Emerson Lake Palmer - 1993-04-01 - Santiago, CL (FM/FLAC)

(FM broadcast FLAC)

Emerson Lake Palmer 1993-04-01 Estadio Chile, Santiago ( F.M ) ( 2nd Gen ) ( DAVROS115 ) (FLAC)

Linage
Master MDSP > MDSP - SONY MD J930 - Yamaha Reciever - Monster Phono Leads Into PC Soundcard - Nero Wave Editor - Wav - Tracks split - Traders Little Helper - Flac8

01. Intro-Tarkus.
02. Knife Edge.
03. Paper Blood.
04. Black Moon.
05. Close To Home.
06. Creole Dance.
07. Still You Turn Me On.
08. C'Est La Vie.
09. Lucky Man.
10. Honky Tonk.
11. Touch & Go.
12. Pirates.
13. Hoedown.
14. Pictures At An Exhibition.
15. Fanfare For The Comman Man.
16. America-Rondo.

Emerson Lake Palmer - 1974-02-10 - Anaheim, CA (FM/FLAC)

(FM broadcast FLAC)

The Convention Center

Linage:

Boot Lp - Project Record Deck - Yamaha Reciever - Phono Leads Into PC Soundcard - Nero Wave Editor - Wav - Tracks split - Traders Little Helper - Flac6 - SBE Checked - You.

The Callow And Crash And Idle Eyes ( The Amazing Kornyfone Record label TAKRL 1911 )

Live ( Poss FM Sourced )

Side 1 01. Star Trek Outtake 1.

02 -  Hoedown - 

03 -  Still You Turn Me On - 

04 -  Star Trek Outtake 2

05 -  Jerusalem - 

06 -  Toccata - 

07 -  Star Trek Outtake 3

08 -  Brain Salad Surgery ( Studio )

09 -  Star Trek Outtake 4

Side 2 10 -  Star Trek Outtake 5

11 -  Karn Evil 9 - 1st Impression ( missing drum solo )

12 -  Karn Evil 9 - 2nd Impression -  ( Missing slow middle section )

13 -  Karn Evil 9 - 3rd Impression

14 -  Star Trek Outtake 6

Right the story on this LP from what i know / been told / read etc

Some people say this is from the same source / live show as the Welcome back 3Lp ( Offical live LP). The guitar sections in Karn evil 9 - 1st impression are different on this than WBMFTTSTNE. Jerusalem and Toccata sound from a different concert than the rest of the LP ( Unknown concert ). If they are all from the same source concert has WBMFTTSTNE then there as been a hell of a lot of edited Of course if any kind person can enlighten us all on the source etc that would be great.

The big bonus on this LP are the Star Trek Bloopers in between some track that the bootleggers have inserted they where taken from the season one episode " The Devil In The Dark " and are very funny and worth the price of the LP / Download on there own

Emerson, Lake & Palmer - 1978-02-09 - Uniondale, NY (FM/FLAC)

(FM Broadcast FLAC)

Nassau Coliseum

Lineage:
FM>?>CDr>EAC secure mode, offset corrected>Audacity>CD Wave>shntool>Flac Frontend level 7 align on sector boundaries>FLAC

CD1
01 - Introductory Fanfare
02 - Hoedown
03 - Tarkus
04 - Take a Pebble
05 - Piano Concerto No. 1: 1st Movement
06 - Maple Leaf Rag
07 - Take a Pebble
08 - C'est La Vie
09 - Lucky Man
10 - Pictures at an Exhibition

CD2
01 - Tiger in a Spotlight
02 - Watching Over You
03 - Tank
04 - Drum Solo
05 - The Enemy God
06 - Nutrocker
07 - Pirates
08 - Fanfare for the Common Man

Emerson Lake and Palmer - 1970-12-09 - London, UK (2xDVDfull pro-shot)

(2xDVDfull pro-shot)

This is a special gift to Emerson, Lake & Palmer (ELP) fans around the world: the Laserdisc extended version (90 minutes!) of the legendary “Pictures at an Exhibition” show, at the Lyceum Theatre, London, December 9th, 1970. Plus a Bonus!

