The Rolling Stones - 1965-09-13 - Hamburg, DE (SBD/FLAC)

(soundboard FLAC)

The Rolling Stones 
Hamburg 
Ernst-Merck-Halle (1st or 2nd show) 
13th September 1965 

excellent 

All kudos to "velonabolin" for his great upload on IORR! 

Lineage: IORR (uploader "velonabolin") >> zip/wav >> PC >> EAC >> flac 

taken from: 

THE ROLLING STONES 
LIVE IN HAMBURG 1965 PLUS LIVE IN PARIS & WEMBLEY POOL & READY STEADY GO & MORE 
RED TONGUE RECORDS 
RTR-032 

Release: 2014 
5 LP + 3CD BOXSET OF THE ROLLING STONES RECORDED LIVE IN 1965 AT DIVERSE LOCATIONS 
ALL THE TRACKS OF THE VINYLS ARE INCLOUDED IN THE 3 CDS 
LP 1: LIVE IN HAMBURG 13.9.1965. REMASTERED REEL 
LP 2: LIVE IN HAMBURG 13.9.1965. ORIGINAL REEL 
LP 3: LIVE IN PARIS 18.4.1965/LIVE IN ENGLAND 3-5.3.1965 
LP4. LIVE IN READY STEADY GO 26.2.1965/LIVE AT WEMBLEY POOL 11,4.1965/LIVE IN MÜNSTER 11.9.1965/LIVE IN READY STEADY GO 15.1.1965/LIVE IN SHINDIG 26.5.1965/LIVE IN ED SULLIVAN SHOW 2.5.1965 
LP5: LIVE AT BBC 20.8.1965/LIVE AT BBC 20.8.1965/LIVE IN READY STEADY GO 2.9.1965/LIVE IN READY STEADY GO 22.10.1965 

Hamburg 
Ernst-Merck-Halle (1st or 2nd show) 
13th September 1965 

LIVE IN HAMBURG 13.9.1965 - REMASTERED REEL 
01 Everybody Needs Somebody To Love (faded in) (1:21) 
02 Pain In My Heart (2:01) 
03 Around And Around (2:27) 
04 Intro Mick (0:13) 
05 Time Is On My Side (2:46) 
06 I'm Moving On (2:34) 
07 Charlie announced 'The Last Time' (0:36) 
08 The Last Time (3:10) 
09 (I Can't Get No) Satisfaction (3:50) 
10 I'm Alright (4:07) 

LIVE IN HAMBURG 13.9.1965 - ORIGINAL REEL 
11 all tracks (23:08) 

Pink Floyd - 1967-09-13 - Copenhagen, DK (AUD/FLAC)

(Audience FLAC)

Marbal's Copenhagen '67 Tape (16bit/44kHz) 

Pink Floyd 
The Star Club 
Copenhagen, Denmark 
September 13th 1967 

-Artwork by Moonwall- 

Lineage: 3rd Gen Cassette (Maxell XLII90)(Dolby On) > *Technics RS-B965-M (Dolby Off) > Focusrite Saffire Pro 14 > Audacity 1.3 > Wav (24bit/96kHz) ======>> DAW (32bit float/96kHz) > Wav (16bit/44kHz) > CDWave (1.98) > FLAC (16bit/44kHz) 

*The Technics RS-B965-M is a deck modified by expert tapehead A.N.T.- for details see the Tapeheads.net forum 

01 [06:33] Reaction in G 
02 [03:56] Arnold Layne 
03 [06:27] One in a Million 
04 [06:50] Matilda Mother 
05 [05:33] Scream Thy Last Scream 
06 [07:29] Astronomy Domine 

== [36:51] Total 

***Neonknight's Notes*** 
Grolsch kindly assisted us with the background to this recording. Copenhagen '67 was taped by a local musician called Carsten V. Michael K borrowed his master and made a copy. Marbal's cassette is likely in turn to have been copied from a 7.5 ips open reel transfer of Michael K's reel. There are no digital clones from the master or first gen Michael K reel but both still exist and remain in the hands of the owners. Perhaps we can look forward to one or both of them surfacing one day. 

A 3rd gen reel from the collection of the late Bernard White is often considered to be the best source for this concert. A friend has Bernard's reel and a 2001 transfer was sent to Eskimospy for use by Harvested in August 2005 for their 'What Syd Wants' release. The lineage for Bernard's reel went something like Carsten V > Michael K > UK collector > Bernard in the mid 1970s. 

