Brian Eno & J. Peter Schwalm - 2001-10-31 - Lanzarote (FM/FLAC)

(FM broadcast FLAC)

BRIAN ENO & J. PETER SCHWALM 
"BETWEEN US & IT" A performed installation of 4-D MUSIC 
13th October, 2001. Volcán del Cuervo, Lanzarote. 

digital radio > wav > CDR > wav > flac 
Quality: A++ 

01. Part 1 23:14 
02. Part 2 08:46 
03. Part 3 13:38 

Total: 45:38 

Brian Eno and J. Peter Schwalm performed and improvised this live concert inside a volcano (Volcán del Cuervo) at the 2001 Lanzarote Festival. The performance started at 19:30 on the 13th October. The concert was broadcast on German radio although Peter Schwalm's Interview segments have been omitted. 

J. Peter Schwalm is a German DJ/ percussionist with whom Brian Eno collaborated on the 2001 album, Drawn From Life. They have also worked together on several other projects. 

Brian Eno on J. Peter Schwalm's playing and music: "When we first played, it was an immediately comfortable and synthetic playing relationship. My biggest problem with improvising with people generally is that they retreat into a safe place too quickly for me, and he didn't do that. Sometimes we would get into rather a strange musical place, some emotion that hadn't really been felt before." 

"Sometimes you hear something and think: "Now this is how the modern world feels to me". Peter's music is like that, capturing excitement and speed and ambiguity and even wistfulness and melancholy...A complex emotional palette which feels to me like real life."

Nico, John Cale & Brian Eno - 1974-10-05 - Berlin, DE (AUD/FLAC)

(Audience FLAC)

Nationalgalerie

LINEAGE
audience tape 1st gen.>CDR(PhilpsCDR570)>wave(EAC)<flacf(8) 

Nico - vocals,pump organ 
John Cale - vocals .violin,piano 
Brian Eno - electronics,synthezizer,loops 

01 - Janitor Of Lunacy(cut) 02:32 

02 - The Falconer 07:13 

03 - No One Is There 04:56 

04 - Frozen Warnings 07:28 

05 - Guts 04:53 

06 - Abschied 03:57 

07 - Muetterlein 05:31 

08 - Childs Christmas In Wales 04:05 

09 - I`m Waiting For The Man 04:40 

10 - Fear (cut) 01:17 

11 - Fear cont -  00:51 

12 - Das Lied Der Deutschen 05:24 

13 - You Forget To Answer 04:51 

14 - Innocent And Vain 04:15 

15 - Buffalo Ballet 03:30 

16 - The End 10:15

The quality of the music is good to very good,in the beginning there are a lot of mics tuning noise.The show was in a very small venue in front of only a few people and you hear mostly between the songs some noise from the audience, some political statements a lot of "BUH" & SCHEISSE(SHIT) shouters.Absolutely rare performance by these three artists. Brian Eno plays fantastic electronics and synthezizer during " Das Lied Der Deutschen"John Cale has his hottest moments when he plays viola to Nico`s voice and pump organ.Very rare tracks and versions of great music.I had a lot of work with that tape,I removed some clicks and noise,fade in and fade out some tracks,a little bit equalizing and work with the channel,I hope you like it,it`s another rare document of music history and the Brian Eno work during some songs is worth the download. "The End" is hypnotic with Brian Eno`s electronics,John Cale played a great piano and superb violin to Nico`s excellent voice and the sound of her pump organ.And for all Dolby surround fans a WARNING ,this is audience and not perfect,a lot of crowd noise and riot in the audience, a controverse show , most of the people in the audience hate the show and you have some loud shouters. 

Brian Eno Holger Czukay Slop Shop - 1998-08-27 - Bonn, DE (SBD/FLAC)

(Soundboard FLAC)

Sushi ! Roti ! Reibekuchen ! 

A High-Altitude-Food-Performance with Incidental Music by Slop Shop and Brian Eno 

August 27, 1998 - 8 pm 

Kunst-und Ausstellungshalle der Bundesrepublik Deutschland 

(Art and Exhibition Hall of the Federal Republic of Germany) 

(aka The KAH) 

An Opening Party for the Future Light-Lounge Proposal Multimedia Installation 

which ran from August 28, 1998 to November 8, 1998 

Remastered and compiled using 3 different source recordings. 