The 90-minute show version is still unavailable on DVD and Blu-Ray and it seems things are going to keep that way. It was officially released only on Laserdisc in 1990, and in this one you will get such edition captured to DVD discs in top quality.

Disc 1 — 90 minutes LD version (1990) [Side 1, CLV*]
01-The Barbarian
02-Take a Pebble [including Lake's "Ballad of Blue", Emerson's "High Level Fugue" (from The Nice's "Five Bridges Suite"), a pre-"Eruption" (Tarkus) and "Tank"]
03-Pictures at an Exhibition
a) Promenade
b) The Gnome
c) Promenade
d) The Sage
e) The Old Castle
f) Blues Variation

Disc 2 — 90 minutes LD version (1990) [Side 2, CLV]
03-Pictures at an Exhibition (Conclusion)
g) Promenade
h) The Hut of Baba Yaga
i) The Curse of Baba Yaga
j) The Hut of Baba Yaga
k) The Great Gates of Kiev
04-Knife Edge
05-Rondo (not credited on Laserdisc back cover)

A word on the ELP 12-09-1970 show at the Lyceum Theatre.
This is the ELP from the beginning. The first show from the group ever was in August 23th, 1970 at Plymouth Guildhall (six days before their show at the gigantic Isle of Wight Festival). So the Lyceum show was from a time the group had been playing live only for about 3 months. Their first album was released on 11-20-1970 in the UK and on 01-13-1971 in the USA, so by the time they did the Lyceum show the album was a fresh new release, still unavailable in the US.
The Lyceum Theatre is a 2,000-seat West End theatre (opened in 14th July, 1834) located in the City of Westminster, on Wellington Street, just off the Strand. In such a place and occasion, one can see an ELP completely apart from the supergroup stigma created by the idiotic critics. They were simply playing there to a small audience, in a kind of intimate show to their standards.
Pay attention to the audience, which is very interesting in itself. Many times you can see it soundless, some people even eyes closed, contemplating the band playing.
Moreover, the band mood is excellent. They seem to be good pals and the magic they can do together is still news even to them. More than once, you see a member watching the other play with an interest comparable to the audience's. One can understand why: the musical technique of Keith Emerson, Greg Lake and Carl Palmer has made ELP a legend, and already then their live playing could be as flawless as a studio album (Emerson piano solo in "The Barbarian" is a good proof of that)! Just watch it!

=======
Hardware used:
Pioneer CLD-S104 (Laserdisc player)
Philips DVDR-3350H/55 (DVD set-top recorder, in HQ mode, approx. 60 minutes capacity in single layer media)

Laserdisc Audio configuration used:
Digital Audio.

E.L.P. - 1992-11-21 - Milan, IT (DVDfull pro-shot)

(DVDfull pro-shot)

Paper Blood on Milano

01 - Tarkus
02 - Knife-Edge
03 - Paper Blood
04 - Creole Dance
05 - Still You Turn Me On
06 - Honky Tonk Train Blues
07 - Pictures At An Exhibition
08 - Fanfare For The Common Man
09 - America
10 - Rondo

(In the original setlist were included also "Karn Evil 9", "Black Moon", "Close to home", "From the beggining", "Lucky man", "Romeo and Juliet" and "Pirates" but they weren't broadcasted unfortunately)

-Sony Vegas 13 for the video intro and for video/audio sync
-Photoshop CC for the menù pic
-DVD Styler for the dvd menù

notes:
Here's for you a broadcast from italian television of the ELP live at Palatrussardi in Milan (21/11/1992); my dear friend Leo send to me a dvd from his master vhs; he has recorded the show from MusicVideo, an italian channel; I know that exist a copy in commerce called "ELP in Italy 1993" but I've check it and I discovered that it's a low quality, incompleted video (also with audio out of sync!) with disordered songlist, a creepy "dvd conversion" made only to make money ; so I wanted to edit a 'definitive' edition of this concert; audio is disturbed by the "bzz" from the vhs so I replaced it with another source of this concert.

