The Beatles - 1969-01-03 - Twickenham Studios (STU/FLAC)

The Beatles 1969-01-03 Twickenham Studios 
(Studio FLAC)

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Jan.03 - D1-18 - Unknown 3.18_19_COMBINED_STEREO
Jan.03 - D1-24 - Picasso 3.23_STEREO
Jan.03 - D1-25 - Taking A Trip To Carolina 3.24_STEREO
Jan.03 - D1-26 - Hey Jude 3.25_STEREO
Jan.03 - D1-31 - Improvisation 3.30_STEREO
Jan.03 - D1-39 - I'm So Tired 3.38_STEREO
Jan.03 - D1-40 - Ob-la-di, Ob-la-da 3.39_STEREO
Jan.03 - D1-41 - Get On The Phone 3.40_STEREO
Jan.03 - D1-42 - Ob-la-di, Ob-la-da 3.41_STEREO
Jan.03 - D1-43 - Don't Let Me Down 3.42_STEREO
Jan.03 - D1-45 - Improvisation 3.44_STEREO
Jan.03 - D1-46 - My Words Are My Heart 3.45_STEREO
Jan.03 - D1-47 - Negro In Reserve 3.46_STEREO
Jan.03 - D1-50 - Don't Let Me Down 3.49_STEREO
Jan.03 - D1-51 - Don't Let Me Down 3.50_STEREO
Jan.03 - D1-52 - Ob-la-di, Ob-la-da 3.51_STEREO
Jan.03 - D1-53 - Don't Let Me Down 3.52_STEREO
Jan.03 - D1-54 - Don't Let Me Down 3.53_STEREO
Jan.03 - D1-55 - Don't Let Me Down 3.54_STEREO
Jan.03 - D1-56 - Sun King 3.55_STEREO
Jan.03 - D2-01 - I've Got A Feeling 3.56_STEREO
Jan.03 - D2-02 - I've Got A Feeling 3.57_STEREO
Jan.03 - D2-04 - I've Got A Feeling 3.59_STEREO
Jan.03 - D2-08 - Going Up The Country 3.62_STEREO
Jan.03 - D2-09 - On The Road Again 3.63_STEREO
Jan.03 - D2-10 - One After 909 3.64_STEREO
Jan.03 - D2-13 - One After 909 3.66_STEREO
Jan.03 - D2-14 - I'll Wait Until Tomorrow 3.67_STEREO
Jan.03 - D2-21 - The Hippy Hippy Shake 3.74_STEREO
Jan.03 - D2-22 - Two Of Us 3.75_STEREO
Jan.03 - D2-24 - Two Of Us 3.77_STEREO
Jan.03 - D2-25 - Two Of Us 3.78_STEREO
Jan.03 - D2-26 - Two Of Us 3.79_STEREO
Jan.03 - D2-27 - Two Of Us 3.80_STEREO
Jan.03 - D2-30 - Sun King 3.82_STEREO
Jan.03 - D2-31 - Improvisation 3.83_STEREO
Jan.03 - D2-32 - Improvisation 3.84_STEREO
Jan.03 - D2-33 - Short Fat Fanny 3.85_STEREO
Jan.03 - D2-34 - Midnight Special 3.86_STEREO
Jan.03 - D2-38 - Money (That's What I Want) 3.90_STEREO
Jan.03 - D2-39 - Give Me Some Truth 3.91_STEREO
Jan.03 - D2-40 - All Things Must Pass 3.92_STEREO
Jan.03 - D2-41 - All Things Must Pass 3.93_STEREO
Jan.03 - D3-01 - All Things Must Pass 3.94_STEREO
Jan.03 - D3-07 - All Things Must Pass 3.100_STEREO
Jan.03 - D3-08 - All Things Must Pass 3.101_STEREO
Jan.03 - D3-10 - All Things Must Pass 3.103_STEREO
Jan.03 - D3-11 - All Things Must Pass 3.104_STEREO
Jan.03 - D3-12 - All Things Must Pass 3.105_STEREO
Jan.03 - D3-13 - All Things Must Pass 3.106_STEREO
Jan.03 - D3-14 - All Things Must Pass 3.107_CORRECTED (Not stereo, but restores 12-1/2 seconds of dialogue at end)
Jan.03 - D3-16 - All Things Must Pass 3.108_STEREO
Jan.03 - D3-17 - All Things Must Pass 3.109_STEREO
Jan.03 - D3-18 - All Things Must Pass 3.110_STEREO
Jan.03 - D3-19 - All Things Must Pass 3.111_STEREO
Jan.03 - D3-20 - All Things Must Pass 3.112_STEREO
Jan.03 - D3-21 - All Things Must Pass 3.113_STEREO
Jan.03 - D3-22 - All Things Must Pass 3.114_STEREO
Jan.03 - D3-25 - All Things Must Pass 3.117_STEREO
Jan.03 - D3-26 - All Things Must Pass 3.118_STEREO
Jan.03 - D3-27 - All Things Must Pass 3.119_STEREO
Jan.03 - D3-28 - All Things Must Pass 3.120_STEREO
Jan.03 - D3-31 - All Things Must Pass 3.122_STEREO
Jan.03 - D3-32 - All Things Must Pass 3.123_STEREO
Jan.03 - D4-01 - All Things Must Pass 3.124_STEREO
Jan.03 - D4-02 - Unknown 3.125_STEREO
Jan.03 - D4-03 - Back In The USSR 3.126_STEREO
Jan.03 - D4-04 - Every Little Thing 3.127_STEREO
Jan.03 - D4-05 - Piece Of My Heart 3.128_STEREO
Jan.03 - D4-06 - Sabre Dance 3.129_STEREO
Jan.03 - D4-15 - All Things Must Pass 3.136_STEREO
Jan.03 - D4-16 - All Things Must Pass 3.137_STEREO
Jan.03 - D4-17 - All Things Must Pass 3.138_STEREO
Jan.08 - D4-26 - Dialogue_COMBINED_WITH_D4-27