Synchronized and crossfaded to utilize all of the best quality version 

and then augment it with any missing portions using the next best quality version. 

Personnel : 

Brian Eno - Synthesizer, Processing 

Holger Czukay - Shortwave Radio, Synthesizer 

Slop Shop : 

J. Peter Schwalm - Synthesizers, Sequences 

Raoul Walton - Upright and Electric Bass 

Jern Atai - Drum Kit 

Original lineage is unknown for all 3 sources as follows : 

HQ - High Quality apparent lossless incomplete soundboard source 

- Untouched except for some minor channel balancing 

MQ - Medium Quality almost complete recording of Set 1 only 

- Different instrument mix from HQ version - possible pre-lossy internet source 

- Some Bass Boosting and Stereo Image Enhancement 

- Some selective EQ removal of some (radio or video) interference 

LQ - Low Quality Internet segment used for comparison purposes 

All editing and adjustments using Wavelab 4.01 

using Freefilter and Loudness Maximizer plugins 

01 MQ Extract Set 1a (19:47) Ambient 

02 MQ Extract Set 1b (06:48) Jungle 

03 MQ Extract Set 1c (11:27) Transition 

04 MQ Extract Set 1d (07:24) Slow Beat I 

05 HQ Extract Set 1e (11:31) Slow Beat II 

06 MQ Extract Set 1f (06:23) Wind Down I 

07 LQ Extract Set 1g (00:40) Wind Down II 

08 HQ Extract Set 2a (02:58) Percussive I 

09 HQ Extract Set 2b (07:09) Percussive II 

10 HQ Extract Set 2c (05:43) Slow End / Applause 

Tracks 1 to 7 which comprise all of the first set is available for Real Media viewing in very low resolution with interviews with Brian Eno and Holger Czukay. 

Tracks 8 to 10 are extracts from the second set which must have taken place sometime after the internet broadcast concluded. It is unknown how long this second set lasted. 

More info on the event can be found here http://music.hyperreal.org/artists/brian_eno/ 

Brian Eno - 1999-06-20 - Amsterdam, NL (FM/FLAC)

(FM broadcast FLAC)

Brian Eno with Metropole Orkest 1999-06-20 Holland Festival, The Paradiso, Amsterdam, NL (FLAC)

A+ show, great sound
a tremendous ambient experience :tunes:

NPS concert recording > ? > cdr > eac (log files included) > wav > flac

Brian Eno and Metropole Orkest (directed by Dick Bakker)
Holland Festival
Paradiso, Amsterdam 
20th June 1999

01 Lanzarote
02 Saint Tom
03 Cavallino
04 Final Sunset
05 Markgraph
06 An Ending
07 Ikebukuro
08 Triennale
09 Alhondiga
10 Iced World
11 Another Green World

01-10 "The Shutov Assembly"

Kevin Ayers, John Cale, Eno & Nico - 1974-06-01 - The Outtakes (STU/FLAC)

(Studio FLAC)

Kevin Ayers, John Cale, Eno, Nico
June 1, 1974 - The Outtakes

Remastered version

What I did : remove an awful lot of hiss / equalization / transition between tracks to make it a seamless show / design the cover art

This is by far the best version available (if you except the extracts that were officially released and that I have removed here).

"Baby's on fire" was played twice during this show : in the beginning and as the last encore. The encore has been officially released, but without its extra percussive introduction. Here I have kept the introduction and made it followed by the song as it was played in the beginning of the show.

Kevin Ayers: vocals, guitar
John Cale: vocals, piano, viola
Brian Eno: vocals, synthesizer
Nico: vocals, harmonium

and THE SOPORIFICS
Ollie Halsall 
guitar
John 'Rabbit' Bundrick 
organ
Archie Leggett 
bass
Eddie Sparrow 
drums, percussion

with special guests
Mike Oldfield 
guitar
Robert Wyatt 
percussion, backing vocals

and three nice lady singers
Irene Chanter, Doreen Chanter, Liza Strike 
backing vocals