E.L.P - 1977-11-20 - Memphis, TN (SBD/FLAC)

(Soundboard FLAC)

Mid South Coliseum

DAVROS137

Linage
(Tape Poss c90+c90) > Hard Drive Wave > Me ) - Nero Wave Editor - Retracked Wav - Tracks split - Traders Little Helper - Flac8 - SBE Checked - You.

01. Intro Music
02. Peter Gunn
03. Hoedown
04. Tarkus
05. Take A Pebble
06. Piano Concerto No 1 1St Movement
07. Maple Leaf Rag
08. Take A Pebble (Con)
09. C'Est La Vie
10. Lucky Man
11. Pictures At An Exhibition
12. Karn Evil 9 1St Impression Pt 2
13. Tiger In A Spotlight
14. Watching Over You
15. Tank
16. Enemy God
17. Nutrocker
18. Pirates
19. Fanfare For The Common Man-Rondo
20. Show Me The Way To Go Home-Outro

This is the full version of the Memphis show i got a version of this in the 80s that was only 40 mins long in the 90s i got a upgrade of a 100mins version. Now thanks to Mr Anonymous who kindly sent me this to share, here is the full concert in all its glory. I dont know if this is ( someone out there will be able to tell us ) is a SBD / OAM Recording it does sound to good to be a audience there is hardly any audience loud noise. If it is a audience recording its a bloody good one. This is a must for all E.L.P Fans The quality is near as good as you can get it at least EX.

Emerson, Lake, Palmer - 1992-09-02 - San Francsico, CA (AUD/FLAC)

(Audience FLAC)

Concord Pavillion
(DAVROS125)

Linage
( c120 T.D.K-D ) - Nakamichi 1000ZXL With Auto Alinement - Yamaha Reciever - Monster Phono Leads Into PC Soundcard - Nero Wave Editor - Wav - Tracks split - Traders Little Helper - Flac8 - SBE Checked - You.

01. Karn Evil 9 1St Impression Pt 2.
02. Tarkus.
03. Knife Edge.
04. Paper Blood.
05. Black Moon.
06. Close To Home.
07. Creole Dance.
08. From The Begging.
09. Still Turn You On.
10. Lucky Man.
11. Romeo & Juilet.
12. Pirates.
13. Pictures At An Exhibition.
14. Fanfare For The Common Man.
15. America-Rondo.

Got this in a trade in the late 90s from Pendragon ( Dirk )
The quality is Good to Very Good.

Emerson, Lake & Palmer - 1997-08-16 - Rio De Janeiro, BR (DVDfull pro-shot)

(DVDfull pro-shot)

Live at the Metropolitan, Rio, with short interviews between tracks.

Lineage:
TV broadcast > 1st gen. VHS tape > unknown transfer to DVDR > me > HDD

Video:
PAL, 4:3, 720x576, 25fps, I/L (TFF), ave. bitrate 8588Kbps

Audio:
AC3 Stereo @ 256Kbps

01 Karn Evil 9 - 1st Impression part 2
02 Hoedown
03 Touch and Go
04 From the Beginning
05 Knife-Edge
06 Lucky Man
07 Tarkus/Pictures at an Exhibition
08 21st Century Schizoid Man/America

Length: 54:44

Emerson, Lake and Palmer - 1997-07-25 - Bellinzona, CH (SBD/FLAC)

(Soundboard FLAC)

Emerson, Lake and Palmer
July 25, 1997 (1997-07-25)
"Kingdom Festival"
Villaggio della Musica
Bellinzona, Switzerland

Keith Emerson - keyboards
Greg Lake - vocals, bass, guitars
Carl Palmer - drums, percussion

Lineage: ? > cdr trade circa 1999

Transfer: EAC > Flac (level 8) > you !