Marbal's 3rd gen cassette has been transferred before by other collectors and they were not able to bring out the best in the recording. Marbal's copy, like his Rotterdam tape, is much cleaner with a tighter top end, and a fuller, more natural sound when compared to Bernard's. 

Listen carefully to Littlepieces' re-master and you you can distinguish each instrument and follow it if you care to. You will also hear subtle details such as the clink of a glass at 11.39 and Reaction in G being counted in, that you probably will have not noticed before. I believe it's also possible to appreciate the ambience of the venue. 

There is no getting away from the fact that the quality of this recording varies. However, Littlepieces has done an excellent job smoothing the imperfections out on the LPP version, particularly the many distortions that often contribute to burying the sound. 

This is a strong, loud performance by the band which was sometimes too much for Carsten V's recorder to cope with. Listen out for Matilda Mother, which reminds me of the Underground Scene Special UFO version, and a lively Scream Thy Last Scream. Thank you Marbal for entrusting me with your tape! 


***Littlepieces' Mastering Notes for - Marbal's Copenhagen '67 Tape - Speed Corrected Only version*** 
All torrented unprocessed sources for this recording seem to share the same SQ and level fluctuations. The fact that the two lowest gen torrented sources, BWs 3rd gen reel and Marbal's 3rd gen cassette, have these as well, seems to indicate they are also on the 2nd gen sources they were copied from. 

The SQ is dark and the levels change for over a minute and slowly improves til about 1:20m when it becomes fairly stable until shortly after 12 minutes. From here a subtle increase in the hiss begins with a slowly decreasing upper half. This continues with some periods of improvement until eventually it becomes pronounced and by the time it reaches AD, the recording has become much weaker. The level changes also become more frequent beginning near the end of 'One in A Million'. There are many segments containing distortions and the frequency and intensity of these increase as the recording progresses. These give the impression that the recorder had his levels too high at times or his microphone was overwhelmed. As I said, all the mentioned artifacts are in all torrented unprocessed sources. 

This recording was marked as Dolby encoded but we transferred it without Dolby. Transferring a Dolby encoded recording without decoding the Dolby on playback is done often when playing the tape back on a different deck than that which it was encoded. The differences in decks often results in the decoding profile varying from the original encoding creating a poor result. Though this recording did not have its Dolby decoded, the expected boost in the higher frequencies are not near as apparent as usual. 

Marbal's cassette is a mono recording that was dubbed with a stereo deck into a two channel recording. Due to the previous transfers with less than perfect head alignment, it has a minor phase shift that is generally from 2-5 samples. The output level of each channel is similar most of the time and after about 12m I could a hear a bit more high end in the left channel. 

The speed was slow and was adjusted from 3.8% to 4.5%. 

*Other than adjusting the speed, no other changes were made to the 'Speed Corrected Only' version.* 


***Littlepieces' Mastering Notes for - Marbal's Copenhagen '67 Tape - LPP version*** 

To accompany the 'Speed Corrected Only' version I have produced a LPP version in an attempt to provide a copy with less interference from artifacts, more detail, and more overall SQ continuity. 

After testing each channel by itself and with the channels manually aligned, I decided to use only the left channel for approximately the 1st minute and then retain both channels and manually align through Arnold Layne, and use only the left channel from that point until the end of the recording. Using only the left channel should provide a bit more detail as the recording quality lessens after AL by including more high end and improved phasing. 

The most time consuming part of this project was definitely the manual spectral cleaning. I removed many many of the usual tics, pops, bumps, etc, but more importantly I was able to remove most of the distortions that interfered with the recording. 

I utilized and varied moderate noise reduction settings working mostly above 8kHz - 10khZ and only slightly lower on some audience sections while being diligent not to encroach on the harmonics. I could have worked the entire spectrum and squeezed most of the hiss out, but I generally don't like what this does to the nature of the sound. As with Marbal's Rotterdam recording, I think more aggressive NR, among other things, would have eliminated a sense of the acoustics of the small venue they are playing in. 

As with Rotterdam, the EQ increases I used were applied to only the upper half which as the recording progresses and weakens is even more buried than Rotterdam. The quality of this source and transfer allowed me to use an increasingly aggressive EQ profile and lessen the degree of difference between the best and worst parts of the recording. The EQ curve was adjusted at times throughout the recording but mostly did not exceed ~8kHz. In addition I used a multiband enhancer to increase the bass output by reducing the base width (mono) in the lower portion of the low end and increasing the gain when it was left channel only. 

There were many micro drop outs/downs, mostly ~20ms, and I either removed a short piece of damage or was able to use the other channel to repair the damaged segment. A few minor ones still remain as does some very short pieces of tape damage. 