01 - Introduction by Ian Tilbury (0.54)
02 - J. CALE - Buffalo ballet (3.43)
03 - J. CALE - Gun (4.13)
04 - NICO - Das Lied der Deutschen (5.42)
05 - K. AYERS - Didn’t feel lonely till I thought of you (4.39)
06 - K. AYERS - Whatevershebringswesing (9.06)
07 - K. AYERS - Interview (7.55)
08 - K. AYERS - See you later (0.51)
09 - K. AYERS - It begins with a blessing / Once I awakened / But it ends with a curse (11.04)
10 - K. AYERS - Dr Dream theme (8.26)
11 - K. AYERS - I’ve got a hard on for you baby (5.05)
12 - ENO - Baby’s on fire (4.24)

total time : 66.00

Brian Eno, Rachid Taha & Steve Hillage - 2005-05-25 - Moscow, RU (AUD/FLAC)

(Audience FLAC)

RACHID TAHA and BRIAN ENO featuring STEVE HILLAGE

DK GORBUNOVA, MOSCOW, RUSSIA

Audience

Lineage: Sony ECM-719 -> Sony MZ-NH1 (pcm) -> SonicStage (oma) -> HiMD Renderer (wav) -> CD Architect (mastering n burning) -> EAC (wav) -> Frontah (flac 8)

CD1 - 70:34

01. Mamachi (Instrumental Intro)

02. Mamachi

03. Shuf

04. Nokta

05. Kelma

06. H'asbu-Hum

07. Medina

08. Bent Sahra >

09. Intrustrumental Jam

10. Barra barra

11. Safi

12. Ya Rayah

CD2 - 41:37

01. Habina  

02. Rock El Casbah  

03. Voilà Voilà  

04. Ida  

05. Garab 

06. Band introduction

Brian Eno - 2010-05-09 - Brighton, UK (AUD/FLAC)

(Audience FLAC)

This is Pure Scenius !
Performance 2 - 6:30 pm
May 9, 2010
Concert Hall
Brighton Dome
Brighton, UK
The second of three performances that day, as part of the 2010 Brighton Festival curated by Brian Eno.

The Necks :
Chris Abrahams - Grand Piano
Lloyd Swanton - Upright Bass
Tony Buck - Drums, Percussion

The Necklace :
Leo Abrahams - Guitar
Jon Hopkins - Grand Piano, Synthesizer, Treatments
Karl Hyde - Vocals, Shortwave Radio
Brian Eno - Voice, Treatments, Loops
with
Peter Chilvers - Technical Director

CD1
01) I Want To Touch It (5:22)
02) Introduction (3:21)
03) North American Pedagogic (6:06)
04) Tripoli Funk (6:59)
05) Attentron (8:29)
06) Competitive Pianos / China 2026 (5:31)
07) Susella Lomax-Burani (6:51)
08) Pink Moon Prelude (2:37)
09) Pink Moon (4:42)

CD2
01) Jesus’ Day Off In A Café (8:51)
02) Futanari (10:18)
03) Lomax Paradigm (7:18)
04) Band Introductions (1:32)
05) An Old Country Number (9:22)

Brian Eno - Arena - Another Green World (DVDfull pro-shot)

(DVDfull pro-shot)

Title: Arena Documentary "Brian Eno - Another Green World"
Broadcast: BBC4, Astra @ 28E, 22nd January 2010

Video Source: DVB-S Transport Stream
Lineage: TM9100 > Ethernet > ProjectX > TMPGEnc MPEG Editor (M2V +MP2) > IFOEdit
Transfer Rate: VBR ~3.6Mbps
Format 720x576i, 25fps, PAL

Audio : MPEG1, Layer 2, 48kHz, 256kbps
Aspect Ratio: 16:9
Author: kosher
Menu: No
Chapters: Yes, random, 5 minute intervals
Number of discs: 1
Disc Type: DVD5

TRT: 0hr 59min 07sec

Notes:
It should first be noted that the GOP size of this BBC broadcast is not strictly DVD compliant. So as to avoid any re-encoding, it was authored using IFOEdit which will often cause hiccups for Mac owners using Toast. If in doubt, test with a rewriteable. An interesting collection of Eno's thoughts with images of him at work in his studio and talking with colleagues.

Brian Eno & David Byrne - 1980 - My Life In A Bush Of Ghosts Demos (STU/FLAC)

(Studio FLAC)

Brian Eno And David Byrne
My Life In The Bush Of Ghosts Working Demos
Super quality. Doesn’t get any better

1st Gen tape -> BX1-> Audacity->flac
wav files - > Wavelab 7 -> Audacity-> Xact -> flac

This tape was given to Hans Devente aka The Mad Taper.