CD1 [48:09]
01. [05:18] Karn Evil #9 - 1st Impression part 2
02. [03:28] Tiger in a Spotlight
03. [05:08] Hoedown
04. [03:58] Touch and Go
05. [04:37] From the Beginning
06. [06:02] Knife Edge
07. [04:40] Bitches Crystal
08. [04:31] Creole Dance
09. [03:33] Honky Tonk Train Blues
10.[06:54] Take a Pebble

CD2 [42:50]
01. [05:08] Lucky Man
02. [09:07] Tarkus >
03. [10:21] Tarkus > Pictures at an Exhibition
04. [12:39] Fanfare for the Common Man > Rondo
05. [05:35] 21st Century Schizoid Man > America

Total Time [1:30:59]

Emerson, Lake and Palmer - 1997-07-25 - Bellinzona, CH (DVDfull pro-shot)

(DVDfull pro-shot)

Kingdom Festival

Media: DVD, Pro, A/A-

Menus/Chapters: Yes

DVD TV System: NTSC, 4:3

01. Karn Evil 9, 1st Impression, Pt.2
02. Tiger In The Spotlight
03. Hoedown
04. Touch And Go
05. From The Beginning
06. Knife Edge
07. Bitches Chrystal
08. Creole Dance
09. Honky Tonk Train Blues
10. Take A Pebble
11. Lucky Man
12. Tarkus/ Pictures At An Exhibition
13. Fanfare For The Common Man >Rondo >Carmina Burana >
14. 21st Century Schizoid Man/America

Swiss TV broadcast. Thought I would switch gears and upload this in light of Greg'spassing. The information below is to the best of my knowledge.

Emerson, Lake & Palmer - 1972-07-22 - Tokyo, JP (DVDfull pro-shot)

(DVDfull pro-shot)

PRO-SHOT - A/A- sound/pic
NTSC DVD

Lineage:
Low-Gen VHS>Philips DVDR75>MacTheRipper

01.  Hoedown
02.  Tarkus
03.  Take a Pebble Pt 1
04.  Lucky man
05.  Take a Pebble Pt 2
06.  Rondo
07.  Pictures at an Exhibition
08.  Interviews

Notes by the uploder/trader:
This will not be released in the future 2 DVD Anthology, so get a fantastic quality version right now !! A friend in Canada sent this to me to convert to DVD, it's the greatest gift for my fellow ELP fans. This is ELP at their very best, riding the wave of commercial success and a creative apogee that would lead to Brain Salad Surgery and Works...75 minutes of PROG HEAVEN by the masters !!
There is a "Depas Publishing Co" watermark and splash screen, I would guess that it is a long defunct distributor out of Japan, I tried to dig up info about them with no success. An audio version of this is in circulation with Rhondo as the finale (of course), hence the odd running set list. Interviews follow the show. ENJOY !!

Emerson, Lake & Palmer - 1977-07-12 - Boston, MA (AUD/FLAC) PrrP030 Works On The Road

(Audience FLAC)

PrrP 030 - Works On The Road
July 12th 1977 - The Garden, Boston, MA

Keith Emerson - Keyboards
Greg Lake - Bass Guitars, Guitars & Vocals
Carl Palmer - Drums & Percussion

CD1
01 - Intro/Karn Evil 9 - 1st Impression Part 2 04:59
02 - Howdown 04:06
03 - Tarkus 18:07
04 - Take A Pebble Part 1 03:16
05 - Piano Concerto #1 05:23
06 - Take A Pebble Part 2 02:28
07 - Still ... You Turn Me On 03:26
08 - Knife-Edge 05:04
09 - Pictures At An Exhibition (excerpts) 15:54

CD2
01 - C'est La Vie 04:13
02 - Lucky Man 03:09
03 - Tank 11:19
04 - Nutrocker 06:42
05 - Pirates 13:01
06 - Fanfare for The Common Man/Rondo 15:54

1977 was a year of huge change for Emerson, Lake and Palmer, change that would, sadly, signal the beginning of the end for the celebrated trio. After the ground-breaking 1973 album ‘Brain Salad Surgery’, considered by many to be the band’s crowning achievement, the colossal world tour that followed, taking in 75 shows, left the band drained of all energy. They elected to take a well-deserved break and spend time with their families. Eventually, the three musicians began working on solo projects which, coincidentally, all involved the use of orchestral arrangements. The band, it seemed, were about to embrace an entirely new musical direction, filled with new challenges and great expectations. But this new and so-called ‘orchestral crusade’ would also bring more than its fair share of problems for ELP.