I selectively reduced some low frequency hums during the audience/tuning segments and near the end of AD. These seem to be present and prominent in all unprocessed sources. 

Hopefully these changes allow a listener to progress through the recording without becoming so distracted by the artifacts and SQ and level changes. I think this rendition of Reaction In G is the best I've heard........it really cooks after a few minutes. And I love the way One in A Million hits so hard..........I have a new appreciation for this track. 

Alice Cooper - 1969-09-13 - Toronto, ON (SBD/FLAC)

(Soundboard FLAC)

Alice Cooper

September 13th, 1969 (Saturday)

The Toronto Rock 'n' Roll Revival

Varsity Stadium / University of Toronto

Toronto, Ontario

lineage

Flaming Cheese Productions Bootleg Cassette > Sony TC-WE475 > Wavepad Masters Edition > flac (8)

01 introduction

02 Painting a Picture

03 For Alice

04 I've Written Home to Mother

05 Freak Out Song

06 Nobody Likes Me

07 Science Fiction

20:45

I bought this from a used record store for very cheap. The label had spliced in some studio tracks from a completely

Chicago - 1969-09-13 - Toronto, Cananda (SBD/FLAC)

(Soundboard FLAC)

Lineage: 

Unknown SBD source > traded CDR > Steinberg (no corrections) > Carbon CDR > flac > you

01. Introductions (6:53)

02. South California Purples (6:19)

03. 25 or 6 to 4 (5:56)

04. Does Anybody Really Know What Time It is? (3:18)

05. I'm A Man (7:12)

06. Beginnings (5:01)

07. Liberation (11:58)

08. Free From Guitar (8:23)

Notes:

Great set, great performance, superb Sound-Quality. The presentation is miles better than at the 'Texas International Pop Festival'. '25 or 6 to 4' and 'I'm A Man' are mind blower. Furious guitarwork at 'Liberation' and 'Free From Guitar'. A fine piece of historical music.

Crosby, Stills, Nash and Young - 1969-09-13 - Monterey, CA (SBD/FLAC)

(Soundboard FLAC)

Crosby, Stills, Nash and Young

September 13, 1969

Big Sur Folk Festival

Monterey, California

Source: SBD > 3rd gen Reel > (unknown gen) DAT (48)

Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave 

(resampling 44.1, minor edits and normalization to 100% > CDWAV tracking and Flac conversion

transferred by jbraveman@hotmail.com - September 2004

**SetList**

Disc 1/Set I - 44m 52s

01 - Helplessly Hoping

02 - Banter

03 - Guinnevere

04 - Lady Of The Island

05 - Banter

06 - Birds

07 - Announcement 

08 - Four+ 20

09 - Banter/tuning

10 - Yo uDon't Have To Cry

11 - Intro

12 - World In Changes *

13 - Only You Know & I Know *

14 - Suite Judy Blue Eyes 

Disc 2/Set 2 - 46m 17s

01 - Pre Road Downs

02 - Tuning

03 - Long Time Gone

04 - Bluebird Revisited

05 - Sea Of Madness One & Two

06 - Tuning

07 - Wooden Ships

08 - Banter

09 - Down By The River 

* with Dave Mason

Notes

great performance. Sound quality is B+. There is some hiss and some minor distortion, especially in the electric sets. The sound seems somewhat compressed. I know this is widely circulated in various forms, none of which I've heard. I can't tell you how it compares to the other sources. I suspect that this is a cleaner version.

The Doors - 1969-09-13 - Toronto, Ontario (AUD/FLAC)

(Audience FLAC)

Varsity Stadium
"Toronto Rock & Roll Revival"

[Audience Recording]

Lineage:
Master Reel > ANA1 > CDR > EAC > WAV > Flac Frontend > FLAC (lvl 8, SBE aligned)

01. When The Music's Over - 12:18 
02. Break On Through - 3:52 
03. Back Door Man - 6:58 
04. The Crystal Ship - 3:09 +++ REMOVED +++ ("Crystal Ship" was released on Disc 3 of "Boot Yer Butt") 
05. Wake Up - 1:49 
06. Light My Fire - 12:04 
07. The End - 15:48 

A rare audience recording from 1969 (rare in the sense that few recordings from 1969 exist since The Doors didn't play many shows in the aftermath of the Miami incident). This is a first generation recording. There are a few bootlegs out there that feature songs from this night and none of them sound quite this good. The drums come through terrifically and Jim's vocals are right up in the mix. The guy who taped this show must have been right near the stage.