These are replacements for Purple Chick "AB Road" tracks from 3 January 1969, synchronizing any overlaps between the A-roll and B-roll segments into stereo segments. Though this has been done before, on Yellow Dog YD079 ("A-Cam+B-Cam Stereo at Twickenham", http://www.bootlegzone.com/album.php?name=YD079), that CD covered only the first half of the day, and left the resulting stereo clips completely out of context.

These tracks place the stereo sections where they belong, so simply replace the corresponding Purple Chick files to upgrade discs 3 to 6 to "Stereo (Where Available)".

An explanation, courtesy of "Paul from Alaska" (http://www.bootlegzone.com/album.php?name=YD079§ion=1):
"Long story short, On just this one day, Jan 3 1969, the A-camera and B-camera were using "separate audio feeds", meaning that when the 2 cameras were running simultaneously, they each picked up different aspects of the sound in the room. ...The cameras began using the same audio feed the following day, and throughout the rest of the sessions at Twickenham."

These tracks combine the original A-roll sources (from "AB Road" and/or the Yellow Dog "Day-By-Day" discs) with B-roll tracks from Unicorn's "12 Days At Twickenham", keeping "A" on the left channel and "B" on the right. Speed was synchronized to the A-roll, as the B-rolls run a bit slower. (No guarantees the A-roll speed is correct, just that I didn't change it. Anyone more tonally gifted than I is more than welcome to take a stab at pitch correction.  ) (Also inexplicably, many of the Purple Chick tracks from this day feature inverted waveforms. When I caught one, I flipped it back.) The completed stereo segments were then dropped back into the appropriate "AB Road" tracks. 72 tracks from 3 January 1969 were captured partially -- in some cases entirely -- by both the A and B Nagras.

For good measure, I also threw in two "corrected" tracks -- Purple Chick's 3.107 had somehow lost the last 12-1/2 seconds of conversation, while from January 8th, Disc 4 (and the recording day) ended with separate A and B-roll versions (D4-26 & D4-27) of the same lengthy "cruise ship" discussion, now edited down to a single non-redundant track.

Caveats:
"Stereo" does not imply that the entire track is now in stereo, as the A/B overlaps were sometimes quite brief.
The impressiveness of the stereo effect varies from track to track. Voices and instruments also tend to wander a bit as recording personnel move around the soundstage.