Carl Palmer remembers: “Originally, what happened is we all went off and recorded the pieces of music we each wanted to do. And after about six months we got together and played through the individual stuff and suddenly it all clicked. Everybody had used an orchestra, had something with brass and strings and woodwinds.” At first, the project would see all three musicians releasing separate solo albums which would be followed by an album of band material but this idea was soon deemed to be an unwise move, as Palmer recalls: “We knew the problems about releasing individual albums. If you release them too close to each other, one takes the sales from the other.” Finally, band manager Stewart Young came up with the idea of packaging the whole thing as a double album with each of the first three sides separately dedicated to each musician’s best solo music and the fourth side featuring brand new band-written ELP material.

The band adjourned to Monteux and set about recording this vast amount of new material. The decision to record in Monteux was, in Keith Emerson’s words “… the worst we’ve ever made! It was like living in a padded coffin. There was nothing to do and nowhere to go to rave it up. Being there made us feel so isolated!” Carl Palmer: “The thing that kept us going in Monteux was the quality of the studio.” Yet the band stuck to it and out of these difficult recording sessions came the album ‘Works’, the like of which had never been heard in popular music before or since. The album was presented in a lavish three-way gatefold, with one of the discs at each end. As a visual sign of the change in the musical approach, the entire artwork was designed in black and white, very distant in concept from the colourful layouts of earlier albums such as ‘Tarkus’, ‘Trilogy’ or ‘Brain Salad Surgery’.

The new album was released in March 1977 and, after the initial shock of hearing the band’s new orchestral approach, it soon gained rave reviews from the press and fans alike. Much to everyone’s surprise, the album was marked as ‘Volume One’, which evidently led the fans to believe that a second album of similar magnitude and power was waiting in the wings for release at a later date. As will be explained later, the fate of ‘Works – Volume Two’ would take quite a different turn.

The next step was to bring the new album to the stage. This would be the biggest challenge of all and would, in the end, precipitate the downfall of ELP. From the start, all three band members were convinced that the ambition inherent in ‘Works – Volume One’ was worth the risk. The album was proving to be a huge success worldwide but taking the mammoth show on the road, complete with orchestra and the necessary back-up crew – a touring party of over 160 people – ruined the band financially. Although they would later recuperate some of their losses, this was the first sign of ELP’s imminent disintegration. The band had spent part of the winter and spring of 1977 rehearsing their demanding set at the Olympic Velodrome in Montreal. By that point they had been away from the stage for nearly three years so they really needed a quiet rehearsal space, away from the mob of British reporters intent on following their every move. Rehearsals went well and the band regained much of its usual confidence but the upcoming live dates still worried them.

The tour started with an aura of good will but the enormous cost of keeping so many people on the road soon proved too much of a strain. For a tour of such magnitude to work financially, ELP would have had to perform to full houses at every venue, which was simply impossible to guarantee. Too many shows were scheduled in too little time for it to work. The orchestra had to go.

Keith Emerson recalls: “There were a lot of unforeseen things that made us jettison the orchestra. One was a ruling by the union that musicians can’t travel more than about 100 miles every day. But the thing is that people travel that far these days to see concerts. So we were packing places one night and then we’d travel 100 miles to the next place and we’d only have half the house filled. And a lot of other things started piling up to put us behind. From then on, it was impossible to catch up with the finances so we just had to stop and go out as a three-piece.” ELP’s reluctant decision to only use the orchestra in the very large venues also brought financial disaster. After two final appearances at Olympic Stadium in Montreal, the first of which was both recorded and filmed for posterity, the orchestra was dropped for good and the tour limped on without it.