This show contains a unique "Back Door Man" medley where Jim includes lyrics from "Roadhouse Blues" and "Maggie M'Gill." Definitely worth a listen. Though only 7 tracks, the show lasts for about an hour thanks in part to a long version of "The End," where Jim explains how proud he feels to be performing "on the same stage with so many illustrious musical geniuses."

Unfortunately, while much of the festival was filmed, it doesn't appear that The Doors' set was (rumors persist that footage exists but no concrete information has ever surfaced). The Doors were the last to go on that night after John Lennon and the Plastic Ono Band, and by all accounts, the camera crew was already packing its gear by then. The only footage that's known to exist are shots of The Doors arriving in their car during the opening sequence to D.A. Pennebaker's 1972 film "Sweet Toronto." Watch the opening here (http://www.youtube.com/watch?v=L4DcJSjR8K8) and see if you can spot Ray and Jim at about the 2:50 mark (Jim is in the front passenger seat with his back to the camera; Ray is directly behind him and spots the camera).

Bruce Springsteen - 1975-09-13 - Houston, TX (SBD/FLAC)

(Soundboard FLAC)

So Dark Tonight 
Music Hall 
ER Archives Vol. 9 via JEMS 

JEMS 2014 Transfer: very likely 2nd generation reel to reel tapes > Otari 5050mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX click repair > Peak 6.0 with iZotope Ozone 5.0 (speed correction) > resample 16/44.1 > Peak Pro XT (volume smoothing / manual click removal / edit / indexing) > xACT > FLAC 

CD1
01 Incident on 57th Street 
02 Tenth Avenue Freeze-Out 
03 Spirit in the Night 
04 Pretty Flamingo 
05 Growin' Up 
06 Saint in the City 
07 The E Street Shuffle (splice) 
08 She's the One 
09 Born to Run

CD2
01 Thunder Road 
02 Kitty's Back (splice) 
03 Jungleland 
04 Rosalita 
05 Sandy 
06 Quarter to Three 
07 Carol > Lucille 
08 Twist and Shout 

The show ends as appealingly as it begins, as a raucous crowd is clearly lifting Bruce's spirits, leading to a rollicking version of "Carol" straight into "Lucille." The band is them summoned back for "Twist and Shout." In between those sublime bookends is the first known performance of Manfred Mann's "Pretty Flamingo," complete with the story of the girl walking by Bruce's porch that would be retold all the way through The River tour, when it was part of "I Wanna Merry You", "Jungleland" is strong; "Kitty" too. 

Bruce Springsteen - 1975-09-13 - Houston, TX (SBD/FLAC)

(Soundboard FLAC)

The Houston Music Hall

(Parrot Records PAR-104-A/B)

Lineage:

TradeCDR--> EAC(secure)--> Flac(level.8)

CD1

01 - Incident On 57th Street

02 - Tenth Avenue Freeze-Out

03 - Spirit In The Night

04 - Pretty Flamingo

05 - Growin' Up

06 - It's Hard To Be A Saint In The City

07 - The E Street Shuffle

08 - She's The One

09 - Born To Run

10 - Thunder Road

CD2

01 - Kitty's Back

02 - Jungleland

03 - Rosalita

04 - 4th Of July, Asbury Park

05 - Quarter To Three

06 - Carol & Lucille (medley)

07 - Twist And Shout

Notes:

First known complete "Pretty Flamingo" & "Kittys Back". Also, unique medley of "Carol & Lucille".

Dixie Dregs - 1975-09-13 - Miami, FL (SBD/FLAC)

(Soundboard FLAC)

Dixie Dregs (Rod Morgenstein Recital) 
University of Miami 
Miami, Florida, USA 
September 13, 1975 

Earliest known Dixie Dregs live recording

Rod Morgenstein - Drums 
Steve Morse - Guitars 
Allen Sloan - Violin 
Andy West - Bass 
Mark Parrish - Keys 

Source: Soundboard 
Quality: Really Good (A-/B+) 
Lineage: SBD > Tape > ?? > CDr > EAC (Secure/Offset corrected) > .WAV > FLAC (L8/SBA) > TorrentSpy

1. Unknown 
2. Unknown 
3. Unknown 
4. Unknown 
5. Unknown 
6. Unknown 
7. Cosmic Strut (Mahavsihnu Orchestra) 
8. Leprechuan Promenade 
9. Celestrial Terrestial Commuters (Mahavishnu Orchestra) 
10. Wages Of Weirdness 
11. Flight Of A Cockroach 
12. What If 
13. Holiday 
14. Country House Shuffle 

Fades between tracks but overall an excellent show in great quality. Even though they are all young whippersnappers, they are already frightenly talented.

