro 2.0(editing and dithering to 44.1Khz/16bit) -> TLH(flac level 8) 

01 Intro 
02 Babe,I'm Gonna Leave You 
03 Tin Pan Alley 
04 Black Dog 
05 Outro 

Total time: 22:20 mins 

******************

Part 2
Broadcast date: 
Friday November 28st 2014 on Radio Rock,NRK P1 

Lineage: 
Radio Rock NRK P1 Live Webcast (192 kb/s MP3) -> Adobe Audition Pro 2.0 (WAV PCM 44.1Hz / 16bits) - > Adobe Audition Pro 2.0(editing)-> TLH(flac level 8) 

01 Intro 
02 Black Dog 
03 Little Maggie 
04 Going To California 
05 Outro 

Total time: 20:18 mins 

******************

Part 3
Broadcast date: 
Friday January 2nd 2015 on Radio Rock,NRK P1 

Lineage: 
Radio Rock NRK P1 (FM broadcast (mono)) -> Adobe Audition Pro 2.0 (WAV PCM 44.1Hz / 16bits) - > Adobe Audition Pro 2.0(editing)-> TLH(flac level 8) 

01 Intro 
02 Rainbow 
03 What Is and What Should Never Be 
04 Fixin' To Die 
05 Hoochie Coochie Man -> Whole Lotta Love -> Who Do You Love 
06 Outro 

Total time: 27:36 mins 

sabato 5 gennaio 2019

Michael Brecker with John McLaughlin - 2001-05-01 - Monte Carlo (FM/FLAC)


(TV or Radio broadcast FLAC)

Michael Brecker Quartet 
guest John McLaughlin 
Opera de Monte Carlo 
Monte Carlo, France 

Michael Brecker - tenor sax 
Joey Calderazzo - piano 
Chris Minh Doky - bass 
Jeff 'Tain' Watts - drums 
*guest John McLaughlin-guitar 

CD1
01. Arc of the Pendulum 
02. El Nino 
03. The Cost of Living 
04. applause 
05. Autumn Leaves (funky version) 
06. Intro by John McLaughlin 

CD2
01. The Impaler* 
02. 'Round Midnight* 
03. Song for Bilbao* 
04. Slings & Arrows* 

Notes:
some have date listed as 6/1/01 with bassist James Genus. This date is believed to 
be correct, but the bassist is indeed Chris Minh Doky. Superb sound quality. A+ sound. Most likely a SBD pull, but could have been a TV or Radio broadcast.

venerdì 4 gennaio 2019

Jimmy Page & Robert Plant - 1998-07-16 - New York City, NY (DVDfull aud-shot)

(DVDfull aud-shot)

Jimmy Page & Robert Plant
1998.07.16
Madison Square Garden
New York, New York
Chapters: 5 minute
video & audio = audience 
audio codec: AC3
audio bitrate: 256 kbps
video system: NTSC 
video bitrate: 4400 kbps 
VHS>standalone>dvd decrypter
DVD Trade>My HD>You 

01 - Intro
02 - Wanton Song
03 - Bring It On Home
04 - Heartbreaker
05 - Ramble On
06 - Walking Into Clarksdale
07 - No Quarter
08 - Shining In The Light
09 - Going To California
10 - Tangerine
11 - Gallows Pole
12 - Heart In Your Hand
13 - Babe I'm Gonna Leave You
14 - How Many More Times
15 - Most High
16 - Whole Lotta Love
17 - Black Dog
18 - Rock And Roll



giovedì 3 gennaio 2019

Bruce Springsteen - 2003-06-08 - Florence, IT (AUD/FLAC)



(Audience FLAC)

Stadio Artemio Franchi, Florence, Italy
("Like Young Lovers" - The Godfatherecords 27/28/29)

lineage
Silver CDs --> EAC --> FLAC (6) aosb --> YOU

Disc 1:
01 Born in the USA (acoustic)
02 The Rising
03 Lonesome Day
04 Night
05 My Love Will Not Let You Downt
06 Empty Sky
07 You're Missing
08 Waitin' on a Sunny Day
09 Sherry Darling
10 Worlds Apart
11 Badlands
12 Out in the Street

Disc 2:
01 Mary's Place
02 Tougher Than the Rest
03 Jungleland
04 Into the Fire
05 The Promised Land

Disc 3:
01 Kitty's Back
02 Ramrod
03 Born to Run
04 Seven Nights to Rock
05 Glory Days
06 My City of Ruins
07 Land of Hope and Dreams/People Get Ready
08 Dancing in the Dark
09 Outro

Notes:
Bruce dedicates "Tougher Than the Rest" to Patti in honor of their 12th wedding anniversary.

martedì 1 gennaio 2019

BEST WISHES FOR THE NEW YEAR !!!!!!

Dokken - 1988-04-21 - Yokohama, JP (SBD/FLAC)



(Soundboard FLAC)

"Turn On The Action"
Culture Gym

Lineage:
Trade CDR>EAC>WAV>FLAC


01 - Intro
02 - Kiss Of Death
03 - Sleepless Nights
04 - Unchain The Night
05 - Standing In The Shadows
06 - Heartless Heart
07 - Tooth And Nail
08 - When Heaven Comes Down
09 - Dream Warriors
10 - Alone Again
11 - George Lynch Solo
12 - Mr Scary
13 - Lost Behind The Wall
14 - It's Not Love
15 - Turn On The Action
16 - Breaking The Chains


Notes:
One Of the best soundboard recordings of the classic Back For The Attack Tour This was Remastered from The Unchain The Beast cd-r that circulate