Ultimately, only 14 concerts were performed with the orchestra. By the end of the tour, ELP were physically exhausted, approaching bankruptcy and completely disillusioned about the whole thing. Still they had to pick up the pieces and try to recoup some of the financial losses. It became apparent that only a full tour as a three-piece could help accomplish that.

As the fans had surmised, the original idea behind the ‘Works – Volume One’ album was that there would be a second volume of the same kind. The disastrous outcome of the orchestral tour had changed the band’s plans entirely. From then on, everything that ELP would do or release was done with only one goal in mind: to set the ELP ship afloat again. The band needed to pull themselves out of a very deep financial hole and taking extravagant risks would surely not do that. Hoping to bring in some fresh money to finance the much needed new tour, the band released the hastily assembled ‘Works – Volume Two’ album, a single LP that featured earlier singles, B-sides and rejects. The result, a very bland album unworthy of the band’s past accomplishments and reputation, proved a dismal failure and a huge disappointment for ELP fans. The band was walking along a tightrope and nothing, it seemed, could prevent them from taking that last fatal step.

But no matter what has been said or written about the infamous ‘Works’ tour, and despite the huge amount of problems that surrounded it, Emerson, Lake and Palmer still very much enjoyed performing together and the extensive amount of official and unofficial recordings from that particular period stands as staggering evidence to that effect. ELP were at the peak of their performing skills and to see them perform live was to remember them forever.

From 16th January 16 until 13th March 1978, ELP once again toured North America as a three-piece band. But even if the tour was successful enough to save the band from the financial anarchy of the orchestral tour, this would be the end of an era. The advent of punk rock and disco music had brought on a general reaction against progressive rock and the ‘dinosaur’ bands of the seventies had to either adapt or simply disappear into oblivion. 1978’s ‘Love Beach’ album was ELP’s attempt at a compromise between the two musical worlds. There were still some interesting avenues to explore but their heart wasn’t in it anymore. The band didn’t even tour in support of the new album, deciding instead to call it a day. Fans would have to wait another 14 years to see Emerson, Lake and Palmer together again on a live stage.

But even if the ‘Works’ era signalled the start of ELP’s downfall, the difficult 1977 tour was by no means a total waste. Audiences who attended either the orchestral or the three-piece concerts were treated to some of ELP’s most stellar live performances ever. Such was the case with the show which we now bring you, recorded on the first of two nights at the Boston Garden in July 1977. This was one of the many nights where ELP performed without the orchestra but, as you will hear, the band was on fire that night, each song as energetic and spectacular as the next. The absence of the orchestra forced the exclusion of some songs such as ‘Abaddon’s Bolero’, ‘The Enemy God’ and ‘Closer To Believing’ but the incredible performance of all the other numbers more than makes up for that. Enjoy!
PRRP Staff

Notes from the Re-Master
This show was sourced from a CD version of a 1st generation cassette tape. The man who provided photographs of the event was sitting right near the taper and recalls the set-up:

“I wasn't taping that time but I sat behind a guy (from Providence I think) who had a Nak 550 (recorder) with Nak CM-100's and CP4 shotgun mike capsules, so there's a good chance that he was the source. He was up front and had to be stealthy, so he kept his shotgun mikes well below head level, aimed almost straight up at the PA. I never liked that setup. I thought the CP1 cardioid capsules sounded better and I always kept them above head level in order to get sound from the stage monitors. It was worth the risk of getting shut down. I would have traded backward several rows to get a better position.”

In any event, the quality of the sound is outstanding with clear signal up to 17,000Hz. The most obvious problem with the show was the tonality. The sub-bass components were very excessive. Additional adjustments to the bass section were also needed to balance the tone. Small adjustments in the mid-range and treble sections were made to enhance detail. Hiss was also a problem and its reduction allowed more subtle sections of the music to be better appreciated.