Van Halen - 1979-09-13 - Tokyo, JP (AUD/FLAC)

(Audience FLAC)

Original Source Boot Silver>EAC>WAV>FLAC (Lv8) 

Title: Japan Tour II 
Label:Shades 
Source: Excellent Audience Recording 

David Lee Roth - Lead Vocals 
Eddie Van Halen - Guitars, Vocals 
Michael Anthony - Bass, Vocals 
Alex Van Halen - Drums

CD1 
01 Intro. 
02 Light Up The Sky 
03 Somebody Get Me A Doctor 
04 Drum Solo 
05 Runnin' With The Devil 
06 Dance The Night Away 
07 Beautiful Girls 
08 Improvisation 
09 On Fire 
10 Bass Solo 
11 You're No Good 
12 Jamie's Cryin' 

CD2 
01 Fools Intro. 
02 Feel Your Love Tonight 
03 Outta Love Again 
04 Ice Cream Man 
05 Ain't Talkin' Bout Love 
06 Spanish Fly / Eruption 
07 You Really Got Me 
08 Bottoms Up 
09 Atomic Punk 

Elton John - 1980-09-13 - New York, NY (FM/FLAC)

(FM broadcast FLAC)

Elton John

1980-09-13

Central Park, New York, NY

linaege

FM > unknown > FLAC

01 - PreShow Announcements/ Introductions

02 - Funeral For A Friend / Love Lies Bleeding

03 - Tiny Dancer

04 - Goodbye Yellow Brick Road

05 - All The Girls Love Alice

06 - Rocket Man

07 - Sartorial Eloquence

08 - Philadelphia Freedom

09 - Sorry Seems To Be The Hardest Word

10 - Saturday

11 - All I Want Is You (incomplete - spliced @ 1:03:00)

12 - Saturday Night's Alright (For Fighting)

13 - Harmony

(missing White Lady, White Powder)

14 - Little Jeannie

15 - Bennie And The Jets

16 - Imagine (incomplete - spliced @ 1:34:26)

17 - Ego

18 - Have Mercy On The Criminal

19 - Someone Saved My Life Tonight

20 - encore #1 applause / stage banter

21 - Your Song

22 - encore #2 applause / stage banter

23 - Bite Your Lip (Get Up And Dance)/Good Golly Miss

24 - Molly/ Bite Your Lip (reprise)

Bruce Springsteen - 1981-09-13 - Cincinnati, OH (AUD/FLAC)

(Audience FLAC)

Bruce Springsteen and the E Street Band 

1981-09-13 

Riverfront Coliseum 

Cincinnati, OH 

Source: Aud 

Taper/Label: JEMS 

SOURCE: 

Teac M-100 > Sony TCM-600 

TRANSFER: 

Master Cassettes > Nakamichi CR-7A > PreSonus FireStudio Project > Adobe Audition 3.0 > FLAC frontend 1.7.1 

GENERATION: 

ANA(M) > WAV [96kHz/24bit] > FLAC [Level 8] 

FLAC Files > TLH (16.1/44) > Adobe Audition > TLH (Flac) 

CD1 

01 - Out in the Street 

02 - Prove It All Night 

03 - 10th Avenue Freezeout 

04 - Darkness on the Edge of Town 

05 - Factory 

06 - Independence Day 

07 - Intro (to Trapped) 

08 - Trapped 

09 - Two Hearts 

10 - Who'll Stop the Rain 

11 - The Promised Land 

12 - The River 

13 - This Land is Your Land 

14 - Badlands 

15 - Thunder Road 

CD2 

01 - Hungry Heart 

02 - You Can Look 

03 - Cadillac Ranch 

04 - Sherry Darling 

05 - Jole Blon 

06 - Johnny Bye Bye 

07 - Backstreets 

08 - Ramrod 

09 - Rosalita 

CD3 

01 - Jungleland 

02 - Born to Run 

03 - Detroit Medley 

04 - Twist and Shout 

Notes: 

The incredible River tour wrapped up with two shows in Cincinnati, Ohio that had been rescheduled from July, per Brucebase Wiki. The shows not only capped an incredible run for the band through the US, Europe and back again to the States, but marked Little Steven's last proper shows with the E Street Band until the 1999 Reunion tour. Covers played a huge role in the '81 tour and night one in Cincy is no exception as on this night Bruce and the band play "Who'll Stop the Rain," "This Land is Your Land," "Jole Blon" and the transformed 

"Trapped." 