These are working demos from the studio sessions for the 1981 album
“My Life In The Bush Of Ghosts” 

01. Mea Culpa
02. Lot/Into The Spirit World
03. Regiment
04. Iron Bed
05. America Is Waiting
06. Breathing Once A Minute
07. Shaking With My Voice
08. Cunning Tendency
09. Late But Serious
10. In The Castle Of My Skin
11. Spirit Of Prey
12. Mountain Of Needles

Brian Eno - Music For The Great Gallery Of Venaria Reale (AUD/FLAC)

(Audience FLAC)

About 1 hour of the recording I did saturday 29-09-2012 visiting the Great Gallery. 
you can hear the music and also words and noice from people visiting the installation. 
the first half is recorded walking in the Gallery, second half is taped in the dead center of the Gallery. 


Core Sound Binaurals > Marantz PMD620 > USB > Wavelab > TLH > FLAC


some interesting images here 
http://www.artribune.com/2012/08/brian-eno-in-galleria-alla-venaria-reale/ 

notes from 
http://www.lavenaria.it/web/en/calendar/eventi/details/123-brian-eno-music-for-the-great-gallery.html 
The great Brian Eno, the undisputed contemporary master, music theorist, acclaimed producer, the inventor of ambient music and the brilliant innovator of the language of modern music has made a very special gift to the Great Gallery, the 18th century masterpiece by the architect Filippo Juvarra and the symbol of the splendor of Venaria Reale: an original soundtrack. 

I started writing “12 Seasons. Music for the Great Gallery” in my studio in London. I had seen pictures and plans of the Reggia di Venaria and I was confident I had found the right approach: I worked for a few weeks on a track that I brought to the Reggia for testing in May 2012. 
When I listened to it in the extraordinary context of the Great Gallery, however, I realized that it was not right. What I had composed - in my studio in London, wrapped up in England’s grey climate - was introspective and somewhat dark. There was not doubt in my mind that it was an “interior” track. What is most striking about the Great Gallery - and you realise as much only when you step into it - is that it is soaked in light and space: nothing further from an “interior” feeling. Juvarra had designed it to invite the world to get in, so it seemed appropriate that music should exist inside as well as outside of space, almost like a cloud or an atmosphere that would envelop the construction from the outside. 
Conceptually, this music is similar to other works I did around forty years ago (e.g., Discreet Music, 1975). I am still deeply fascinated by the range of transformations that are possible starting with a limited “stock” of original notes, and this piece is a perfect example in this sense. Nevertheless, there is also a new starting point. Building on the Reggia’s “classical” imprint, I wanted to make sure that the track was made up of several “movements” rather than a single block. Thus only 4 or 5 or 6 of the original 7 sounds I had decided to work with will eventually be used in each section. This means that the emotional quality of each section is slightly different, and as it progresses, the piece evolves and takes on different overtones. 
I love the Great Gallery of La Venaria, it is a sort of secular cathedral, and I hope that my music will encourage more people to spend time in the Gallery than it is normally the case. Brian Eno 

12 Seasons. Music for the Great Gallery of the Palace of Venaria, in its final version, is made up of two 1-hour tracks consisting of 12 sections each.
Only four speakers are in place, two at the entrance and two at the end of the Gallery, all facing the center of the hall. Visitors walking down the Gallery are wrapped into two distincts sound flows: as they approach the center of the hall, echoes of the sounds behind turn into a memory that blend in the soft reverberations of the sounds that lay ahead. 
The two movements that are complete when they meet at the heart of the Gallery. The sound tracks are made of melodic cores that are sketched and whispered, with the warmer sound of real violins in place of samplings. Pauses and silences play with the peculiar reverberation effect. The sounds are remarkably persistent before dissolving into the space, each engaged in a potentially endless chase, floating in the air, altering the perception of the Great Gallery, expanding its volumes and filling it with a different light. 

Music thus becomes an “essential constituent” of the Gallery, like a color, a scent, almost a newly crafted decoration - after the ones designed by the architects Juvarra and Alfieri. Music as a complement to space".