Audience noise was a big problem. Applause was excessively loud and whistlers seemed to congregate around the taper. Permanent hearing loss could be the result of listening to the raw version of this show through headphones due to the volume of these whistles. Lots of time was taken to reduce the whistles and other audience noises. Cuts in the recording did occur but were only found during applause sections. Mix-pasting fixed this minor flaw and allowed a continuous listening experience. Finally, the discs were re-balanced to roughly equalize the amount of music on each disc.

Emerson, Lake - 2010-04-10 - New Bedford, MA (AUD/FLAC)

(Audience FLAC)

rev a2

Zeiterion Theatre, New Bedford, MA

This package is substantially equivalent to the original version, without remastering, but with some modifications:

1) ** "Tarkus" is splitted in seven tracks.
Lineage: Tarkus: Flac> (NCH Switch)> Wave> (Split with Wavelab)> Flac

2) *** "The court of the crimson king" is added at the end of the first set.
This song is interpreted by Carl Palmer during the tour of “Asia” in 2007 and chosen among the best recordings:
For New Bedford: March 5, 2007 in Osaka, recorded by "Garfield"
For Lynn: June 23, 2007 in Atlantic City, recorded by "TT"

For those who like to burn to CD, there is a cover, in slim format.
Thank to the author, "feel free to remaster and upload, as always intended, please do not distribute in lossy form. "
you can find some comments in the end of the document
Here are the original comments :

Zeiterion Theatre, New Bedford, MA
April 10, 2010

Keith Emerson - keyboards
Greg Lake - vocals, 6 & 12 string acoustic guitars, bass

Set 1 (45:27)
01 From The Beginning (7:14)
02 story (3:06)
03 I Talk To The Wind (5:34)
04 story (1:20)
05 Bitches Crystal (5:22)
06 Take A Pebble (3:58) >
07 Tarkus (18:51)

Set 2 (59:48)
01 story (1:49)
02 C'est La Vie (4:54)
03 Prelude To A Hope (4:04)
04 story (7:46)
05 America>Rondo (8:16)
06 Q&A with audience (7:17)
07 Pirates (15:39)
08 Lucky Man (10:02)

TT: 105:17

Recorded from Row 5, just left of center

source info: 
SoundProfessionals SP-BMC-3 (mounted in croakies)>Edirol R-09HR(24bit/96khz) through mic input, low sensitivity>Peak Pro 5.2 for editing, tracking, and conversion to 16bit/44.1khz wav>FLAC (level 5)

Other than some slight tweaking of levels, this is the raw recording. I feel it needs some EQ'ing, but will leave that to someone else

show notes: 
this was the 4th gig of the Keith Emerson & Greg Lake tour of the United States. Four of the early gigs were postponed, so this should have been the 8th gig; as for the performanceÉ. well, you can judge for yourself. We all know of Emerson's struggles with neural/motor problems in his right hand (4th & 5th fingers curl up, and he often just uses the other three fingers). On the other hand, Greg Lake sounded *unbelievably good* compared to all of the shows from the 1990's. His voice is deeper, yes, but the range is pretty good and his tone is full and focused. I'll let others post their comments about this and other shows.

Emerson, Lake, Palmer - 1977-07-08 - New York City, NY (AUD/FLAC)

(Audience FLAC)

Madison Square Garden

Source:
SHN>CDR>iTunes5 AIFF Import>Xact Flac Level 8


Disc 1: (70:13m)
01.Abbadon's Bolero (5:50m)
02.Hoedown (3:26m)
03.Karn Evil 9 1st Impression Pt.2 (4:56m)
04.The Enemy God (3:10m)
05.Tarkus-Eruption/Stones Of Years/Iconoclast/Mass/Aquatarkus (15:23m)
06.Still...You Turn Me On (3:02m)
07.Lucky Man (2:38m)
08.Pictures At An Exhibition (15:27m)
09.Piano concerto No.1-movements 1&3 (16:17m)

Disc 2: (63:18m)
01.Closer To Believing (6:48m)
02.C'est La Vie (4:19m)
03.Knife Edge (5:07m)
04.Tank (Carl solo) (11:57m)
05.Nutrocker (6:50m)
06.Pirates (12:00m)
07.Fanfare For The Common Man (9:34m)
08.Rhondo/Fanfare (reprise) (6:41m)

Notes
An excellent audience recording of ELP with the orchestra...and a set list that shows ELP as the premier neo-classical ProgRock band of the 70's, they threw everything but the kitchen sink into this gig !!! They are so on top of their game at this point it's scary...if you are a musician who has ever tried to cover ELP...you know what I mean. A must for ELP fans.