--BK for JEMS 

Just to piggy-back on BK's notes above, this performance of "Trapped" may be one of the best I've ever heard. I don't recall ever hearing Danny's organ this high in the mix and it adds so much intensity to the song. Bruce introduced "Trapped" by telling the story of his father working at the local factory, one that he had been telling prior to "Independence Day" throughout the tour. Curiously, there was no introduction to "Indy Day" at this show.

Toto - 1982-09-13 - Reggio Emilia, IT (AUD/FLAC) Sound Quality: A/A+

(Audience FLAC)

Toto

Venue: Palasport, Reggio Emilia, Italy

Date: 13 Sep 1982

Taper: Unknown

Source: Audience

Transfer: CD-R from trade > EAC > FLAC Level 8 > you

Sound Quality: A/A+ in my rating and ears....

CD1

01 Child’s Anthem

02 Girl Goodbye

03 English Eyes

04 A Million Miles Away

05 Gift With A Golden Gun

06 Good For You

07 Hydra

08 99 (fade out)

09 Make Believe

10 Rosanna

CD2

01 Africa

02 Runaway

03 Band Intro

04 Afraid Of Love

05 Goodbye Elenore

06 I’ll Supply The Love

07 Hold The Line

-Originally shared with bonus Tracks from Shibuya Kokaido, Tokyo, Japan 13 Mar 1980

-bonus tracks removed

Notes:

Excellent recording from the European leg of the Toto IV Tour.

Since I got this in a trade I dont have any info

about lineage, taping equipment etc.

Black Sabbath - 1983-09-13 - Barcelona, ES (AUD/FLAC)

(Audience FLAC)

Plaza De Toros Monumental, Barcelona

Unknown lineage (CDR)

CD1 [41:17]

01 - Supertzar (intro tape)

02 - Children Of The Grave

03 - Hot Line

04 - War Pigs

05 - Born Again

06 - Supernaut & Drum Solo

07 - Rock & Roll Doctor

08 - Disturbing The Priest (cuts)

CD2 [44:08]

01 - Keep It Warm (starts in middle)

02 - Iron Man

03 - The Dark & Zero The Hero & Guitar Solo

04 - Digital Bitch

05 - Guitar intro & Black Sabbath

06 - Smoke On The Water

07 - Paranoid & Heaven and Hell (reprise)

Jethro Tull - 1984-09-13 - Madrid, ES (FM/FLAC)

(FM broadcast FLAC)

Jethro Tull,
Pabellon Deportivo del Real Madrid,
Madrid,
Spain,
13 September 1984

Lineage:
unknown generation tape -> Audacity -> Flac 8 with xAct -> SF10 (editing, phase offset corrected, balance between channels adjusted, removed a couple of extraneous noises, speed corrected) -> wav -> flac

Original broadcast recorded by: ?
Tape collected, transferred and first seeded by: Lake Ogleton
File rescue and images provided by: dunringill
Edited by: JacoZappa

Ian Anderson: flute, acoustic guitar, lead vocals
Martin Barre: electric and acoustic guitar, synth
David Pegg: bass guitar
Peter-John Vettese: keyboards, synth, percussion
Doane Perry: drums, electronic drums

01 Intro Tape [00:37]
02 Locomotive Breath (instr.) [01:39]
03 Hunting Girl [05:32]
04 Under Wraps #1 [04:46]
05 Later, That Same Evening [03:58]
06 Nobody's Car [05:18] (cut at 1:37, music missing)
07 Apogee [05:22]
08 Thick As A Brick [06:47] (splice at 0:03, overlap removed, no content missing)
09 Level Pegging [01:59]
10 Skating Away On The Thin Ice Of The New Day [01:56] (tape flip, cuts in, music missing)
11 Pussy Willow [04:44]
12 Clasp [04:10] (flaw, 0:07)
13 Living In The Past [04:16]
14 Serenade To A Cuckoo [05:05]
15 Fat Man [06:21] (cut at 4:17, music missing)
16 Keyboard Instrumental (incl. Fly By Night) [08:42]
17 Fly By Night [04:00]
18 Made In England [05:20]
19 European Legacy [03:23]
20 Black Sunday [06:18] (splice at 0:24, overlap removed, no content missing)
21 Aqualung [07:07] (tape flip, cuts out, music missing)
22 Locomotive Breah [06:29]
23 encore break [01:58]
24 Too Old To Rock N' Roll: Too Young To Die [05:23] (cuts out, music missing)

- Total time: 111:20

Here's an interesting Tull show that hasn't been seen on the internet much. This is a high energy mean spirited performance from the "Under Wraps" tour. One of the reasons I like this band a lot is that even when they were touring less than stellar material they managed to put on an excellent show. I'm not and never was a big fan of the "Under Wraps" album but the songs performed here benefit immensely from the stage treatment: for one thing, Martin Barre is very prominent, aggressive and great in the mix and the songs are played with a real drummer, albeit sometimes using electronic drums. However, Perry plays "Apogee" with the proper drum set and the result are great. It also helps that they played none of the songs on that album that I consider really offensive.

This was the last tour before Anderson lost his classic voice but he started to have problems here too sounding a bit more nasal than usual. He is mostly great on the newer material but on the old songs you can hear it was the beginning of the end. The setlist is pretty good, well balanced between the new and the old stuff with some instrumental things thrown in the mix and a very different than usual edit of "Thick as a Brick".

This concert was broadcast live by Radio Madrid and, although sound quality is very good, it is plagued by a few problems. Some are of technical nature: sometimes there's radio crackle and static and the mix is strange with what seem to be out of phase artifacts in order to emphasize the stereo image. It would still sound pretty pleasant if it wasn't for the two DJs talking over bits. This is something that was done by the radio stations to prevent bootlegging: I have a Frank Zappa concert from Barcelone six days later which has the same problem and probably the same DJs. Still, if you speak Spanish, you'll realize these guys say a lot of dumb crap. Some highlights:

- "Hunting Girl" is the opening track of "Under Wraps";
- Martin Barre was a childhood friend of Ian Anderson and they formed Tull together;
- The keyboard player is David Pegg;
- One of the DJs says this is the best show he has seen with the radio station (mejor). The other DJ thinks he said the worst (pejor) and says he agrees because they are playing too much new stuff and the best he had seen was a Rod Stewart one because he played all the classics.

Still, when the dynamic duo lets us hear the music sound quality is very nice and pleasant. Also, to be fair, the beginning of the broadcast is the most plagued section and as they go on talk less and less, although in the most inappropriate places. Oh, well...

The source of this version is a seed by Lake Ogleton from a few years ago. I don't know when this first appeared on dime but dunringill was kind enough to send me the files so thanks to both. Compared to the original files I did some adjustments: I fixed some phase offset problems and balance between the channels, eliminated a couple of thumps, removed overlaps, retracked it and speed corrected it a little bit because the original seed ran slightly too fast. Unfortunately, I haven't been able to find the final 2-3 minutes of the show (including "Different Germany (instr.)" and "Thick as a Brick (reprise)") which were broadcast but are not here because of the tape running out. Still, I like the results and I think it sounds pretty nice. The original seed reported the venue as Cuidad Portiva del Real Madrid which is what it's listed on the ministry of information website but the DJs, the tickets and the posters of this show all say it was at Pabellon Deportivo del Read Madrid. Lake Ogleton also wrote on the original info file that his tape was marked as "Pabellon de Deportes".

Dire Straits - 1985-09-13 - San Francisco, CA (AUD/FLAC)

(Audience FLAC)

Concord Pavilion

Lineage:
Trade CDR > EAC (wav) > TLH (flac)

CD1
01 - Ride across the river
02 - Expresso love
03 - One world
04 - Romeo and Juliet
05 - Private investigations
06 - Sultans of swing
07 - Why worry
08 - Walk of life

CD2
01 - Two young lovers
02 - Money for nothing
03 - Wild west end
04 - Tunnel of love
05 - Brothers in arms
06 - Solid rock
07 - Going home

J.J. Cale - 1985-09-13 - Davis, CA (SBD/FLAC) Early & Late shows

(Soundboard FLAC)

J.J. Cale

Palms Playhouse, Davis, CA

September 13, 1985 (early and late shows)

Lineage: soundboard cassette master

Transfer: HHB standalone CD burner > Pro Tools (minor "nip and tuck" edits, normalization and tracking - no EQ, compression or DNR) > AIFF files > xACT (Flac level 8 files with sector boundaries verified).