Emerson Lake Palmer - 1971-1972 - Live 3LP Box Set (FLAC)

(FLAC)

Linage
Boot Lp - Project Record Deck - Yamaha Reciever - Phono Leads Into PC Soundcard - Nero Wave Editor - Wav - Tracks split - Traders Little Helper - Flac6 - SBE Checked - You.

Emerson Lake And Palmer - Live 3LP Box Set Live 1971 - 1972 ( From LP ) ( DavrosLP003 )

Side 1
01. Pictures At An Exhibition. ( Promanade omitted by the bootleggers ).

Side 2
02. Pictures At An Exhibiton ( Ctd ).

Side 3
03. Take A Pebble ( Last section omitted by the bootleggers ).

Side 4
04. Knife Edge.
05. Rondo.
06. Nutrocker.

Side 5
07. The Endless Enigma. ( Cover Says Trilogy )
08. Hoedown. ( Cover Says The Endless Enigma )

Side 6
09. Tarkus.

Notes by the uploader
This is a 3LP Box set i have had since the late 70s there is some debate as to where it was recorded. I have been told / looked up the following Side 1 - 2 - 3 - 4 Some say recorded at the Drury Lane Theatre, London June 20. 1971/06/20 Or
Stadthalle, Karlsruhe 1971/06/01

The 4 Side's are exactly the same concert as the boot double LP "Sukrat" and the double LP "The Palms" which are said to be from the London concert . But many ELP collectors say they are from the Karlrushe concert.

Side 5 - 6 clearly they are from a 1972 concert that is unknown but ive been told could possiblly be from
1972-06-07 Hamburg

Emerson, Lake and Palmer - 1986-1993 - Touch and Go (2xDVDfull pro-shot)

(2xDVDfull pro-shot)

Emerson, Lake, and Palmer-Powell-Touch and Go. 1986-1993 2 DVD Info.

Media: DVD, Pro, A/A-

Artwork-Yes

Menus/Chapters: Yes

DVD TV System: NTSC, 4:3

Audio Format: Dolby Digital

DVD 1

1. Emerson, Lake and Powell

Toronto, Canada. September 4, 1986

Touch and Go promo

2. 3;

San Francisco, CA. March 1988, Much Music Interview

3. Talkin' Bout promo

4. Late Night. Letterman. 1986 Keith Emerson

5. ELP;

Backtrax Special, Much Music, Toronto, Canada. January 1993

DVD 2

1. Return to Montreal Stadium. Pulse News. June 11, 1992 

2. ABC In Concert. April 11, 1992

Reunion Profile

3. Reunion tour opening night profile. August 21, 1992

4. Tonight Show. 1993

5. Regis and Kathy. November 1993

6. Arsenio Hall. December 19, 1993

Here is another ELP upload for you to enjoy. In my previous ELP upload it was noted that they are very under-represented in the torrent-scene. So i consider it as a challenge to bring you some more ELP, i have only a few, but those are nice. Some Keith Emerson solo coming up tomorrow too :cool:

Music like this should be preserved for future generations of music lovers all over the world. I will try to keep all my uploads alive and will seed them for the next years. Your seeding help is always welcome, together we can keep this great music collection online available forever :cool:

mediainfo.txt:

General

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Video

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Bit rate mode : Variable

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Maximum bit rate : 5 999 Kbps

Width : 720 pixels

Height : 480 pixels

Display aspect ratio : 4:3

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Standard : NTSC

Color space : YUV

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Compression mode : Lossy

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Audio

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Stream size : 6.72 MiB (1%)