-- early show

01 instrumental [cuts in]

02 Ride Me High

03 Call Me The Breeze

04 After Midnight

05 Lies

06 People Lie

07 Johnny B. Goode [instrumental]

08 Clyde

09 Goin' Down

10 Cocaine

11 thanks and applause before encores

12 Crazy Mama

13 Don't Cry Sister

14 I Got Myself A Woman

15 Thirteen Days

16 instrumental

17 final thanks and applause

-- late show

01 Mama Don't Allow [cuts in]

02 Money Talks

03 Blond-Headed Woman

04 instrumental

05 Call The Doctor

06 instrumental

07 Crazy Mama

08 Artificial Paradise

09 After Midnight

10 Humdinger

11 Sensitive Kind

12 Roll On

13 thanks and applause before encores

14 Back At The Chicken Shack

15 Cajun Moon

16 Bringing It Back

17 Cocaine

18 final thanks and applause

Benefit For New Orleans Artists Against Hunger and Homelessness - 1989-09-13 - New Orleans, LA (FM/FLAC)

(FM broadcast FLAC)

Municipal Auditorium

FM Broadcast: WXPN Philadephia

lineage
FM-> Cassette -> CDR (trade) -> EAC -> dBPowerAmp (FLAC)

Dirty Dozen Brass Band:
1) Splileto New Orleans
2) It's All Over Now
3) That's How You Got Killed Before
4) Black Drawers
5) Feet Can't Fail Me Now

Neville Brothers:
6) Hey Pocky Way > I Walk On Gilded Splinters
7) Voodoo
8) Africa
9) Yellow Moon
10) Tell It Like It Is
11) Wake Up
12) Brother John > Iko Iko
13) Injuns Comin' > Shake Your Tambourine

Allen Toussaint:
14) Fun Time
15) Who's Minding the Store?

Irma Thomas w/ Toussaint Band:
16) Until My Tears Run Dry
17) Breakaway

Boz Scaggs w/ Toussaint Band:
18) Monkey On My Mind
19) Hercules

Ry Cooder:
20) Crazy 'Bout an Automobile
21) Money Honey
22) Across the Borderline
23) Hard Times Come Again No More (w/Aaron Neville)
24) Railroad Blues
25) Vigilante Man

Neville Brothers w/ Rita Coolidge:
26) Down By The Riverside > Amen > This Little Light Of Mine
27) Fever
28) The Way You Do The Things You Do

Dr. John:
29) Iko Iko
30) Qualified
31) Makin' Whoopee (w/ Rita Coolidge)
32) Kinfolks
33) Such A Night
34) Candy (?)
35) Big Chief

The Radiators:
(Performed at the Riverwalk, New Orleans)
36) Law Of The Fish
37) Mood To Move
38) Beautiful Loser
39) Good As Gone
40) River Run
41) Fall Of Dark
42) Brown Eyed Girl
43) Treat A Stranger Right
44) Squeeze Me
45) Like Dreamers Do

This was the 5th annual benefit for New Orleans Artists Against Hunger Homelessness, and was held at the Municipal Auditorium and Riverwalk in New Orleans. Anyone with more info, please post. This is a FM broadcast from WXPN in Phildelphia.

Tom Petty - 1989-09-13 - Chapel Hill, NC (FM/FLAC)

(FM broadcast FLAC)

Pluto Records - PLO 9132 - SB 6

Lineage:
FM>EAC>WAV>FLACFRONTEND>FLAC

01 - Bye Bye Johnny

02 - Damage You've Done

03 - Breakdown

04 - Free Fallin

05 - The Waiting

06 - Benmont Boogie

07 - Don't Come Around Here No More

08 - Southern Accents

09 - Even the Losers

10 - Listen to the Heart

11 - A Face in the Crowd

12 - Something Big

13 - I Won't Back Down

14 - I Need to Know

15 - Refugee

16 - Running Down a Dream

Comments: Sourced from FM Broadcast.

Judas Priest - 1990-09-13 - Los Angeles, CA (SBD/FLAC)

(Soundboard FLAC)

Genre: Heavy Metal

Country of origin: Japan

Release year: 1991

Publisher (label): Promo

Country: UK

Audio Codec: FLAC (* .flac)

Rip Type: tracks

Audio Bitrate: lossless

Duration: 48:11

Source (release): Inet

The presence of scans in the content of the distribution: yes

Recorded live in Los Angeles, CA, 1990 Concrete Foundation Forum

Soundboard, PAINKILLER TOUR

American tour support act Testament, Megadeth and Pantera

British and European tour support act Pantera and Annihilator

01 - Riding On The Wind

02 - Grinder

03 - Heading Out Of The Highway

04 - Between The Hammer & The Anvil

05 - Bloodstone

06 - Better By You, Better Than Me

07 - Green Manalishi

08 - Lether Rebel

09 - Hell Bent For Leather

10 - You've Got Another Thing Coming

11 - Living After Midnight